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Sigma 24mm f/3.5 DG DN C : Specifications and Opinions




Sigma 24mm f/3.5 DG DN CSigma 24mm f/3.5 DG DN C, front

Sigma 24mm f/3.5 DG DN C, back

Sigma 24mm f/3.5 DG DN C, top



The Sigma 24mm f/3.5 DG DN C is a wide-angle lens for FF and APS-C, manufactured from 2021. The focus is done by Stepper Motor, it does not have image stabilization. The average price, when it has been added to the JuzaPhoto database, is 530 €;
15 users have given it an average vote of 9.9 out of 10.



MOUNT

This lens is available with the following mounts:

Sony E: this lens is compatible with mirrorless fullframe and APS-C Sony.

L-Mount: this lens is compatible with mirrorless fullframe and APS-C L-Mount.



If you have used this item, you can add your vote:  


SpecificationsReviewsCompareBuyPhotos


Specifications
Focal lenght24 mm
Angle of view84°
FormatFF, APS-C
Max. aperturef/3.5
Aperture blades7
Lenses/Groups 10 elements in 8 groups
Min. focus distance0.11 meters
Reproduction ratio0.50x

Features
StabilizationNo
FocusStepper Motor
Internal FocusYes

Built and notes
Tripod ringNo
ExtendersNo
Filters55 mm
Lens hoodYes, supplied
Weather sealingYes
Weight230 g
Dimensions64 x 50 mm

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Sigma 24mm f/3.5 DG DN C, buy on Ebay Ebay

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Reviews

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Google Translate  The following opinions have been automatically translated with Google Translate.


avatarjunior
sent on 08 Maggio 2025

Pros: Manufacturing, optical rendering

Cons: At the moment no cons as surrender. The magnetic lens cover, with the lens hood in the position of use, does not come off even if my daughter who has sloth nails tries to.

Opinion: After a period of reflection I came to the final choice of the 24mm, and I opted for this lens. In my brain ranking the Voigtlander E 21mm f/3.5 Color-Skopar Aspherical stood out, but due to physical problems I need an AF lens. I looked at a few images on the internet produced by Sony bodies with 24mm of various brands and I read everything and more, the Voigt remains, for me, the most similar to my eyes, so I should have switched to a 20mm of another brand, but why do it? That is, it's like wanting a four-seater sofa that you've seen and it's beautiful and very comfortable but it costs more than you can afford and there's a very similar three-seater that you like almost as much and that you can afford, you won't look for another four-seater, because with the others there's no history, So get a three-seater that will then surprisingly satisfy you 100%. To remain light and with little bulk I gave up the 0.66 compared to the f2.8 lenses even if Sony produces a very small one, but from what I saw it did not give me the same emotion as the Voigt, which instead dares to do almost the same as the Sigma. So I plugged in the lens and started shooting in B/W, because I like it so much, but with wide Raw, I discovered a formidable lens, with beautiful and many grayscales and thanks to the sensor (A7r III) you can recover any. What more do I have to tell you, I have been photographing for about 45 years and the feeling that this 24mm gives me is of pure fun and pleasure, no muddled horizons, no abnormal distortions, the electronics take care of correcting very well both in camera and in post, if I have to go up from 100 to 200 iso, I don't worry even for a second, PDC Limited? Yes but only in comparisons with f1.4-1.8, plus it has a minimum focus of 10/12 cm, I don't remember, and this allows for a blur, of course, greater if you get closer to what you want to photograph.

user213929
avatar
sent on 24 Marzo 2024

Pros: Must-have street lens combined with Sony sensors that optimize the conversion to black and white, videocentric, functional, af, lightness, size, field of view, distortion correction, contrast

Cons: None to be a sigma wide angle and not zeiss

Opinion: Lens tried a couple of days, I think it is a justified expense 500 coffees where together with the video need you combine the versatility of the street to date with camera bodies with powerful ibis such as a7cii etc you get freehand videos usable for different purposes, intrinsic lightness factor affects stabilization .. very functional for street and architecture, sensible lens on Sony sensors for those who love contrasted monochrome and do not want to spend madness for zeiss which in my opinion are heavier even if brighter, a feature that in a wide angle is not needed if you already have an excellent minimum focusing distance ...

avatarjunior
sent on 28 Febbraio 2024

Pros: Tiny, construction, very high image quality.

Cons: Price, maximum aperture.

Opinion: This 24mm is part of the "travel" series (along with the 17mm, 45mm and 90mm) of Sigma Contemporary. Used as the only lens for a reportage on the Irpinia transhumance, once I downloaded the photos, I was very impressed by the quality of the images. The f3.5 aperture is both a "con" (just to make a flea, the lens is really good), and a pro, as it returns a truly remarkable image quality. Sold to buy the legendary Sigma 20mm f2 (Top lens in my opinion), it remains a very interesting alternative if taken at the right price and if you need a small and light lens (it is also excellent on the gimbal for videos). Rated 9.

avatarsenior
sent on 03 Gennaio 2022

Pros: very light and compact and of excellent workmanship, fast autofocus, backlight rendering, T.A. detail rendering, presence of external diaphragm rings

Cons: for the type of photography I practice no one

Opinion: Usually I do not do reviews, but since only one other user has reviewed, I would like to say a few words about a perspective that deserves it. I have owned it for a few months and practically spend most of the time glued to the A7C. I am one who has always used this type of focal length very often. I also own the sony GM 1.4 version but I do not make comparisons, they are two different lenses. The sigma as well as having an optical quality such as satisfied ritenesi, mounted in the A7C does not unbalance the machine downwards and therefore I can shoot with a shoulder camera and remote control in my pocket in the close streets, remaining perfectly in the bubble, for me this aspect is very important. This possibility is of few optics because, to ensure that the optics with the weight do not point downwards must be small and light. The general parameters seem very correct to me, but I am not the one who photographs brick walls or buildings to test. I test it for the practical use I make of it, my use is the street. I was amazed by the backlit performance with excellent color hold and detail. I wait for an opportunity or some discount for the 90 of the same series. Have fun Roberto

avatarjunior
sent on 22 Febbraio 2021

Pros: Construction, size, weight, sharpness, bokeh, anti-glare treatment, absent aberrations, weather resistant, ghiere, macro 1:2, quiet and quick AF, 45mm "twin"

Cons: Maximum iris, focus by wire

Opinion: A small gem for optical construction and quality. Small but robust, metal construction with rings with an "analog" feeling (too bad only for the focus by wire, quite uncomfortable in manual). Very sharp from corner to corner even on the 42mp of the A7rII, practically free of flares, chromatic aberration and coma, quite resistant to atmospheric agents, all characteristics that make it an excellent lens for landscape photography during hiking but also for street photography and reportage. Also very versatile, given the excellent blurry (despite focal and opening!) combined with macro capabilities. The only flaw is the maximum opening, but it is not a major disadvantage, given the focal point and using stabilized bodies. In short, an "Art" series lens that differs from this only in diaphragm and size. Combined with the 45mm of the same series, almost identical in size and with the same filter diameter, they make an unbeatable torque for quality and portability, with which almost everything can be photographed. The price, which at first seemed a little high for the characteristics "on paper", seems to me instead justified after using it for a few days.

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