Nikon AF 24-50mm f/3.3-4.5 : Specifications and Opinions

Nikon AF 24-50mm f/3.3-4.5

The Nikon AF 24-50mm f/3.3-4.5 is a standard lens for FF and APS-C, manufactured from 1987 to 1995 (discontinued). The focus is done by In-camera AF motor, it does not have image stabilization.

8 users have given it an average vote of 8.4 out of 10.

MOUNT

This lens is available with the following mounts:

Nikon F: this lens is compatible with reflex fullframe and APS-C Nikon.

Specifications
Focal lenght	24-50 mm
Angle of view	84.1 - 46.8°
Format	FF, APS-C
Max. aperture	f/3.3-4.5
Aperture blades
Lenses/Groups	9 elements in 9 groups
Min. focus distance	0.50 meters
Reproduction ratio
Features
Zoom type	Ring, external
Stabilization	No
Focus	In-camera AF motor
Internal Focus	No
Built and notes
Tripod ring	No
Extenders	No
Filters	62 mm
Lens hood	Yes (not supplied)
Weather sealing	No
Weight	355 g
Dimensions	65 x 74 mm
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Reviews

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The following opinions have been automatically translated with Google Translate.

Gsabbio

sent on 06 Febbraio 2018

Pros: Compactness

Cons: cheap manufacturing and 'vintage' quality

Opinion: The 24-50 was my 'standard' view of the early 1990s when I returned from autofocus to more mechanical machines like f3 and FA. The first one I bought immediately sent him back because of the sensitive game that plagued the barrel of the optical group. The second one had the same flaw and then you find out that they're all like this. (See here: http://www.naturfotograf.com/index2.html) Game aside... in fact the optics was appreciated for its compactness and lightness, an ideal companion for long excursions in the alpine environment. On film, honestly, it was not an optic that made me exclaim for wonder, as opposed to others such as the 180 f2.8 AF or the 55 micro f3.5; However, its practicality, interesting focal excursion and small size played in its favor. More than 20 years later, digitally duplicating the slides of that time, it becomes apparent that the optics were not exactly an 'eagle's eye' (to shoot an advertisement of the time) and that it literally disappears in comparison with the coevo and truly excellent Minotar 35 f2.8 of the MINOX GT. Intrigued... and also a little interested, because such a compact optic would be very comfortable, I was able to try on digital a borrowed specimen. In hindsight and with the ruthlessness of a D800, the optics show all its limits on digital, with images that could probably be fine for a 12mpix FF sensor (as it was good on film), but 36mpix totally lacks engraving. Too bad... Vote 6 (gifted), in the past I would have also given him a 7th Update November 2019: I found test slides that I started in the now distant 2001, and the quality of what was then my 24-50 looks decidedly very low even closing the diaphragm, confirming the tests made on D800. Tip: 'abstain for day'

Sandro63

sent on 03 Febbraio 2017

Pros: Construction, clarity, compactness.

Cons: Nothing

Opinion: A great lover of vintage optical I gave this glass in conditions as a showcase. The impeccable construction and shades' pastel colors that come out of this lens are looker. And then .... as I said in my other review ..... sara 'also a psychological fact but written MADE in JAPAN on the barrel and' always reassuring !!!!

Photos taken with Nikon AF 24-50mm f/3.3-4.5

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Nikon AF 24-50mm f/3.3-4.5 : Specifications and Opinions

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Reviews

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Photos taken with Nikon AF 24-50mm f/3.3-4.5