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Nikon AF-S DX 12-24mm f/4 G ED : Specifications and Opinions


Nikon AF-S DX 12-24mm f/4 G ED

The Nikon AF-S DX 12-24mm f/4 G ED is a wide-angle lens for APS-C, manufactured from 2003. The focus is done by Ultrasonic AF Motor (Ring-USM), it does not have image stabilization. The average price, when it has been added to the JuzaPhoto database, is 1651 €;
43 users have given it an average vote of 9.2 out of 10.


If you have used this item, you can add your vote:  

MOUNT

This lens is available with the following mounts:

Nikon F: this lens is compatible with reflex APS-C Nikon.



SpecificationsReviewsCompareBuySample Photos




 Specifications
 Focal lenght   12-24 mm
 Angle of view   100.4 - 61.9°  (equivalent to a 18-36mm in Fullframe 24x36mm format)
 Format   APS-C
 Max. aperture   f/4
 Aperture blades   7
 Lenses/Groups   11 elements in 7 groups
 Min. focus distance   0.30 meters
 Reproduction ratio   0.12x

 Features
 Zoom type   Ring, interal
 Stabilization   No
 Focus   Ultrasonic AF Motor (Ring-USM)
 Internal AF   Yes
 Full Time MF   Yes

 Built and notes
 Tripod ring   No
 Extenders   No
 Filters   77 mm
 Lens hood   Yes, supplied
 Weather sealing   No
 Weight   485 g
 Dimensions   83 x 90 mm
Buy Nikon AF-S DX 12-24mm f/4 G ED, buy on Ebay


Reviews



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Google Translate  The following opinions have been automatically translated with Google Translate.


avatarjunior
sent on September 14, 2018

Pros: Chromatic rendering, contained distortion, glare resistance, AF, constant aperture, IF (does not stretch and the front lens does not rotate), compact and light.

Cons: Price of the new today, drop in sharpness at the edges at 12mm f4 (under certain conditions can be a merit), was one of the first pro Plasticoni, lack VR.

Opinion: "Perfect" wide-angle zoom for focal lengths on DX. I bought it for a D200 around 2006 I think and I still have it today. I have always liked the chromatic rendition, typical of the Nikon lenses of the time that was (de Gustibus). Good sharpness even at the edges from 5.6. At 12mm f4 instead loses much detail at the edges but already at 14mm improves and at 16mm it works. However at 12 CT standing below, close, the softness at the edges becomes a value giving a pleasant sensation of bokeh like FF, depth and detachment, I keep it for this. Usually on DX I like to work TA because the PDC of the reduced format with a little ' attention allows it to the advantage of the three-dimensionality of the images. If you want you can also make the portrait set with good results. To be a wide angle pushed the distortion is really minimal. It doesn't like the filters you can do without. But where it really excels, and among the wide angle zooms is perhaps undefeated even today, it is in the resistance to flare and reflexes. For those who love backlighting is a must have. It could probably be affected by the weight of the years. I would be curious to try it on a D500. Who uses it on DX sensors around 20MPX and knows how to handle wide angles, speaks well and says it solves them but I do not venture not having tried. It also offers great satisfactions in architecture and landscape at F8/11 on D300. I don't think it makes sense to buy it again today but they find it used at very affordable prices.

avatarjunior
sent on June 21, 2015

Pros: construction, resistance to flare, speed AF

Cons: decline at the edges, distortion on certain occasions

Opinion: I use this lens for about two years on D7000. A lens according to me inevitable in a kit DX. I have preferred to tokina 11-16 as the resistance to flare the nikkor is much higher! Found used 700 Euro, it is almost always mounted. The sharpness of the edges is not very high and sometimes 12 to 16mm the distortion is such that they should throw away the photos. It 'a lens that must be studied and understood in order to obtain the best, definitely not for everyone.

avatarjunior
sent on October 11, 2014

Pros: color rendering, construction, resistance to flare

Cons: sharpness to 12 mm at the edges, price new samples

Opinion: The use of four months on the D7000, especially for mountain landscapes. It 'compact, lightweight, well-built, a beautiful rendition with warm colors. The distortion is acceptable and imperceptible in the landscapes, of course, is most noticeable in the architecture, but in my opinion it returns pleasing shots. It lacks a bit of sharpness at the edges to 12 mm, but this also acceptable, and recoverable in PP without going overboard. More manageable 10-24 that I tried. Excellent in backlight, flare almost absent. The new price is very high, I've got it used, otherwise I would not recommend preso.rnLo

avatarsenior
sent on August 12, 2014

Pros: excellent sharpness, little distortion, light, fast autofocus

Cons: currently not found

Opinion: bought used recently, before I used Tamron 10-24 mm lens discreet, this is another cosa.Utilizzo on a D90, sometimes on a D300.Mi am wonderfully well, it gives me a lens that all fare.l'obiettivo I carry when I go out without equipment, gets a bit of tutto.Veramente ottimo.Consiglio purchase good quality / price ratio, used of course, the figure on the back is, in my opinion, a bit high.

avatarsenior
sent on July 17, 2014

Pros: Light weight, easy handling, high clarity, low distortion, fast autofocus, good yield cromatica.rnCon the advent of FF now these lenses are used at a very good price.

Cons: At the moment I have not found.

Opinion: I own this perspective alone 5 days, my opinion on the 12-24 is largely positive, I only did a few shots has a nice color rendition, given the short focal length is used well by hand in all light situations, the images are sharp and detailed, the distortion was a pleasant surprise for me as it is more than acceptable for a focal length of 18mm on fx, in any way distorts less than 20afd I own both tempo.rnQuoto from those who preceded me at the minimum focal length can not be use a 18mm with disinvoltura.rn




Photos taken with Nikon AF-S DX 12-24mm f/4 G ED

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HI RES 12.2 MP

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HI RES 12.2 MP

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HI RES 16.1 MP

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HI RES 13.7 MP

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