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The following opinions have been automatically translated with Google Translate.
Cons:Ghost as soon as the sun is also just sideways, normal with a front lens so curved, but annoying
Opinion:I took this lens to take pictures in confined spaces and interiors, above all, and I must say that it behaves very well, is sharp, in the center, already at full aperture. Excellent handling and the maximum opening of 2.8, which allows you to take freehand shots, thanks to the stabilized sensor of the machine, otherwise unthinkable. Unfortunately the ghost phenomenon occurs fairly easily with strong lights, even only lateral and, unfortunately, is the worst defect of this beautiful optics, but quite normal, given the curvature of the front lens. It is still something to take into account, before making the purchase, because it is not very easy to control. The weight is in the norm and the construction, as for all the PRO lenses of Olympus, really flawless. In short, a goal, for those who love the focal court, to have in their outfit.
Pros:Focal range, maximum aperture, sharpness, in close-up photography has a nice bokeh.
Cons:Barrel distortion at short focal lengths (but if you shoot in jpg you don't notice it corrects the machine, and when you import the RAW either, it fixes the software.... but, it is not correct) pity that to mount the filters you have to buy an adapter ring that make you pay TR Oppo for what it is. Wanting to say it is a bit unbalanced forward, pesantuccia frontal lens.
Opinion:I'm crazy about him, when you need a wide angle lens for the Olympus there's just him. I really like its blurry wide-angle in the close, soft and pronounced maintaining the readability of the background. Unless he has to do genres that don't contemplate him he's always in the bag. Coupled to 12-40 + 40-150 is the Triad handyman or with the 12-100 remaining a little ' shorter.
Cons:Flare (but normal with this type of frontal lens).
Opinion:Recently purchased to implement the Olympus excellent kit for the street since the FF with its size often "scares" the subjects especially in some countries. It is a wonderful lens that is worth every € that costs as yield, size quality construction etc. Together with the 12-40 F 2.8 Pro is a perfect pair that is in a small bag and allows you to shoot almost in any situation. In short, the ideal kit for the street.
Pros:Construction, tropicalization, FN button on the barrel, sharpness, colors, focal range and constant aperture
Cons:Heavy, big and suffers a lot of ghosts, Price.
Opinion:tried in a day in full sun, we clarify ... the lens is a show, made excellent ... no FLARE ... but GHOST yes, inevitable with the sun in the frame ... you have to make eye and a some attention during shooting ... they are not excessive if well controlled, sometimes they can also give an added value if well managed (but they must like and it is a matter of taste) ... however, not easy to use ... not suitable for a beginner or a purist, the color rendering, sharpness and speed you AF are excellent, as a true lens PRO ... I will update later after a more intense use ...
Pros:Sharpness a knife! Three-dimensionality, colors, mechanical workmanship
Cons:Flare!
Opinion:Lens with a spectacular sharpness, beautiful three-dimensionality, colors with little need for post process, annoying the fact of not being able to manage a door filter or more serious hood, the biggest problem is the flare, compared to other ultra-wide with this I have to sometimes serious problems in the management, I use it with ND filters 150x150 absent vignetting, overall it is a gorgeous lens deserves a 10
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The following opinions have been automatically translated with Google Translate.
![[editors pick]](shared_files/layout/ep_badge.jpg){kind=icon}
