JuzaPhoto uses technical cookies and third-part cookies to provide the service and to make possible login, choice of background color and other settings (click here for more info).
By continuing to browse the site you confirm that you accept the use of cookies and that you have read and accepted the Terms of service and Privacy.
If you want, you can even enable or disable specific cookies on the page Cookies Preferences.
The Kenko Pro 300 DGX 1.4x is a extender lens for FF and APS-C, manufactured from 2010 to 2016 (discontinued). The average price, when it has been added to the JuzaPhoto database, is 192 €;
67 users have given it an average vote of 9.1 out of 10.
Do you want add your opinion? You do it by joining JuzaPhoto, it is easy and free!
There is more: by registering you can create your personal page, publish photos, receive comments, join discussions and you can use all the features of JuzaPhoto. With more than 212000 members, there is space for everyone, from the beginner to the professional.
The following opinions have been automatically translated with Google Translate.
Pros:Compatibility on Canon Eos 5D MK III and 6D MK II bodies with all the optics of my kit, imperceptible loss of sharpness, light.
Cons:I didn't find any
Opinion:In search of this multiplier on the used market, for the pro illustrated, I found a seller who was selling it in bulk together with the Pro 300 DGX 2x of which I was a little sceptical. Given the favorable price I took them as a couple and I did not regret it, because I have to say that for both are worth the same pros and to date no cons, with the optics with which I use them, especially Canon 100mm f2.8 Macro USM and Canon 70-200 f4 L IS USM. Concerned about possible incompatibilities with the 6D MK II complained of by other reviewers, I have to say that with mine he did not manifest any problems. Over-recommended
Pros:Compatibility with EVERY lens (even those not compatible with the original extenders), image quality, construction solidity, low cost and great value for money
Cons:Some slowdown in autofocus (but nothing), pairing with heavy lenses could strain and cause some minimal play
Opinion:I own both this and the 2x (which I actually bought "for a snful" but I hardly ever use). Most of the time I use it coupled with the Canon 100mm f/2.8 macro: you lose a stop (it becomes a 140mm f/4 equivalent), but the autofocus slows down little and especially the image quality is practically indistinguishable from the "smooth" optics (at least on the sensor of my Canon 5D mark II, I imagine that on denser sensors and/or with less solvent optics can be noticed more), without sharpening or particular chromatic aberrations. Very useful with "timid" subjects, which you can not get too close to and/or if you want to go beyond 1:1 magnification in macros without loss of quality. I remember that, like all focal multipliers, this also multiplies the defects of the lens, so I recommend using it only with quality optics. Purchase definitely recommended, also for good hold in the used (you buy and sell easily around the hundred euros).
Opinion:Kenko, part of the Tokina Group, is a guarantee of quality. I mainly use it paired with the Canon 70-200 f4 IS USM L, it loses a stop, but that's fine, it would also lose it with the original Canon series III. I don't notice significant image decays and it seems robust and well built. I have been using it since 2014 and I noticed that on Kenko's official website, it is still in production, while on Juzaphoto no, why?
Opinion:Purchased used by RCE for 110 euros with a year's seller's warranty, my model is almost identical to the new one. As soon as I arrived I immediately mounted it on Canon 5D Mk. III and 400 L 5.6 and... Show! You lose a stop, so you start as the maximum opening to f8, but you don't lose in quality compared to the smooth lens. Sharpness, chromatisms, everything seems more than discreet. A monitor, enlarging to 100 percent, you feel a minimum drop but nothing that can not be solved with a little sharpening. I have taken back well-lit bushes, almost in the backlight and does not present scandalous chromatic aberrations. The autofocus hooks without hesitation in the afternoon luca: I will soon take away the curiosity to try it in the dim light of the beech trees up, towards the Amiata. Some reviews refer to a certain game of optics on the multiplier: in my case none of this. I assume they came across somewhat mistreated objects where the bayonet suffered because of heavy optics left to dangle... Considering also the price of a Canon equivalent, also used, this contraption wins with low hands. It also refers to compatibility with optics that the original does not have. Why spend more? Recommended.
Opinion:I use it more strongly with the Tokina ATX-PRO 100mm F/2.8 D Macro and the pairing is perfect, from a qualitative point of view it seems to have a lens without teleconverter. Identical behavior on both the D750 and the D5300. It does not produce aberrations or distortions whatsoever. Although used with not-so-bright zooms (f/5.6 - 6.3) it produces excellent results in terms of sharpness and contrast. Very recommended for macro, as with it you exceed RR 1:1, without image degradation.
The sample photos are selected automatically between all photos posted by JuzaPhoto members, using the camera and the lens selected in the techs. If you find evident errors (e.g. photos taken with cameras and lenses that are not available yet), you can contribute to improve the page by sending a private message to the user that has entered incorrect values in the photo caption.
The following opinions have been automatically translated with Google Translate.
![[editors pick]](shared_files/layout/ep_badge.jpg){kind=icon}
JuzaPhoto contains affiliate links from Amazon and Ebay and JuzaPhoto earn a commission in case of purchase through affiliate links.
