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Meyer Gorlitz Oreston 50mm f/1.8 : Specifications and Opinions



Meyer Gorlitz Oreston 50mm f/1.8


The Meyer Gorlitz Oreston 50mm f/1.8 is a standard lens for FF and APS-C, manufactured from 1960 to 1970 (discontinued). The focus is done by Manual Focus, it does not have image stabilization. The average price was 50 €;
18 users have given it an average vote of 9.1 out of 10.




If you have used this item, you can add your vote:  


SpecificationsReviewsCompareBuyPhotos


Specifications
Focal lenght50 mm
Angle of view46.8°
FormatFF, APS-C
Max. aperturef/1.8
Aperture blades
Lenses/Groups 6 elements in 4 groups
Min. focus distance0.33 meters
Reproduction ratio

Features
StabilizationNo
FocusManual Focus
Internal FocusNo

Built and notes
Tripod ringNo
ExtendersNo
Filters49 mm
Lens hoodYes (not supplied)
Weather sealingNo
Weight g
Dimensions x mm

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Reviews

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Google Translate  The following opinions have been automatically translated with Google Translate.


avatarjunior
sent on 03 Marzo 2026

Pros: Blurry, construction, acceptable weight

Cons: Endless focus stroke! (Even a bit hard, to be honest...)

Opinion: I am in possession of a Pentacon Oreston model that was given to me together with a Praktica. Adapted on my Olympus OM-D 5, it gives a lot of satisfaction in nature photography (macro wide aperture to enhance the bubble effect). For the rest I don't know what to say... it seems clear and engraved to me only by closing a little, at full opening it's a lot of fun!

avatarjunior
sent on 08 Luglio 2025

Pros: Blurred, brightness, color rendering, minimum focusing distance, compactness and solidity of construction

Cons: Poor sharpness wide open (but that's also what builds its character)

Opinion: It is a lens that immediately captured me: at the moment I have used it mainly for photographs of flowers and nature. I really like its dreamlike, pictorial rendering and its bubble blur at full aperture begins to take on a very marked hexagonal shape already closing one stop. It has a minimum focusing distance of around 30 centimeters, so as to make it a lens suitable for very close shots. And it is here that in my opinion it gives its best and brings out all its particular character. Closing the diaphragm you gain sharpness, but compared to other vintage lenses (such as the Zeiss Tessar 50mm f2.8) it does not hold a candle either on microcontrast or on color rendering, becoming a lens that is not very versatile, despite the focal length of 50mm. Knowing its strengths, however, it becomes a lens with a nice character, to be used for targeted and particular situations.

avatarjunior
sent on 26 Maggio 2019

Pros: Bokeh, price, color rendition ' vintage ' and excellent sharpness if closed

Cons: For the price paid no one

Opinion: Paid €28 + S.S. and only disassembled the lenses for a slight dust cleaning. All iron and glass as from customary years 60. Bought to see the famous blurry bubbles without any other pretensions, it amazed me how sharpness if closed already at F4. A F 1.8 poor sharpness that becomes indecent going to the corners (but who buys it to take that kind of photo knows that sharpness is not a problem). The bubbles effect depends very much on the distance between the subject and the light points in the background. Used on Sony A7II, it protrudes and weighs the right giving a good feeling in the use, it returns colors quite warm but not excessively. I recommend a lens hood to improve flare resistance and contrast with non-favorable light. Around €40 a whim to get through.

Photos taken with Meyer Gorlitz Oreston 50mm f/1.8

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Foto
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by Alexey
43 comments, 3217 views
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by Marco Mottillo
43 comments, 7160 views
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by Massimo Schiavi
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Old ring
by Marco Mottillo
24 comments, 2491 views


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Foto
Untitled Photo
by Alexey
26 comments, 1447 views
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Untitled Photo
by Lara Bonazza
12 comments, 1125 views
Foto
22:03 second day of spring
by Fabrix
24 comments, 3078 views



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