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Tokina RMC 17mm f/3.5 : Specifications and Opinions



Tokina RMC 17mm f/3.5


The Tokina RMC 17mm f/3.5 is a wide-angle lens for FF and APS-C, manufactured from 1979 to 2008 (discontinued). The focus is done by Manual Focus, it does not have image stabilization. The average price was 200 €;
3 users have given it an average vote of 9.3 out of 10.




If you have used this item, you can add your vote:  


SpecificationsReviewsCompareBuyPhotos


Specifications
Focal lenght17 mm
Angle of view103.7°
FormatFF, APS-C
Max. aperturef/3.5
Aperture blades6
Lenses/Groups 11 elements in 9 groups
Min. focus distance0.25 meters
Reproduction ratio

Features
StabilizationNo
FocusManual Focus
Internal FocusNo

Built and notes
Tripod ringNo
ExtendersNo
Filters67 mm
Lens hoodYes (not supplied)
Weather sealingNo
Weight300 g
Dimensions70 x 50 mm

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Reviews

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Google Translate  The following opinions have been automatically translated with Google Translate.


avatarjunior
sent on 13 Giugno 2019

Pros: Solidity, lightness (300gr. + 100gr. of adaptor), sharpness on the entire frame, contained dimensions, beautiful to see, very low price, does not suffer from diffraction

Cons: Suffers a lot the flare so beware of backlight, rather dark also because it must be used at F16, scale focus on infinity does not precise must be determined through tests

Opinion: My serial number 8XXXXXXXXXX has a Sony a mount and I use it with the Sony A7 markII. My copy and on my Sony A7M2, it should be used with the maximum diaphragm closure then at F16 if you want to have the maximum sharpness even at the sides as well as the center. I use it in hyperfocal and on my The notch of infinity is not accurate. However it gave me so many satisfactions certain needs light because it is to be used at F16 to give the maximum, this an example: https://www.juzaphoto.com/galleria.php?l=it&t=3208494

avatarsenior
sent on 25 Giugno 2017

Pros: Construction, reduced weight / footprint, sharpness, three-dimensionality

Cons: Vignetting (FF), backlight resistance, chromatic aberration

Opinion: Mechanically a jewel, I was positively impressed by the sharpness and the three-dimensionality of the image on d90 (field angle about 26mm equivalent). Compared to modern lenses, it produces less saturated colors and less contrast, easily augmented in pp to the right extent. A rare case in digital, it is very clear even to infinity. In some cases, in areas with very high contrast, it can be noted, with pushed magnification, contours tending to blue. In general, it improves by closing the diaphragm. I do not have digital FX, tried on film: you notice a bit of vignetting.

avatarjunior
sent on 19 Giugno 2017

Pros: Versatility, sharpness in the center of the image, contrast (provided in favorable lighting), no excessive distortion (for a focal lens), mechanical construction.

Cons: Decay on edges (at least on FF), it suffers the backlight.

Opinion: I bought this lens a few weeks ago, for a hundred euros, Vivitar labeled with K. attack. I remember asking for advice on this, on a FB group dedicated to vintage lenses, where they had called it a "bottle bottom" Or little more, fortunately I was not discouraged! I use it with satisfaction on my A7R, always keeping in mind its faults and avoiding risk situations, especially the backlight. It gives the best of the central diaphragms, is well-built and gives the impression of solidity, in short a nice toy to approach very short focuses without spending billions of dollars.

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