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Nikon AF-S 17-35mm f/2.8 D ED : Specifications and Opinions


Nikon AF-S 17-35mm f/2.8 D ED

The Nikon AF-S 17-35mm f/2.8 D ED is a wide-angle lens for FF and APS-C, manufactured from 2001. The focus is done by Ultrasonic AF Motor (Ring-USM), it does not have image stabilization. The average price, when it has been added to the JuzaPhoto database, is 2099 €;
49 users have given it an average vote of 9.3 out of 10.


If you have used this item, you can add your vote:  

MOUNT

This lens is available with the following mounts:

Nikon F: this lens is compatible with reflex fullframe and APS-C Nikon.



SpecificationsReviewsCompareBuySample Photos




 Specifications
 Focal lenght   17-35 mm
 Angle of view   103.7 - 63.5°
 Format   FF, APS-C
 Max. aperture   f/2.8
 Aperture blades   9
 Lenses/Groups   13 elements in 10 groups
 Min. focus distance   0.28 meters
 Reproduction ratio   0.22x

 Features
 Zoom type   Ring, interal
 Stabilization   No
 Focus   Ultrasonic AF Motor (Ring-USM)
 Internal AF   Yes
 Full Time MF   Yes

 Built and notes
 Tripod ring   No
 Extenders   No
 Filters   77 mm
 Lens hood   Yes, supplied
 Weather sealing   No
 Weight   745 g
 Dimensions   83 x 106 mm
Buy Nikon AF-S 17-35mm f/2.8 D ED, buy on Ebay


Reviews



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avatarsupporter
sent on November 04, 2014

Pros: Constant f2.8 maximum aperture; sharpness and performance from f4; solid all-metal build; Useful set of wideangle focal lengths; 77mm filters; silent-wave focussing; Keeps its value

Cons: Expensive; many abused examples secondhand; Replaced by Nikkor G 16-35mm f4 VR

Opinion: My very old example was bought secondhand ten years ago! I traded in my Nikkor D 18-35mm f3.5-4.5 for it. The difference between the two were huge and vast. Used then with F100 film body and now D700 and occasionally DX D7000. Had to be repaired and serviced by Nikon when the zoom became stiff then jammed totally two years ago. Zoom and focus now both silky smooth. Performance at f2.8 isn't brilliant but by f4 is one of the sharpest lenses ever made, across almost all the frame. I use it at f4 for night-time and astronomical shots. Super sharp and contrasty down to f18, f22 not so good, but OK. In tests, better than Nikkor D 20mm f2.8 aperture for aperture. Barrel distortion at 17mm is quite noticeable but is not wavy-line and is easily straightened in Photoshop. Polariser at 17mm makes for great landscape photos but a slimline thin model required to stop vignetting at below 20mm. Lenshood needed at all times. Flare resistance good but not immune, the front element surface element is quite large and not very recessed. Recommended for serious pro use and tripod work on full-frame and if you can get a good, nice used example. My score 9/10 I also use this lens on tripod set to f8 on FX D700 to record a large public art gallery's every exhibition. It looks the 'business' as well as able to resolve the finest detail. I also get paid a modest sum to continually do this!

Google Translate  The following opinions have been automatically translated with Google Translate.


avatarjunior
sent on October 03, 2018

Pros: 2.8, diameter 77, well-balanced and saturated colors

Cons: I think the nightmare of engine failure remains.

Opinion: I owned this lens for several years, as I used it sporadically and decided to sell it to a colleague. I would add that he was extraordinary for his sharpness. Having had problems with the rupture of the AF on another lens of the same generation, I gave it up, regretting it soon after. However, it is a remarkable view. and versatile top.

avatarjunior
sent on August 01, 2018

Pros: Excellent lens! Light, perfect for reportage, babe.

Cons: Whistle! It stops after a while you use it.

Opinion: Still in production today, despite being in circulation since the years ' 90! Will that mean something?! It's good to shoot and shoot videos! Particularly versatile is good for any work from street, to events. It's not noticeable, if used in the right way, you can steal any photo. Excellent seal on the "Flare", gives warm images. I use it on the D800, on 5100 and F5, with each machine always works well, coupled to the 5100 as a second body, you have a lightweight and compact machine, perfect for working around without getting noticed, perhaps my favorite optics, together with 35 1.4 Canon.

avatarjunior
sent on May 10, 2017

Pros: Sharpness, Natural Colors, Solid Construction and 77mm Filters

Cons: Unsuitable for night photos (Milky Way), soft at edges, risk of breakage AF motor

Opinion: I bought this lens for my Nikon d750, attracted by the ability to mount 100mm filters and color rendering very similar to Zeiss. RnReals images with little contrast and perfectly workable, the distortion is also contained at 17mm and sharpness at 2.8 is very good.rnThe painful note for my use is excessive fate coma at f2.8 that makes it unsuitable for night photographs ( A solution is to use the astro tracker and take the milky way at at least f4 to reduce this problem), this has brought me to this fantastic lens the Tamron 15 30.rnrnP.S. My exemplar does not suffer from the classic whistle during the use of AF.rn

avatarjunior
sent on November 02, 2016

Pros: Crystal-clear (from F4 on), beautiful colors, good maf.

Cons: If shooting in 35mm of persons, f2.8 known some softness.

Opinion: Bought used 500 €. I honestly did not expect a great quality, and instead has much colpito.Un I bit soft at f2.8, that known only by taking photos of a person (as a landscape I have still a good sharpness). They told me that sometimes the focus is a whistle, but in my case I had no problems. I have rarely that the focus has the wrong size, but it may be that this depended more from the camera body (D600) and not from the lens.




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