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| sent on 26 Giugno 2024
Pros: All.
Cons: It's addictive: after trying it, everything else is looked at with different eyes. Don't have it.
Opinion: Lens that is talked about very well, so I found a used specimen at a not impossible price I decided to buy it. I think it was by far the best decision of my entire forgettable career as an amateur photographer. Extreme sharpness, fearsome contrast and colors, relentless AF, general fixed photo quality and even more, so much so that I find it better even than the 50 Art and not by a little. Maybe I should try the 40, always Art, but for only 5 mm difference compared to the maximum focal length of the 24-35 I don't know if it's worth it. It weighs and bulks a lot, but what does it matter if the results you get with its use are so out of the ordinary? In a time frame of 0 he simply nailed himself to the camera body, from which he is immovable from then on. Someone complains about the absence of the stabilizer: in reality, with an aperture of f 2.0, moreover fully usable, it would be of very little use, apart from the fact that it is a compromise device, suitable more than anything else for dark lenses and usable only in a limited range of situations. Needless to mention the sturdiness and finish of the body, the rings and their fluidity, especially compared to certain Nikons of over 1000 euros that look toyy-like. Such a contrast leads some cars to suffer, where the differences between areas of peak summer light, therefore very strong, and areas of shadow are particularly pronounced. Looking at the files taken in similar conditions, at first one is perplexed, except to realize not only that the possibilities of recovery are enormous, even with a DX like the Nikon D 7200, and then to think that these possibilities are given not only by the sensor, as we usually read, but also and above all by the qualities of the lens used. In fact, it has never happened to me to be able to make such recoveries on shots taken with other lenses. Now, actually since the end of 2022, I am finally able to evaluate the potential of my machine's sensor, which is really very high. Of course, the zoom range is not particularly wide, but the 24-35 should be observed for what it is: a lens that offers the classic focal lengths of 24, 28 and 35 in a single body and with exceptional quality, plus all those intermediate between the three mentioned. I just wonder who sold it to me with what they could replace it with. For me, he's still regretting it. It's so sharp, even with moving subjects, that it makes you reconsider the actual need to use mirrorless cameras, with all the contraindications they bring with them, starting with the electronic viewfinder. Rated 11. |
The following opinions have been automatically translated with Google Translate.
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