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Sony A6600 : Specifications and Opinions

The Sony A6600 is a mirrorless camera with APS-C (1.5x) sensor and 24.2 megapixels manufactured from 2019. The range of sensitivities, including ISO extension, is 50 - 102400 ISO and it has a continuous shooting (burst mode) of 11 FPS x 46 RAW, 99 JPEG. The average price, when it has been added to the JuzaPhoto database, is 1563 €;

34 users have given it an average vote of 9.1 out of 10

Sensor
Format	APS-C, 23.5 x 15.7 mm (image ratio 3:2, crop factor 1.5x in comparison with FF)
Resolution	24.2 megapixel
ISO sensitivities	50 - 102400
File formats	JPEG, RAW
Esposure
Shutter speeds	30" - 1/4000
Exp. compensation	+/- 5 stops at 1/3 steps
Exp. modes	M, S, A, P
Metering modes	Multi-Area, Semi-Spot, Spot
Features
Mount	Sony E (click here to view all compatible lenses)
Stabilization	Yes
Autofocus (AF areas)	425
Continuos shooting (with autofocus)	11 FPS x 46 RAW, 99 JPEG
Continuos shooting (without autofocus)
Live View	Yes
Dust reduction	Yes
Video mode	4K (3840x2160p) @ 30 FPS
WiFi	Yes
GPS	No
USB	micro-USB (2.0)
USB Charging	Yes
Built and notes
Touchscreen	Yes
LCD	3.0", 640 x 480 pixels, articulated
Viewfinder	Electronic, coverage 100%, 0.70x
Viewfinder resolution	1024 x 768 px
Flash	No
Storage	SD, SDHC, SDXC (UHS-I)
Storage, Slot 2	not available
Shutter	Mechanical and electronic
Battery	Li-Ion (Sony NP-FZ100, capacity 16.40 Wh)
Weather sealing	Yes
Weight	503 g
Dimensions	120 x 67 x 69 mm
Buy
Sony A6600, buy on Ebay

Reviews

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The following opinions have been automatically translated with Google Translate.

user210403

sent on September 24, 2020

Pros: Fantastic image quality.., autofocus, battery, size

Cons: Viewfinder a little small, optical unlock button, size, autofocus sensitivity with little light. Rather weak stabilization, standard jpeg all too sharp and saturated, battery compartment doors and charging cable do not close automatically

Opinion: Bearing in mind that this is Sony's flagship APSC, there are some unacceptable things in my opinion. 1) the button to unlock the lens and change the lens is shamefully uncomfortable and impractical, forces very slow and difficult changes using both hands and forcing you to place the parts to detach, change and then hang up 2) small and a little too artificial viewfinder 3) autofocus sensitivity with little light up to - 1 EV, unacceptable for a flagship apsc designed for sporty and action use That said, the machine still pays off great by providing a fantastic image quality that at low ISO has nothing to envy to FF.. In fact, in my opinion it is better than my Canon 6D ( characteristic of sony/Nikon 24mpx and 20 mpx sensors, so even my other Nikon d7500 churns out sharper and richer images of the 6d) The sensor mounted on the sony still remains superior to that mounted on Nikon, despite the filter.. Captured detail and iso seal are slightly higher, thanks also to sony's VERY valid objectives, and those of third parties for sony. In addition, you can make some really remarkable crops. For my taste, however, the "look" of the image is a little too "articial" "electric"... I fear modern mirrorless features, which have reached such a high level of sharpness and contrast at the expense of a loss of naturalness and "pasty". I don't know if I explained myself... Autofocus is a goduria.. Fast, precise, reliable. It suffers a little if the light conditions are very poor and the scene is little contrasted. Actually he never gave me any problems during sporting events and photo hunting, but it is a fact, and represents an important problem especially for landscape photography .. if there is little light and little contrast it struggles to focus on the landscape, often and willingly does not hook up at all. The battery is infinite.. I've never been able to get to the bottom of it and be without it, which happens to me more or less frequently with reflex canon and nikon. And I've never used USB charging during use.. The car is very small and light, a small box, which is on the one hand an advantage, because it is practically in the pocket of a vest with 18-135, and in the other pocket there is a medium canvas, the Samyang 12mm and the sigma 30mm are in the pocket of the short pants.... On the other hand it is a defect because the grip is not optimal and for example in sports photography it is a disadvantage. I have to say, however, that my Olympus Em1 ii with 12-60 2.8/4 is much lighter than the A6600 with 18-135. I find all the keys very intuitive and comfortable, many of which, not to say all, are customizable to sew it on you at will, and this is a great value. The menu needs to be studied well, it is complex but very rich. The materials with which it is built are discreet, but in my opinion it is not bombproof and marks easily. The battery counter does not dock automatically, which is rather uncomfortable. The digital indication of focus distance in MF is useful, but I would also have preferred a focus magnification greater than 11x. Stabilisation lags behind the competition. It is absolutely not the 5 /5.5 stops declared, but at most 2.5 stops... The more optical dual machine stabilization barely balances the best stabilizations of reflex optics. That is about 4 stops

Agrugru

sent on August 11, 2020

Pros: Battery life, sensor stabilization, burst and fear autofocus and dulcis at the bottom held at high iso

Cons: commands and decidedly small viewfinder keys not up to par and lack of flash

Opinion: But who said that they serve the FF when there are beasts like my a6600 that combo with the 16 55 f2.8 and the 70 350 4.5 6.3 photographer of everything and more with stratospheric quality and especially with weights and human costs or almost... I don't want to make controversy and everyone is free to think it as he wants but if he doesn't get it right the FF a reason there will also be meditated people meditated

Widemediaphotography

sent on July 06, 2020

Pros: Speed and precision AF, 11 fps gust, RAW file quality, Battery life, compactness and ergonomics, Construction Quality, Good ISO Seal, Stabilizer Presence, Reversible Screen

Cons: Price, viewfinder and display improveable, Rec button in uncomfortable position, lack of built-in flash, rolling shutter

Opinion: I've done all the Sony draw at5000, a6000, a6300, a6500 and often shoot with A7III. Already the 6500 I considered it a semi-professional if not professional, this new Top APS-C I consider it a full-fledged professional, also considering that now in the House Sony you have two new optical performances such as the 16-55f2.8 and the 70-350mm OSS that complete the system. Compared to the already good at 6500 the Autofocus has been further improved in both precision and possibilities, in particular the eye focus no longer has uncertainties. Even on the ISO seal, although it is said, especially on video has improved. The desired improvements on the 3 limits of the a6500 1)Battery life increased from 350 to 800 clicks, 2) The 30-minute recording limit was eliminated, 3) Added reversible screen for Vloggers. The menu has also been improved by adding an entire section of customizations. Convenient to add another function key. The body now has a more generous grip, all for the benefit of ergonomics and is also tropicalized. The insertion of generously sized optics, such as 70-350mm or 18-105mm, no longer returns that feeling of imbalance or insecurity. It was not enough. I have the opportunity to compare it often to the A7III and there are increasingly rare cases where there are noticeable differences between the two cameras. In fact, an upgrade that would now allow for an appreciable improvement of the IQ is represented only by the 42Mpx onwards, and therefore by the A7R3 to rise. It is true that the R2 has a better IQ, but it is outclassed in AF and burst by the a6600. The Sony APS-C system is now very mature and has a truly complete range of optics, considering that all recent FF optics are perfectly performing in APS-C. It was desirable to improve the stabilizer that remained unchanged from the a6500, as well as the rolling shutter that remains present exactly as for all younger sisters. In short, the a6600 is a professional compact with many quality optics available in the Sony, Sigma, Zeiss, Samyang, Tamron, etc. catalogs without the need for disliked adapters.

user47513

sent on April 19, 2020

Pros: Performance, size, battery life

Cons: Price? Aim still too small and "artificial"

Opinion: This review does not apply to professors and super professionals, I am a chicken who writes for other chickens, if there were any... It's the most snubbed and mist mirrorless ever due to the price-performance ratio... But it is the first mirrorless that happens to me in my hands, used together with the D500, the difference in weight and size is abysmal, both as a body and as an optic. The sony menu that scared me so much (to hear all the negative opinions) doesn't really make me any problem... I came from d500 (which I still have), a machine lady, and I was hesitants of the mirrorless system... But I had to think again... The autofocus is out of its mind... Eye AF, point coverage, pursuit, flexibility... I haven't tried it at night yet, but on all other occasions I've found it "better" than the d500, including sports photos. I did two rallies (Brands and Valleys) and a bit of photo hunting and lots of tests at home on tripods in manual focus with similar objectives sony sigma and Nikon for the two systems, and the files that come out are always more beautiful, at least in my eyes. The jpeg are much more detailed and rich, with raw the difference is thinned but always in favor of sony, both for the 24mpx sensor and for the optics, especially with the typical telephoto lenses in the range of 70-300 /100-400 /200-600, which are better than the competition. The iso seal is I would say identical to the D500. Maximum limit 6400 iso,pp experts will manage to recover well, but the noise is still quite evident and a chicken like me does not do so much. The battery life is fantastic, pretty much like the d500, maybe better. Compared to the D500 pays a smaller and less natural viewfinder, which is activated only when you put the eye on it, so with a very slight delay that makes you lose shots in birds and fast sports, something that I find ridiculous in 2020 for a top of the range dedicated precisely to the sport.si can solve by putting the duct tape on the sensor of the crosshairs. In addition, taking from the viewfinder practically in the dark the d500 still hooks, while the sony does not. The speed with which you operate with a d500 is still a bit higher, even as immediacy of use. The d500 just turn it on and in less than a moment you aim and part machine gun (with a shooting noise however really "exaggerated" in comparison to sony) A6600 is a nice toy. But probably right now it's worth taking an a6400 that costs a lot less.also the stabilizer (reason I chose it) does not convince me much, we are around 3 stops. Professionals and many partisan enthusiasts will tell you that this review is rubbish. But I see them at sporting events and on other occasions covered in equipment, sweaty, clumsy, with heavy backpacks, with machine bodies that resemble prehistoric tanks, and I too was put like them, even in my treks... With sony I carry with just a pouch or at the limit a backpack, I seem to have nothing on me and runs away laughing, then at home unloading the photos, for example after the rally val d'orcia, Nikon d500 with 18-140 and a6600 with 18-135, the results speak for themselves... Then I download the photos of the photo hunt and the long-distance test with d500 and sigma 100-400 /60-600 against a6600 with 70-350 and 200-600, and to the pleasant surprise the sony telephotos clearly prevail over those her competitors... The extra-council in combination 70-350!

Angelo73

sent on March 15, 2020

Pros: Weight, autofocus speed, stabilizer.

Cons: Pro-expensive lenses, cumbersome menu.

Opinion: I come from the a6300 and previously from Canon 6D. Compared to the 6300 it acquires a responsive af, the articulated display, the stabilizer and ultra-performing battery. Qualitatively we are at the same level regarding photo department (I do not make videos ). I still lack pro lenses to make the most of it, which at the moment costs an exaggeration. I think it will be my ultimate camera as I arrive from the FullFrames that, guaranteed on the iso side superior performance but the weight gained penalized them (in my specific case). For those who like to travel light or have back pain problems is the most appropriate solution. The Fuji antagonist is much heavier.

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