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The Nikon Z 24-70mm f/2.8 S is a standard lens for FF and APS-C, manufactured from 2019. The focus is done by Stepper Motor, it does not have image stabilization. The average price, when it has been added to the JuzaPhoto database, is 2413 €;
58 users have given it an average vote of 9.8 out of 10.
MOUNT
This lens is available with the following mounts:
Nikon Z: this lens is compatible with mirrorless fullframe and APS-C Nikon Z.
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The following opinions have been automatically translated with Google Translate.
Opinion:Someone says that the price is exaggerated but if you are not looking for the maximum there is the 28-75 which is an f/2.8 , it is a very good optics and costs half. If you don't need an f/2.8 there is the yummy 24-70 f4 that has a crazy optical quality and weighs only 500g! Many call the 24-70mm f/2.8 Z heavy, but it weighs 100g less than its older brother Nikon AF-S 24-70 f/2.8. It's not little eh... For me this lens is a masterpiece! Fast, extremely sharp at all apertures and focal lengths, focusing distance of only 35cm, colors, three-dimensionality, not to forget the tropicalization etc.etc. Yes, it costs, but it will help you to always bring home a good job ;)
Cons:I would have preferred the 77 filters, but that's it.
Opinion:An extraordinary lens: for sharpness, colors, three-dimensionality, bokeh, general rendering of the images it returns. For me one of the best lenses from Nikon. I also had the F4 version... sharp, for heaven's sake, but also extremely "flat". The 2.8 plays another championship. As I see it, it counts as an entrance ticket to the Z system.
Pros:Quality of the files, it can almost very well replace the fixed s except the 50 mm, made in japan.
Cons:For now nothing
Opinion:Taken for two days, I reserve the right to test it even before judging it definitively. It is a bit big and heavy but in the well-balanced context with the z7ll, the plastics are of good quality even if the barrel that protrudes could work it better, for the rest the "pro" feeling is felt. L I took it after buying the z7ll in kit with 24/70 f4 , l f4 unfortunately L I found it expensive for what it offers, compact but too sharp, flat, and unusable in close portraits if not post-produced heavily to eliminate all the imperfections even non-existent skin etc., try to make a portrait and look at the hair, they look like wire, too sharp, dry, without volume, it looks more like a scan than a photo ? The 2.8 unlike what is said, has nothing to do with the f4, it is not only brighter and more expensive of course, but returns sharp files but not for reproduction. The realism, three-dimensionality and general rendering are of an excellent level even if lower than some of my zeiss. Compared with 24,35,50 and 85 s I can say that it manages to replace them all except for the brightness' obviously and the only one that I consider superior is the 50 mm S, they could certainly do better but as long as we want lenses without any defect will continue to add lenses with all the pros and cons, for now vote 9.
Pros:Photo Quality, fully solves the megapixels of the Z7
Cons:Maybe the price
Opinion:I had almost all 24/70 2.8 x system F(Nikon,Sigma Art,Tamron G2...] and I come from x last from 24/70F4. The 24/70 2.8 S far exceeds all the other 24/70,the image quality is super and manages to solve all the megapixels of the Z7, compared to the old ones there is no comparison... Already at full opening it is crisp and perfect from edge to edge, closing a stop is spectacular. The 24/70 F4 is an excellent lens and compact but logically it does not stand the comparison with the 2.8 and the price is "different" The only flaw I find perhaps I find it excessively expensive, but the quality is paid.
Opinion:For those who want the highest quality, the Nikon Z 24-70 f/2.8 is the best standard zoom you can have in the Nikon Z system: very sharp and with excellent construction quality; robust and tropicalized. The image quality is excellent at all diaphragms, already at f/2.8 it is very sharp and the only significant improvement that can be seen by closing the diaphragm is the reduction of vignetting. Price and weight are quite high, but it is inevitable from such an perspective; for those who prefer a more compact alternative there is the excellent 24-70 f/4, equally sharp but much more compact and light (but of course you have to give up the brightness f/2.8). I recommend it especially to those who use cameras with high-resolution sensors, able to fully enhance the quality of the 24-70 f/2.8.
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The following opinions have been automatically translated with Google Translate.
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