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Sony FE 50-150mm f/2 GM : Specifications and Opinions

The Sony FE 50-150mm f/2 GM is a tele lens for FF and APS-C, manufactured from 2025. The focus is done by Linear Motor, it does not have image stabilization. The average price, when it has been added to the JuzaPhoto database, is 4852 €;

2 users have given it an average vote of 10.0 out of 10.

MOUNT

This lens is available with the following mounts:

Sony E: this lens is compatible with mirrorless fullframe and APS-C Sony.

Specifications
Focal lenght	50-150 mm
Angle of view	46.7 - 16.4°
Format	FF, APS-C
Max. aperture	f/2
Aperture blades	11
Lenses/Groups	19 elements in 17 groups
Min. focus distance	0.40 - 0.70 meters
Reproduction ratio	0.20x
Features
Zoom type	Ring, interal
Stabilization	No
Focus	Linear Motor
Internal Focus	Yes
Built and notes
Tripod ring	Yes
Extenders	No
Filters	95 mm
Lens hood	Yes, supplied
Weather sealing	Yes
Weight	1349 g
Dimensions	103 x 200 mm
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Reviews

What do you think about this lens?

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The following opinions have been automatically translated with Google Translate.

Mike2000

sent on June 23, 2025

Pros: Constant f/2.0 aperture, Excellent sharpness throughout the focal range, Creamy and natural bokeh, Fast, precise and quiet autofocus, Robust and tropicalized construction, Excellent control of chromatic aberrations and distortions

Cons: Important weight and size, High price, non-traditional focal range (requires a bit of adaptation for those who are used to the classic 70-200mm), Absence of optical stabilization (entrusted to the camera sensor) and not compatible with teleconverters. If someone uses filters, they risk paying as much as the optics themselves given the required diameter.

Opinion: The Sony FE 50-150mm f/2.0 GM is a lens that breaks the mold and is aimed at professional photographers looking for top-of-the-line optical performance, particularly for portrait, events, and weddings. The constant f/2.0 aperture throughout the focal length offers superior creative control: the blur is soft, three-dimensional and immersive, while the ability to separate the subject from the background is excellent even in difficult lighting conditions. The autofocus is responsive and accurate even with moving subjects, supported by the advanced tracking technology of the latest Sony mirrorless cameras (I use it on the A9III). The build quality is in line with the GM series: solid, professional and ready to face even shooting in complex weather conditions. However, it must be said that the weight is felt during long sessions and that the unusual focal range can initially be unsettling for those who are used to 70-200mm standards. In addition, the price places it in a premium range, but justified by the performance it offers. In summary, it is a lens that enhances creativity, designed for those who want to stand out and achieve results of the highest level in every situation. It's not for everyone, but those who choose it know exactly what they want: quality without compromise. Or versatility, like me, who decided to sell 50 1.2 GM, 35 1.4 GM, 85 1.4 GMII to stay with this zoom. Now I find myself with two A9IIIs, the 28-70 f2 and the 50-150 f2: without going crazy carrying a thousand lenses and changing constantly, often losing many shots, I have a very high level of equipment in two lenses. Always desired, finally possible even on full frame.

Mattia Campos

sent on June 19, 2025

Pros: Optical quality and magical detachment of the subject, relatively light

Cons: Shameful tripod bracket The positioning and direction of rotations of the zoom ring did not entirely convince me 105 filters, uncomfortable and very expensive

Opinion: Another "small/big" masterpiece from Sony. now yet another alas.. Although the dimensions are not too small, in reality the balance on the camera is perfect and the weight is felt much less than the declared figure, also thanks to the lightness of professional Sony bodies. From the point of view of construction / ergonomics perhaps we could have done a little more .. personal tastes... such as the zoom ring that turns backwards compared to Canon and is positioned "in no man's land", sometimes you have to hold and turn the focus ring .. if it were up to me I would have reversed them. Then the absence of the filter holder drawer that is felt, as to buy a valid polarizer you have to spend an amount of about 300 euros and in any case the generous diameter of 105mm makes everything uncomfortable and difficult. But the biggest and most unbearable defect (which unfortunately now affects all brands) is the bracket for the tripod tiny, angular, uncomfortable and elusive. at least if there had been a removable ring you could have saved what could be saved, while so, even removed, it remains an annoying spruncone ... I am addressing all manufacturers: do you want to understand once and for all that the bracket is an important tool that must be of convenience for the grip and transport of the lens !!!! actually you know maybe .... Why do you put the brackets on 15k superteles nicely, comfortably and generously..... You are all stingy (Sony, Nikon, Canon, Fuji Sigma, OMSystem, Panasonic, etc etc ...) Closed the parenthesis with the less positive aspects, I can only praise the optical qualities of this 50-150, which is very sharp at all focal lengths from the center to the edges already at full aperture and offers an important detachment of the subject by highlighting it from the background, which is very pleasant / magical. An autofocus that, of course, always hits the lens even in low light. The 50-150 F2 is an instrument, given its price and that of the body, "exclusively" working... It is suitable for portraying ... whether it is a person, an animal or an object .. In this regard, I laugh when I hear someone complaining about the non-multiplication; ) is very strange ... I have never heard anyone complain about not being able to multiply the Plena 135 ... or the 85 GM .. or the 50 1.2 ... In my house, a portrait lens was born to be used smooth to express all its magic. In reality, its biggest flaw is not being able to mount it on my R1 ..... ; ) understood Canon ?

Photos taken with Sony FE 50-150mm f/2 GM

Matilde

by Giovibalti
8 comments, 1000 views

HI RES 60.2 MP

Matilde

by Giovibalti
7 comments, 416 views

HI RES 60.2 MP

The winner of the 93rd Le Mans

by Mattia Campos
10 comments, 694 views

HI RES 10.7 MP

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by Mattia Campos
0 comments, 385 views

HI RES 16.2 MP

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by Mattia Campos
4 comments, 262 views

HI RES 10.7 MP

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by Mattia Campos
4 comments, 372 views

HI RES 10.7 MP

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Matilde

by Giovibalti
0 comments, 367 views

HI RES 56.0 MP

Untitled Photo

by Mattia Campos
5 comments, 207 views

HI RES 23.8 MP

Matilde

by Giovibalti
2 comments, 253 views

HI RES 60.2 MP

The kiss

by Diego Camorani
6 comments, 105 views

HI RES 16.6 MP

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by Mattia Campos
0 comments, 149 views

HI RES 12.4 MP

Good friend

by Arran
2 comments, 368 views

HI RES 49.8 MP

Matilde

by Giovibalti
0 comments, 190 views

HI RES 60.2 MP

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by Arran
1 comments, 150 views

HI RES 42.9 MP

Calling

by Arran
0 comments, 163 views

HI RES 49.8 MP

Steps.

by Diego Camorani
0 comments, 49 views

HI RES 41.1 MP

Sebastian

by Giovibalti
0 comments, 61 views

HI RES 60.2 MP

Sebastian

by Giovibalti
0 comments, 184 views

HI RES 54.4 MP

Live

by Diego Camorani
0 comments, 73 views

HI RES 23.3 MP

The sample photos are selected automatically between all photos posted by JuzaPhoto members, using the camera and the lens selected in the techs. If you find evident errors (e.g. photos taken with cameras and lenses that are not available yet), you can contribute to improve the page by sending a private message to the user that has entered incorrect values in the photo caption.

Reviews » Lenses » Lenses Sony » Sony FE 50-150mm f/2 GM

Sony FE 50-150mm f/2 GM : Specifications and Opinions

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Reviews

What do you think about this lens?

Photos taken with Sony FE 50-150mm f/2 GM