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Sigma 24-35mm f/2.0 DG HSM Art : Specifications and Opinions

Sigma 24-35mm f/2.0 DG HSM Art

The Sigma 24-35mm f/2.0 DG HSM Art is a wide-angle lens for FF and APS-C, manufactured from 2015 to 2023 (discontinued). The focus is done by Ultrasonic AF Motor (Ring-USM), it does not have image stabilization. The average price was 975 €;

41 users have given it an average vote of 9.7 out of 10.

MOUNT

This lens is available with the following mounts:

Canon EF: this lens is compatible with reflex fullframe and APS-C Canon EF.

Nikon F: this lens is compatible with reflex fullframe and APS-C Nikon.

Sigma SA: this lens is compatible with reflex and mirrorless fullframe and APS-C Sigma SA-mount.

Specifications
Focal lenght	24-35 mm
Angle of view	84.1 - 63.5°
Format	FF, APS-C
Max. aperture	f/2.0
Aperture blades	9
Lenses/Groups	18 elements in 13 groups
Min. focus distance	0.28 meters
Reproduction ratio	0.23x
Features
Zoom type	Ring, interal
Stabilization	No
Focus	Ultrasonic AF Motor (Ring-USM)
Internal Focus	Yes
Built and notes
Tripod ring	No
Extenders	No
Filters	82 mm
Lens hood	Yes, supplied
Weather sealing	No
Weight	940 g
Dimensions	87 x 122 mm
Buy
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Reviews

What do you think about this lens?

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The following opinions have been automatically translated with Google Translate.

Ph.ontana

sent on December 25, 2024

Pros: One of a kind, TA quality, AF speed.

Cons: Bulk, weight.

Opinion: Bought at 320€ used in perfect condition and I consider myself very lucky. It's a one-of-a-kind lens, great for someone like me who loves wide angles and wide apertures and would have had a hard time choosing between a 24, 28 or 35mm. Even if it is not a 1.8 it does not change much. I use it with the Canon R6 and K&F adapter and it works very well in terms of speed and autofocus accuracy. It has the strengths and weaknesses of all sigma art, that is, it has excellent image quality, beautiful colors and sharp already at TA and important weight, but it is very robust and resistant, it fell from about 1 meter high and only got a small scratch in the body, but not the lens. It is not stabilized but with the stabilized sensor and the weight that assists me to stay still it takes perfectly sharp photos even at 1/10 of a second (maybe I could push myself even more). I recommend that you take the sigma dock and upgrade it to avoid communication problems between the lens and the sensor stabilization. Highly recommended, even if unfortunately you can't find many of them around (at least used).

Giggi Topp

sent on June 26, 2024

Pros: All.

Cons: It's addictive: after trying it, everything else is looked at with different eyes. Don't have it.

Opinion: Lens that is talked about very well, so I found a used specimen at a not impossible price I decided to buy it. I think it was by far the best decision of my entire forgettable career as an amateur photographer. Extreme sharpness, fearsome contrast and colors, relentless AF, general fixed photo quality and even more, so much so that I find it better even than the 50 Art and not by a little. Maybe I should try the 40, always Art, but for only 5 mm difference compared to the maximum focal length of the 24-35 I don't know if it's worth it. It weighs and bulks a lot, but what does it matter if the results you get with its use are so out of the ordinary? In a time frame of 0 he simply nailed himself to the camera body, from which he is immovable from then on. Someone complains about the absence of the stabilizer: in reality, with an aperture of f 2.0, moreover fully usable, it would be of very little use, apart from the fact that it is a compromise device, suitable more than anything else for dark lenses and usable only in a limited range of situations. Needless to mention the sturdiness and finish of the body, the rings and their fluidity, especially compared to certain Nikons of over 1000 euros that look toyy-like. Such a contrast leads some cars to suffer, where the differences between areas of peak summer light, therefore very strong, and areas of shadow are particularly pronounced. Looking at the files taken in similar conditions, at first one is perplexed, except to realize not only that the possibilities of recovery are enormous, even with a DX like the Nikon D 7200, and then to think that these possibilities are given not only by the sensor, as we usually read, but also and above all by the qualities of the lens used. In fact, it has never happened to me to be able to make such recoveries on shots taken with other lenses. Now, actually since the end of 2022, I am finally able to evaluate the potential of my machine's sensor, which is really very high. Of course, the zoom range is not particularly wide, but the 24-35 should be observed for what it is: a lens that offers the classic focal lengths of 24, 28 and 35 in a single body and with exceptional quality, plus all those intermediate between the three mentioned. I just wonder who sold it to me with what they could replace it with. For me, he's still regretting it. It's so sharp, even with moving subjects, that it makes you reconsider the actual need to use mirrorless cameras, with all the contraindications they bring with them, starting with the electronic viewfinder. Rated 11.

Ale Zoc

sent on March 27, 2024

Pros: Crisp everywhere, solid, fast, bright, and more

Cons: The ones we already know before: big, heavy, without stabilization and with a limited focal range

Opinion: A crazy goal. Do we want to start with the flaws? He has them, but if he didn't, it would be science fiction. Did we mention it's big and heavy? But it is solid and balanced on an important body; Is it "only" F2 and not stabilized? But it's already razor-sharp like this and there is plenty of light; vignette to TA? Yes, true, but nothing that can't be solved in post; Does it have a limited focal range? Very true but it has the performance of a 24, a 28 and a 35 pro in a single element; Is it too dedicated to events and weddings? It is, but it's also amazing for landscapes, portraits, astrophotography, reportage... In addition, it focuses very closely, has no chromatic aberrations, limited distortions and manages to have a nice bokeh despite the wide focal lengths. I forgot: you can plant the sun in the middle of the glass and it only gives you a more beautiful photo. It's clearly a particular lens that you "have to use", of course, but when you need it, it does its job in an incredible way.

Paolo Ponti

sent on December 11, 2023

Pros: Sharpness, colors, robustness, beautiful bokeh, last but not least the autofocus!! Ps. update after many more photos...

Cons: Not having had it before two days ago... Maybe it's the fact that the zoom ring rotates in the opposite direction for us canonists..., but it's a trifle!!

Opinion: A truly superb, wonderful lens! Really three fixed lenses in one! Sharpness really at the highest level and not annoying! It's sturdy and solid! It has a really creamy blur and makes every photo a 3D! Excellent auto focus that is enhanced with mirrorless cameras and makes it stand out!! There are those who say that it weighs too much, in my opinion it is the physical proof of how excellent this 24-35 is and how much substance there is!! It strengthened my thinking... Mirrorless lenses cost proportionally a heresy!! I think they can hardly reach this quality, with a much higher cost! If you are undecided, do one thing, buy it used on Amazon and at worst send it back, but I warn you, it will be a lot of love at first sight and at first shot!! Ps. update after many more photos... Apparently the focal range is little... Actually, there really is a world from 24 to 35mm!! It's an amazing lens that the more I use it, the more it excites me!!

Delio.vernacchia

sent on July 25, 2022

Pros: Sharpness, overall quality equal to fixed optics

Cons: F2 vignetting, slight distortion,

Opinion: Evident vignetting at TA correctable in post production, slight distortion at 24mm, already at 25mm disappears. Obviously you have to do the calibration. For the rest it is a wonderful optics. Perfect for wedding photography or various events. It is at its best from F/2.5 to F/11. The weight I do not see a problem the quality in this kind of lenses weighs but not so much. Many see the 35 as a limit in reality it is not. Because getting to 35 with this quality repays you in all respects I consider it much better than the various 24-70 on the market as regards sharpness not to mention the general quality of this lens between focal lengths 28 and 35 is Equal to fixed lenses or even better!

There are 17 more reviews. Show all »

Photos taken with Sigma 24-35mm f/2.0 DG HSM Art

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Reviews » Lenses » Lenses Sigma » Sigma 24-35mm f/2.0 DG HSM Art

Sigma 24-35mm f/2.0 DG HSM Art : Specifications and Opinions

Buy

Offerte Usato RCE

Reviews

What do you think about this lens?

Photos taken with Sigma 24-35mm f/2.0 DG HSM Art