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The Tokina AT-X 24-70mm f/2.8 PRO FX is a standard lens for FF and APS-C, manufactured from 2014 to 2022 (discontinued). The focus is done by Ultrasonic AF Motor (Nano-USM), it does not have image stabilization. The average price, when it has been added to the JuzaPhoto database, is 1156 €;
15 users have given it an average vote of 9.3 out of 10.
MOUNT
This lens is available with the following mounts:
Canon EF: this lens is compatible with reflex fullframe and APS-C Canon EF.
Nikon F: this lens is compatible with reflex fullframe and APS-C Nikon.
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The following opinions have been automatically translated with Google Translate.
Pros:Very solid construction, aesthetically and very pleasant in spite of the photo looks like "old school" compared to competitors; Autofocus absolutely not noisy as you read, at least in the model tried. Color rendering tends to "warm" and tack lightly on the cream that I personally like especially on Nikon.
Cons:The optical quality, at least in the model tested, is far from the praises that they weave on the Internet; Soft at full aperture at any focal length and not miraculous as you read at more closed diaphragms. Very weak to 101% under strong lights as a normal day of the summer sun, under which the contrast decreases in an obvious way to open. Switch Ring Auto-manual uncomfortable, often engages because it does not fully enter the manual.
Opinion:Tried a specimen for 2-3 hours doing several tests in anticipation of purchase, I even feared there were problems of focus because it was soft, and I did not expect absolutely after evaluating precisely the purchase for months.. Doubts unfortunately dispelled with several tests in manual focus with LiveView at 100% zoom. The autofocus isn't as noisy as it reads (maybe flaw of the first samples used around the net for reviews?), but it's still slow for a lens with this cost.. Let's say that for my attempts has not wavered, arrives "slow and safe" on the subject. Not comparable to AF-s Nikon autofocus much faster. The colour rendition is warm and not very contrasted (in a pleasant way), but under the sun the contrast at the opening falls below the sufficiency; I think it compromises a tendency to use matrimonialistic or reportagistic. I think the lens I tried was a copy unfortunately unfortunate and softer than due, otherwise I do not explain the various tests on the web, and yet I am looking more carefully at various photos on the web and I do not find all this definition.. Staying in suspense on this point, I think that if you possess a good specimen can actually be a good lens for those who use diaphragms more closed, landscaping for example, but I for weddings and portraiture-reportage in live situations, Reluctantly I desisted from the purchase because to a direct comparison photo for photos, my very simple Tamron 28-75 2.8 won both as a definition at full aperture, both as autofocus speed, as well as contrast and surrender under the sun.. Still hard to believe it.
Photos taken with Tokina AT-X 24-70mm f/2.8 PRO FX
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The following opinions have been automatically translated with Google Translate.
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