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The Sony FE 12-24mm f/2.8 GM is a wide-angle lens for FF and APS-C, manufactured from 2020. The focus is done by Linear Motor, it does not have image stabilization. The average price, when it has been added to the JuzaPhoto database, is 2930 €;
23 users have given it an average vote of 9.7 out of 10.
MOUNT
This lens is available with the following mounts:
Sony E: this lens is compatible with mirrorless fullframe and APS-C Sony.
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The following opinions have been automatically translated with Google Translate.
Cons:Cost, obligation of rear filters or 150mm plates
Opinion:Exceptional lens from every point of view, very sharp already at f2.8, both at 12mm and 24mm, faithful colors and excellent contrasts. In my opinion it gives the best of itself on the machines of series R (RIV - RV), with many mp, managing to capture remarkable details. Considering the extreme focal length it is not even too large and heavy (remember that it is f2.8!). The front lens is very rounded and at 12mm it extends a little outwards and despite being protected by a small fixed hood you have to be careful. Unfortunately it is not possible to mount screw filters and you have to orient yourself compulsorily towards the rear filters (not really a walk to put every time) or 150mm plates (huge and expensive). Surely the cost is very high, but we are talking about a GMaster optics, or the non plus ultra of Sony, to have absolutely, especially in the landscape.
Pros:Focal range, construction, optical qualities, Sony Italia warranty with extension also for lenses import Europe
Cons:Missing diaphragm ring
Opinion:What can I say? Today it is the only 12-24 f2.8 on the market and therefore represents THE state of the art of ultra wide-angle zooms. To consider in my evaluation two important factors: the first that reaches 12 mm (and we all know the design difficulty of "going down" from 14 mm to 12 mm) and the second that was put to the whip combining it with the A7r4 first and then the A7r5 (only ML FF with 61 Mpx sensor). With these bodies we are very close to the yield of "medium format" sensors and the combination, for a landscaper, is the best that can be obtained without switching to higher formats. The overall optical yield is simply spectacular, the center/edge rendering is unique, the distortion is negligible and becomes even more so considering its minimum focal length. https://www.juzaphoto.com/galleria.php?l=it&t=4242942 The AF, thanks also to the linear motors (another uniqueness in this range of focal lengths), is very fast (obviously there are differences depending on the body on which it is mounted). Those who preceded me have already said everything authoritatively about coma and flare, and in particular Matteo Bertetto. Price, size, weight and price I think are in line with the focal lengths covered and the construction level (you buy it import Europe for less than 2300 sesterces). For those who have Sony definitely a "must have". On the price I invite you to make this simple consideration to those who love ultra wide-angle focal lengths: cost of a 14-24 + cost of a 12 mm (which however does not reach f2.8) Vs cost of Sony 12-24 f2.8. I did not put among the "cons" the impossibility of mounting circular filters and stabilization because I think that demanding them from a 12 mm f2.8 is excessive. Finally, I find it relevant and appreciable that Sony Italia recognizes the warranty (and also its extension) to European import lenses.
Opinion:Really wonderful lens... It gives excellent shots for colors and sharpness even at the edges at 12. Carefully built... using it you immediately feel the quality of the materials used, as per recent GM "tradition". Very high price... but for Sony I don't see any viable alternatives. Definitely recommended... I tried many wide angles on Canon and Nikon... but this one from Sony is in another category... Vote 10.
Cons:Price if not compared to quality and if interested in filters there is to carry around the swag plates 150mm
Opinion:The best lens I have used and owned, is wonderful from all points of view, a blade at f2.8 as at f16, flare resistance, lightness and compactness (remember 12-24mm 2.8 !) There is not much to say so far I do not think there is a wide angle on the market that can rival this for focal extension / brightness / size. Dezooming from 24 to 12 the front lens always moves internally but advances as a protrusion and becomes a little more "vulnerable" not to be protected by the hood from shocks
Pros:Sharpness, flare resistance, autofocus, material quality
Cons:price :-), inability to mount screw filters
Opinion:Huge lens, long awaited in the house of all Sonyists!!! it was just missing something of quality and ultra-wide angle very bright and with this 12-24 g master f/2.8 Sony just closed the circle. Of course the price is not cheap, but over time it will come down and for the moment I can say that it is more than justified. We are talking about a Sony lens, but G Master, so top quality!! The sharpness is exceptional as always in all Sony/Zeiss lenses, in the edges works very well, I can say that in my opinion does not suffer from coma, and I tried it on r IV, where with 61mpx if there are problems emerge immediately. The brightness is the highlight of this lens, which at the same time does not even suffer from flare. I was really amazed when at night, in front of the strong lights of Manarola and Vernazza, it did not produce the slightest flare!! Amazing!! Even the weight in the end is not excessive, because we stay under the kg with its 847g, and the clutter is the minimum union that a lens so can give. Compared to its peers (es tamron 15-30) the lens is much smaller and lighter. Finally, closing the diaphragm, it has a wonderful star, the tips alternate, a longer one and a shorter one, really a note of character of this lens that will surely distinguish it among all in time. I received it in rehearsal to test it and review it, after a few hours I decided not to return it and to keep it :-)
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The following opinions have been automatically translated with Google Translate.
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