RCE Foto

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Leo45...

GPP Elaborazioni in Gara

View gallery (22 photos)

Leo45 sent on October 14, 2025 (16:09) by Ottiero. 8 comments, 123 views.

1/125 ISO 500,




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avatarsenior
sent on October 15, 2025 (7:01) | This comment has been automatically translated (show/hide original)

I opened it with Canon DPP, adjusted the WB with the pipette on the jacket and increased the exposure by +0.33, then I straightened it with PS without doing any other retouching

Exactly like my Fg (just identical in the procedure as well), which, at this point, I don't even publish.
The Shining as brothers, even if not twins? :-D
I find it just perfect.

avatarsenior
sent on October 15, 2025 (10:43) | This comment has been automatically translated (show/hide original)

:-D
here is the b&w, it's the same as the color one but in addition applying my Nik SilverEfex
preset


avatarsenior
sent on October 15, 2025 (11:57) | This comment has been automatically translated (show/hide original)

but I have a problem calibrating the monitors, I have 2 on 2 different PCs one with LCD backlighting and the other with LED and the LED one seems globally darker, with deeper blacks, less bright highlights and greater contrast and saturation than the LCD, yet they are calibrated identical with the same probe so I don't know which one to rely on anymore, From the prints the "truth" seems halfway between the 2...how can I fix it? :-)

avatarsenior
sent on October 18, 2025 (14:08) | This comment has been automatically translated (show/hide original)

Leo, I also see your post on the podium :-D
As for the monitors,
when you do the calibration, what lighting is there in your room?

avatarsenior
sent on October 18, 2025 (17:01) | This comment has been automatically translated (show/hide original)

I have already indicated that I am not available. :-)
Actually I think you have a problem, everyone says that for printing you have to set it to 90cdm but in fact it depends on the ambient brightness, in fact my probe takes into account the variations in brightness of the environment to adapt the brightness of the monitor but for this I should always leave it connected which I don't do, already because I have 2 monitors and only one probe and then because I am disturbed by the probe dangling on the screen. I have always calibrated them in total darkness at 90cdm and then the probe is split, but I should try to leave it connected to see what happens. :-)

avatarsenior
sent on October 18, 2025 (18:12) | This comment has been automatically translated (show/hide original)

I tried with the adaptive brightness of the probe but even if the brightness varies (from 120 to 180cdm depending on whether I open or close the shutters :-) ) the difference in black depth between the 2 monitor technologies, LCD and LED, remains, so I think I put it back fixed as before, that is, calibrated in the dark at 90cdm without adaptive brightness.

avatarsenior
sent on October 18, 2025 (21:13) | This comment has been automatically translated (show/hide original)

Well, Leo, let's say that every monitor has a "character", the important thing is that when you calibrate there is no incident light on the screen and HDR is not activated if your screen is equipped with it.

avatarsenior
sent on October 18, 2025 (21:32) | This comment has been automatically translated (show/hide original)

What made me doubt is the difference between my 2 monitors therefore calibrated identical, but today redoing the calibration of the 2 I realized that the old LCD monitor connected to my old PC that I use daily (the new one I use only for photo / video) is at the end of life, completely "pumped" I can no longer even reach 90cdm even adjusting the brightness to the maximum then that until the last Once I calibrated it I put it at 35% for 90cdm, and the colors seem washed out, I should change it now it's dead. :-)


RCE Foto

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