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The Zeiss ZE/ZF.2 Planar T* 85mm f/1.4 is a tele lens for FF and APS-C, manufactured from 2009. The focus is done by Manual Focus, it does not have image stabilization. The average price, when it has been added to the JuzaPhoto database, is 1400 €;
26 users have given it an average vote of 9.6 out of 10.
MOUNT
This lens is available with the following mounts:
Canon EF: this lens is compatible with reflex fullframe and APS-C Canon EF.
Nikon F: this lens is compatible with reflex fullframe and APS-C Nikon.
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The following opinions have been automatically translated with Google Translate.
Pros:Granite construction, unique optical yield, exemplary contrast, non-existent price loss
Cons:it's not the most sensible choice in terms of spending, but life is also made of emotions and not just math
Opinion:I think the whole thing can be summed up a little bit. It is a particular lens, with a very long focus that allows extreme precision, but of course slows down its use. This lens is an experience, it has a different color rendering from the classic 85 because it has a scary contrast but a medium sharpness, which basically opens the doors of the infamous "microcontrast". It's a lens that is haunted by all the proponents of this "microcontrast", because in fact the black and white photos become... Magic. 6 elements in 5 groups is less than half the lenses of a Sigma Art, and some difference with half the glass must be there. It's not a newit lens, it's a lens from artists who want to "brush" with the camera. On Sony it works better there is little to say, the electronic viewfinder allows much more precision and limits the photos out of focus a lot. Personally it's a magic lens, and snubbing it is a bit like saying "eh but that Alfa Spider is old, consumes too much and is not fast, this bmw consumes less, runs more and a tenth of maintenance". The thing is, the emotions of that Alpha, the bmw don't give you. In essence, it's a lens that's extra-advice to those who want to devote themselves to portraiture even in b-w, and don't have to run after the model by firing volleys. As a unique ness of surrender I compare it to a few lenses, including the 85 1.2 Canon-Mitakon, both of which have a "unique" yield, which deviates from the banal optical perfection, but without becoming "unpleasant". Not least the price is granite, it does not go up nor goes down: you buy it on the 700 and it is a circular check. I recommend to take it around this figure if in good condition with all the kit, without waiting for business of lenses used by cafoni that destroyed them, or worse you have lost the original kit. The resaleability of a similar object by "collectors" without bundles, is almost nothing
Pros:Exemplary construction, solidity transmitted to the photographer.
Cons:F1.4 weak. F2 could do it and there would be no problems. The choice is left to the user
Opinion:I find the 85mm the right cut for the portrait. In my opinion it does give the best of itself to f2.8. The 85mm length can be used both indoors and outdoors. It's heavy: I use Canon EOS and i feel it on the machine. Sewing with this lens is a pleasure, although at maximum openings the lack of sharpness does not help. It gives satisfaction and this leaves everything else in the background.
Pros:Maximum levels for construction, Compactness, Sharpness Extreme from f / 2.8 to f Good / 2, Defocused from Scream, ring Focus Phenomenal As per tradition Zeiss, Zeiss Colors, 3D Zeiss, Zeiss contrast, ring diaphragms
Cons:Sharpness at f / 1.4, the Generate Dependency, Lack rubber ring on the attack Bayonet, Price, Very Hard to Fire Center the TA without a slide Broken MF
Opinion:It 'a pleasure to use as all Zeiss, damn nice and "cool" to the touch; It creates images that are different than all the other 85 that I have owned and used (85 Nikon 1.4D, 1.4G, 1.8G, Samyang 85 1.4) especially with regard to the overall performance. Different does not mean better, it is the 1.4G is much sharper in TA, the blurred dell'1.4D maybe it creamier, the overall yield dell'1.8G is perhaps more balanced, but those 85 that I like to more: incorporates all the features of Zeiss glass that now I fell in love madly ... As mentioned in TA is a bit 'soft, af / 2 becomes good, by f / 2.8 is perfect. I think it is one of the objectives more aesthetically beautiful. As usual the price of the new is a bit 'high but if you can find a sample used in good condition becomes an investment like any other Zeiss. In conclusion a great 85 as usual, being one Zeiss,addictive ...
Pros:I agree with the opinion of Vetrofragile. RnAggiungerei only excellent brightness maximum aperture of 1.4
Cons:Manual focus extremely precise to the millimeter, and thus very difficult for portraits.
Opinion:It is a lens well built with a 'good mechanics. Its heaviness gives you a sense of solidity and quality of materials. Good definition, even with light scarsa.rnNon I had the opportunity to compare it with the Nikon 85mm 1.4, but still, as opposed to Vetrofragile, I am bound, rn (because I had already got the 24-70).
Pros:Colors, three-dimensionality and plasticity, fantastic and precise focus ring, general solidity, excellent design. It is a pleasure for the eyes to see him attached to his reflex.
Cons:Difficult to focus with large openings, even in full frame cameras the focus slide is not designed for the manual and the green confirmation ball is not as precise as you would expect. You can try it by changing the focus screen (reflex permitting) for example with a Katz eye, but it will never be like having an analog reflex designed for manual focus and the risk of miss focus at full opening is very strong, especially in portraits. It requires a lot of practice and dedication.
Opinion:It is a lens that makes you want to go out and photograph, it is nice to handle and see, the results it produces are moving in colors (it has a shift of its own) and in general yield but the nikon 85 1.4 D is more "incisive" and far from outclassed by this zeiss. It is "portrait optics" and absurdly the difficulty of focusing makes it a little less attractive to use at TA, but not too much and after so much practice and several out of focus you get the eye. Sold to fund the most versatile 24-70.
Photos taken with Zeiss ZE/ZF.2 Planar T* 85mm f/1.4
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