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Nikon 100mm f/2.8 Series E : Specifications and Opinions

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The Nikon 100mm f/2.8 Series E is a tele lens for FF and APS-C, discontinued. The focus is done by Manual Focus, it does not have image stabilization.

17 users have given it an average vote of 9.2 out of 10.

Specifications
Focal lenght	100 mm
Angle of view	24.4°
Format	FF, APS-C
Max. aperture	f/2.8
Aperture blades	6
Lenses/Groups	4 elements in 4 groups
Min. focus distance	1.00 meters
Reproduction ratio
Features
Stabilization	No
Focus	Manual Focus
Internal Focus	No
Built and notes
Tripod ring	No
Extenders	No
Filters	52 mm
Lens hood	Yes (not supplied)
Weather sealing	No
Weight	200 g
Dimensions	62 x 60 mm
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Reviews

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The following opinions have been automatically translated with Google Translate.

Cmg

sent on March 07, 2024

Pros: Small, lightweight, 7-blade diaphragm and unimaginable quality

Cons: I don't know what to say to an optician that costs a few tens of euros

Opinion: Got it three days ago to use it with the Nikon Scope Converter. Paid a ridiculous amount of money because the focus ring is a bit hard. I was able to get it repaired (fortunately) at a great price, so it couldn't get any better than this. I tried it on the Df and... WOW... A sharpness I never imagined. Since it is a cheap series, I had never considered it, not even 40 years ago. I mounted the HN-8 lens hood on it and on the Df it looks great. Very satisfied

Paolo Loro

sent on March 06, 2024

Pros: Fifty size, featherweight, manual focus, optical and mechanical quality, negligible cost

Cons: nothing

Opinion: I agree with all the comments that have been made before me. Compared to the classic 105 2.5 ai-s, this one loses something in terms of optical performance, but it is even smaller, lighter, smoother and pleasant to handle. And here we come to the substance of the matter. A 100 mm 2.8 as small and light as a fifty, of excellent mechanical quality and more than decent optical quality, which can be purchased for 100 euros, really makes you think. Focus? If you don't do weddings or sports photography for a living, but you are a normal amateur photographer, even more so of landscape, what is the problem of focusing by hand? Carpal tunnel? Short-sightedness? Manual focus, for me, is pure enjoyment, like deciding shutter speeds and apertures the old-fashioned way. It's not that thirty or forty years ago we didn't know how to take good pictures. And in my opinion, the more action is left to the manual skills of the photographer, the more fun and satisfaction there is in photographing, and if you take some photos, so be it. But here we enter the subjective and everyone is free to believe that they cannot do without the latest huge, superstabilized, tropicalized, razor-sharp, very heavy and very expensive zooms that are close to them choosing the subject to photograph and the time to do it with artificial intelligence. Also there: I own two old tiny nikkor zooms, the 28-80 f/3.3-5.6 G and the 35-80 f/4-5.6 AF D which cost a few tens of euros and weigh less than 200 grams, of disconcerting optical quality in relation to weight and cost... Basically, with three small fixed cameras such as the 100 2.8, the 50 1.4/1.8 (or the 35/2) and the 24 2.8, one mounted and the other two in your pocket, you go away comfortable and relaxed with everything you need in 90% of cases, you spend a chip, you take reasoned and good quality photos, you move a little to choose the shots and you certainly have more fun than being Sherpas with backpacks full of the latest glass that you "must" use to delude yourself into thinking you can make sense of the mortgage payments needed to buy them (I'm not talking about professionals, of course). Then, for heaven's sake, the combinations are countless, but undoubtedly this 100 is incompatible with almost all zooms that would involve an overlap, or almost, of focal length, and in my opinion it makes sense to combine only with fixed ones.

Andrea Chenich

sent on July 14, 2021

Pros: f2.8, 6 cm long, 200g, 52mm filters, done as Nikon did the lenses last millennium, sharp already from f2.8, no distortions, excellent backlight resistance, damn discreet, simple and effective optical scheme, infinite hard-stop in the MAF, the II series has the diaphragm with 7 straight slats that produces beautiful stars.

Cons: light chromatic aberrations, solvable by advanced bodies or in PP

Opinion: He is literally the unlucky brother of the 105 2.5 ai-s. Slightly inferior optically it is a little lighter, more compact and in the second-hand market it is found at less. You start to understand us about photography, don't you have too many pretensions and holed pockets? This is the medium bright canvases that suits you. At concerts it does not disfigure and is only one stop darker than the 50 and 35, offering at least twice the focal length, but sacrificing autofocus. I don't even bring up the 80-200 2.8 that are big, heavy, expensive and tacky, or the 85 1.8 that people keep them tight and are not always easy to find used. Last thing that can go unnoticed, but that I appreciate a lot: on the aluminum ring, at least in the II series, there is a small stud to indicate the high while mounting it on the body, very useful for making a lens change in the dark (type in the theater or during the star sessions)

Rb74

sent on August 24, 2019

Pros: Light, compact, high-performance, f/2.8, easy to use.

Cons: Nobody.

Opinion: For me this lens is an exceptional project that would have deserved even an AIS version. A 100 mm f/2.8 so compact and high-performance makes me think that to have excellent optics you do not need to have certain dimensions, weights and ... related costs. Let's talk about a canvas that weighs 200 grams with filters of 52. Manual focus, sure: precise and fluid dial, simple and perfect mechanics. I do not understand that there is another 100 mm with these characteristics.

Augustocampo

sent on April 06, 2017

Pros: lightweight, compact, bought 120 EUR almost new.

Cons: lack diaphragms automation.

Opinion: Excellent product, very light and compatto.Se while plastic offers the alternative to my Samyang 85 mm for lightweight and small (though with some point less for quality ... but not too much!), Then combined with 50mm and 24mm it is a good alternative both for quality and for weight to zoom tradizionali.Non regret the lack of autofocus ... indeed!

There are 2 more reviews. Show all »

Photos taken with Nikon 100mm f/2.8 Series E

Ties

by D1revolver
12 comments, 2095 views

HI RES 16.1 MP

Lucy

by Phshoot
10 comments, 1661 views

HI RES 16.0 MP

Lucy

by Phshoot
5 comments, 1331 views

HI RES 16.0 MP

Guys in a clothing boutique

by Glenn Gemmell
0 comments, 1247 views

HI RES 18.2 MP

Majestic thoughts ...

by Luchas
0 comments, 1269 views

HI RES 16.1 MP

Portrait

by Alexander52
0 comments, 1563 views

Pink

by Flavio Fuga
19 comments, 1573 views

HI RES 24.0 MP

Ale

by Cacao
0 comments, 2156 views

HI RES 24.0 MP

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Back

by Rofephoto
0 comments, 917 views

Gladstone

by Frato
3 comments, 361 views

HI RES 13.1 MP

Face

by Flavio Fuga
4 comments, 1745 views

HI RES 24.0 MP

Untitled Photo

by Rolubich
3 comments, 139 views

HI RES 37.5 MP

Sleepy

by Flavio Fuga
8 comments, 1441 views

HI RES 24.0 MP

Freshwater scalmo

by PolG
4 comments, 548 views

HI RES 3.8 MP

Ladies with mustache and dog, smoke at the window - 2

by Flavio Fuga
9 comments, 1142 views

HI RES 24.0 MP

Two friends

by Flavio Fuga
2 comments, 1089 views

HI RES 24.0 MP

Try f2.8 Nikkor 100 Series E on a6000

by Ste70
0 comments, 1687 views

HI RES 24.0 MP

Red jar

by Flavio Fuga
2 comments, 706 views

HI RES 23.1 MP

Duet in A major

by Frato
0 comments, 269 views

HI RES 16.1 MP

In the sun!

by Flavio Fuga
2 comments, 784 views

HI RES 8.3 MP

Group of Monte Rosa side Valsesian

by Luchas
0 comments, 1031 views

HI RES 16.1 MP

A Game Under the Tree

by Nicomaker
2 comments, 572 views

HI RES 23.1 MP

Aguna of Venice

by Cacao
4 comments, 856 views

HI RES 6.1 MP

Civezzano TN

by Cacao
0 comments, 906 views

HI RES 24.0 MP

Fondly Nine at dawn in winter

by Flavio Fuga
0 comments, 825 views

HI RES 10.0 MP

Man with dog at the window

by Flavio Fuga
0 comments, 664 views

HI RES 24.0 MP

Prime location

by Luchas
0 comments, 843 views

HI RES 16.1 MP

Pandemics

by Dzn
1 comments, 317 views

Civezzano TN

by Cacao
3 comments, 1178 views

HI RES 24.0 MP

Turin, 2019

by Filippodrudi
0 comments, 406 views

Profile of woman in tram

by Flavio Fuga
2 comments, 815 views

HI RES 24.0 MP

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Beach umbrellas at Hotel Carlton

by Flavio Fuga
0 comments, 705 views

HI RES 23.2 MP

Couple of the rising sun

by Flavio Fuga
2 comments, 916 views

HI RES 23.4 MP

Crooked Jar

by Flavio Fuga
0 comments, 590 views

HI RES 24.0 MP

Nabucco

by Flavio Fuga
4 comments, 743 views

HI RES 23.0 MP

Reading the score

by Augustocampo
0 comments, 554 views

HI RES 24.0 MP

Nikon 100 f 2.8 E Series

by Gainnj
2 comments, 364 views

HI RES 15.4 MP

The sample photos are selected automatically between all photos posted by JuzaPhoto members, using the camera and the lens selected in the techs. If you find evident errors (e.g. photos taken with cameras and lenses that are not available yet), you can contribute to improve the page by sending a private message to the user that has entered incorrect values in the photo caption.

Reviews » Lenses » Lenses Nikon » Nikon 100mm f/2.8 Series E

Nikon 100mm f/2.8 Series E : Specifications and Opinions

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Reviews

What do you think about this lens?

Photos taken with Nikon 100mm f/2.8 Series E