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| sent on 24 Dicembre 2021
Pros: sharpness, lightness, colors, reliability, ac correction, cost, modern rendering
Cons: focus by wire and therefore AF, larger footprint than competitors, modern rendering
Opinion: I have been using this tamron with satisfaction for three weeks, alongside the older brother tamron 35 SP 1.8 in sony A frame with adapter. It is clearly a modern setting lens, for my needs very sharp from edge to edge even at full aperture; it has a very high microcontrast that on the one hand facilitates sharpness, on the other it slightly compresses the tonal passages compared to a classic lens. However, it has a pleasant yield, with clean and natural colors, better than the samyang counterpart that you resell for this reason, and it is reliable. It is also a very correct lens both from the point of view of distortion and chromatic aberration, it has no other obvious optical defects and holds the backlight very well. The flaws: first of all the electronic focusing, to which I just can not get used to and which in any case slows down the operations, in the sense that if I slightly change the frame the autofocus, which is also fast, before stopping it returns to the starting point making me lose that tenth of a second. Another defect, very bearable, is the footprint that is very different from the 35mm zeiss and samyang, which are almost pancakes. The construction is of light materials but well finished and seemingly solid. The semi-macro capabilities make it suitable for creative close-ups. Comparisons: compared to the tamron 35 1.8 sp clutters and weighs a third, it is just as sharp, has a few shades less and has much, much less chromatic aberration. Compared to the samyang 35 2.8 it is slightly sharper, built better, more comfortable in use and does not suffer from yellowish-magenta cast color; it is built better and is much bulkier. Compared to the zeiss 35 2.8 costs a third, has a more or less equivalent sharpness, has more microcontrast and less general contrast, for a less characterized yield, is built worse and is much more bulky. Compared to the voigtlander 40 1.4 it does not have the same completeness in tonal restitution and has much more microcontrast. |