JuzaPhoto uses technical cookies and third-part cookies to provide the service and to make possible login, choice of background color and other settings (click here for more info).
By continuing to browse the site you confirm that you have read your options regarding cookies and that you have read and accepted the Terms of service and Privacy.
You can change in every moment your cookies preferences from the page Cookie Preferences, that can be reached from every page of the website with the link that you find at the bottom of the page; you can also set your preferences directly here
The Tokina ATX-I 11-16mm f/2.8 CF Plus is a wide-angle lens for APS-C, manufactured from 2019. The focus is done by Stepper Motor, it does not have image stabilization. The average price, when it has been added to the JuzaPhoto database, is 520 €;
7 users have given it an average vote of 9.1 out of 10.
MOUNT
This lens is available with the following mounts:
Canon EF: this lens is compatible with reflex APS-C Canon EF.
Nikon F: this lens is compatible with reflex APS-C Nikon.
Do you want add your opinion? You do it by joining JuzaPhoto, it is easy and free!
There is more: by registering you can create your personal page, publish photos, receive comments, join discussions and you can use all the features of JuzaPhoto. With more than 251000 members, there is space for everyone, from the beginner to the professional.
Opinion: ''see sample in my gallery '' ''will be update''
Ok folks finaly i have brand new one, i sold my nikon af-p 10-20 (see my review).
This lens is 3 rd gen. same optic formula and same body shape but different body quality.looks like excllent. same noisy autofocus and same sharpness , better body. Zoom ring turns some hard, i asked dealers, said normal, ok. price is very low .
Sharp at 2,8, super sharp from 3,5, excellent body qualty, fast and accurated autofocus, not f/b focus. Bright photos.
Pros: 77mm filter thread, bloody sharp, constant f2.8, no vignetting at wide open, build like a tank, weather sealing, focus metering, excellent price, internal focusing, no focus shifting, lens correction profiles. Well stacks panoramas (horizontal). What else is missing? :D
Cons: Bit noise auto focus, slightly visible CA ( fixable in post), clunky AF - MF mechanism but its acceptable. Basically no major cons ;)
Opinion: Hand down its BEST ultra wide angle lens for DX system. For landscape, astro, interior photography its killer.
I mean what it packed, its best! Unless it's too short range zoom, but when you try 11mm you wont zoom more then 14mm or further :D (i never did)
I used it on nikon D7000 second generation of this lens and it was a beast. THIS NEW VERSION should be more improved ;) I had it for 4 years....
I cry now after moving to FX and missing all glory of this lens. Unfortunately on FX this lens works only on 16mm without vignetting. Had to sold it :( There is no any lens with such a futures for FX system..
So if you looking something best of the best for dx system, this lens is your baby ;)
The following opinions have been automatically translated with Google Translate.
Pros:Bright lens, AF sensitive, almost non-existent distortions
Cons:annoying flares in backlight, objectively impractical AF/MF switch
Opinion:I'm comfortable with this lens, recommended by a more experienced friend of mine. The A/f is accurate and fast. I use it especially on days where clouds offer a much stronger contrast. In backlight, flares are often intrusive. The value for money is definitely favorable. It's a lens that I would recommend.
Pros:Compactness, 77mm filters, distortion and general yield more than appreciable for the price category and focal range.
Cons:Impractical AF/MF switch. Not recommended against the light, internal reflections sometimes not negligible, especially at f. 2.8.
Opinion:To complete the amazing EF 16-35 L f. 4 IS USM with the same filter diameter, this ultra-wide-angle zoom built for APS-C could no longer be missing. Coming from the discreet EF-S 10-22 now no longer in production, I'm appreciating the greater brightness in exchange for a few grams of extra weight, however very portable of this Tokina. The distortion, taking pictures of a railing (in axis) from a ridiculous distance, ie less than a meter and a half, even at the edge of the frame is definitely acceptable and manageable. Excellent advantage is the fact of being able to mount 77mm filters not necessarily slim profile. First impressions are good. The flare in the car is not too contained but it is sufficient to avoid backlight pushed. In my humble opinion, an excellent Q / P ratio to complement my 16-35 as long as you do not expect a yield, detail and precision of the L series. Unlike others, I find that cartoons a bit 'but I repeat, I find myself comparing it with the L series. The decision to take it, was subordinated to postponing the transition to mirrorless which at the moment would mean selling good stuff little to spend, wanting to cover the same focal ranges, at least 5 times as much. If one shares everything I have tried to describe/consider, it becomes highly recommended.
Pros:Edge-to-edge sharpness, dynamic range, natural colors, no vignetting, no distortion
Cons:AF/MF mechanism
Opinion:I bought this lens after owning the Sigma 8-16 for several years and trying the Tamron 10-24 and the Canon 10-18. Among these, the Tokina stands out clearly and, combined with my Canon 70d, gives practically perfect shots. Surely its strong point is the sharpness that is amazing to the point that it keeps up with my other Canon L series lenses (24-70 f/4 and 70-200 f/4). It may seem like an exaggeration but it is so. Another feature that confirmed to me that I spent my money well is the dynamic range combined with color quality that is very natural. Finally, for the pros, the absence of distortion (obviously with the machine in the bubble) and an imperceptible vignetting that does not need any correction. It does not suffer from chromatic aberration and the flare, despite what I have read around, is very well controlled as long as you keep its hood fixed. I indicated as against the AF / MF switch mechanism but on this I must point out that the negative opinion depends on the fact that the first specimen received had the switch blocked (and I read in several reviews on Amazon the possibility of this defect) but after making the return and replacement with a new product, the mechanism works perfectly. As for the concept, I think it is more functional than the classic on/of stick because in this way you do not need to remove the camera from the frame to switch to autofocus, or vice versa. Overall I am really satisfied with this lens which, among other things, has a very attractive aesthetic and excellent build and material quality.
Photos taken with Tokina ATX-I 11-16mm f/2.8 CF Plus
The sample photos are selected automatically between all photos posted by JuzaPhoto members, using the camera and the lens selected in the techs. If you find evident errors (e.g. photos taken with cameras and lenses that are not available yet), you can contribute to improve the page by sending a private message to the user that has entered incorrect values in the photo caption.