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| sent on 27 Aprile 2017
Pros: Portrait lens par excellence: you have to choose carefully to avoid repentance, and the embarrassment of not being able to properly choose your own photographic tools.
Cons: Spreading purple Frange.
Opinion: A superb goal that stands out for its pictorial talents, with a glamorous glitter that represents the best you could possibly want from a portrait lens. At f2.5 it's almost as intense as 105 f2.5ais at TA. At f2.8 is equal (if not better) than 180 f2.8AFD to TA. But the exclusive bokeh of this 135 has no one, except the 85 f1.4AFD. It has deep, balanced microcontrasts that make it more decisive from f2.8 onwards. REFERENCE TO TA PERFORMANCES AT TA: f2 is clearer than you think, especially if you refer to the complaints of so many users about it. Simply, pdc is so small that you want to open, or for focal length, that the parts in focus (especially if you use the 'spot' mode) drown in the midst of huge and well-drained parts out of focus. Progressions of the blurred, therefore, delve into delightfully giving a gentle and relaxing effect to the photographs. Clearly underlining its peculiarity as a portraitist, as for other applications (where requiredTo a more stentorious and inspirational temperament, even to TA) may not be so rewarding. It should be said, however, that from f2.8 onwards it fades firmly, and f4 turns into another lens, very sharp and detailed. At f2 you just have to be careful about the flare, which tapered the photos with the usual veils, contrasts, and fire errors. DEFOCUS CONTROL: it is certainly an interesting feature, which can be useful in certain creative circumstances, but that is understood and used to exploit it appropriately. It should be set selectively according to the diaphragm in use (eg: f2, set DC, F or R, to 2. With f2.8 you set to 2.8, and so on ...). Surely an added value, though not indispensable. It is enough and advances the conventional function of this lens. RELEVANT TO AF MOTOR: Sufficient enough (a slimmer than 85 f1.8AFD) and very accurate. So lends itself to street and reportage, without any problems. WORDING TO AC AND FLARE: purple frank like it rains! I'm almost everywhere under lHigh, on clear and reflective surfaces. They are well seen even without cropping. The hood helps, but only in part. AC and flare are in the norm of the Nikon D Series, so you know what to expect if you know them. CONSTRUCTION ON THE CONSTRUCTION: optimal weight, not too heavy, not too light. Compact dimensions. There are often so-called 'noble materials' on the one hand (referring to Nikon D), and so-called 'plasticacce' by another (alluding to G) ... I know a simple difference in embossing, since the optics should be used Carefully regardless of their outside cover. The built-in hood seems an anachronistic insect, but it is rather precious, quick to operate, and there is no bayonet plugging or just screw that can compete. Really a beautiful lens, distinctive in everything and for all, with its wonderful merits, its defects, its limits. |
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