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The Zeiss Planar T* 50mm f/1.7 (C/Y) is a standard lens for FF and APS-C, manufactured from 1975 to 2005 (discontinued). The focus is done by Manual Focus, it does not have image stabilization. The average price, when it has been added to the JuzaPhoto database, is €;
36 users have given it an average vote of 9.8 out of 10.
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The following opinions have been automatically translated with Google Translate.
Opinion:They are cheap and I took it pretty much for Sfizio. I have to say that it has exceptional sharpness and three-dimensionality. The only problem is the dramatic Lens Flare at F Downs in backlight. It is sturdy and not too heavy, the rings are very fine. I thought I was just portraits but I found myself using it in other contexts, as moving subjects in some rooms lit in candle
Opinion:Superb optics, taken with a bargain at just €80, and I have to say one of the best 50 I've Had. Surely it stops everything if you reason in terms of "peso\\power". small, it mounts on any mirrorless without any problems. I have few shots made with this lens, but I must say that even a simple flower takes on a character all its own. Obviously I talk about the yield on full frame, on aps-c I do not express myself. Try it because if you like vintage lenses in my opinion it is one of the Best. The bokeh is really peculiar, quite creamy despite being "only" F 1.7, but still it's a bit "swirly", which makes it really unique.
Opinion:Shooting only in analog, so my review does not take into account the use of digital camera .... But I have never read negative reviews of this lens with the sensor..rn I love this 50mm fixed, things of the past! rnAnche at full aperture defends itself to the great! But from 5.6 in my opinion it has no rivals. At least among the optics of the period and leaving out the leica ... but those are another planet ... let's say among those at human prices :-D. But I think it makes the dust eat even in many modern lenses. In my opinion the only defect that can have compared to modern buildings is the lack of autofocus (like all the optics c / y) .rnThe slides projected with the colorplan 90 are exceptional! Full-bodied colors, extraordinary clarity, no difference in yield between center and edges! Someone speaks of cold yield, never noticed anything like that, I do not know if it is due to use with the digital. But with the film I could not ask for more from a fixed 50mm. Now it is at great prices, it will not disappoint the purchase! Rn
Pros:Construction, sharpness, blurred, excellent performance even on APS-C
Cons:Not found
Opinion:Taken with adapter for Fujifilm XT-1 has confirmed all my expectations. Construction at the top, very good sharpness already from f / 1.7.rnEasy to focus even at full aperture with the aid that Fuji makes available on his camera bodies. Very pleasant blurred, slightly cool tonal effect "vintage effect" that I personally like a lot. Nothing else to add, Rating 10 deserved. I'll upload a few photos soon.rnA small note on the adapter (K ??& F Concept); despite the ridiculously low price, quality is beyond expectations. Completely in metal, solid and without strange grafting games.
Opinion:Taken on an online auction for 50 euro this lens has opened a new world: that of the fixed lens bright. Took more out of curiosity than anything else has proved an excellent training ship. I used it on the Canon 60D. If you do not have viewfinders very large and with pentamirror I suggest you focus using live view. Not autofocus, but those who turn to Zeiss knows. Rings of focus and aperture-smooth, which made it seem those of my old toys for children 15-85. The opportunity to "play" with diaphragms and focus manually, by setting the camera the only time is an excellent opportunity to get to know the secrets of the show. SHIP SCHOOL, 10 vote.
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The following opinions have been automatically translated with Google Translate.
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