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Fujifilm GF 120mm f/4 R LM OIS WR Macro : Specifications and Opinions




Fujifilm GF 120mm f/4 R LM OIS WR MacroFujifilm GF 120mm f/4 R LM OIS WR Macro

Fujifilm GF 120mm f/4 R LM OIS WR Macro

Fujifilm GF 120mm f/4 R LM OIS WR Macro



The Fujifilm GF 120mm f/4 R LM OIS WR Macro is a macro lens for MF, manufactured from 2017. The focus is done by Stepper Motor, it has image stabilization. The average price, when it has been added to the JuzaPhoto database, is 2800 €;
9 users have given it an average vote of 9.0 out of 10.


If you have used this item, you can add your vote:  

MOUNT

This lens is available with the following mounts:

Fujifilm GF: this lens is compatible with mirrorless medium format Fuji.



SpecificationsReviewsCompareBuySample Photos





 Specifications
 Focal lenght   120 mm
 Angle of view   25.8°  (equivalent to a 95mm in Fullframe 24x36mm format)
 Format   MF
 Max. aperture   f/4
 Aperture blades   9
 Lenses/Groups   14 elements in 9 groups
 Min. focus distance   0.45 meters
 Reproduction ratio   0.50x

 Features
 Stabilization   Yes (built in lens)
 Focus   Stepper Motor
 Internal Focus   Yes

 Built and notes
 Tripod ring   No
 Extenders   No
 Filters   72 mm
 Lens hood   Yes, supplied
 Weather sealing   Yes
 Weight   980 g
 Dimensions   89 x 153 mm

 Buy

Fujifilm GF 120mm f/4 R LM OIS WR Macro, buy on Ebay Ebay

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Reviews



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Google Translate  The following opinions have been automatically translated with Google Translate.


avatarjunior
sent on April 23, 2021

Pros: In Still Life it is able to discreetly solve the 102MP of the GFX 100 when used on tripods with OFF stabilizer and deabrated between 8 and 11, possibly using the Focus Bracketing function to extend the sharp zone.

Cons: Very slow and inaccurate autofocus, even with the GFX 100, especially when the light is not particularly intense, for example with flash pilot lamps. It is very frustrating when you see that autofocus is going the wrong way and you can do nothing about it, other than waiting for it to come back at the end of the race, which in portraiture often means losing the fleeting moment, especially with spontaneous and non-professional subjects (models). In these situations the autofocus of the GF110 is much better, especially with static subjects, probably due to the difference of 2 diaphragm stops. This is not a problem in Still Life with tripod device and motionless subject, where I prefer manual focus. The rotation of the focus ring does not directly control the mechanical displacement of the lens elements, but is a digital command, so much so that the targetses do not show a metric scale. You can set the focus in linear or nonlinear mode, rotating clockwise or counterclockwise, but in fact there is too much to turn, it has nothing to do with a classic lens. It is not possible to develop muscle memory that allows you in the manual to act instinctively. You can set many aids for manual focus, but you need to study the matter well and if you devote yourself to multiple genres of photography be ready to change them from time to time. For example, I find it useful in still life that as soon as I rotate the ring in the manual all the viewfinder enlarges the part where I placed the focus square. This setting, of course, is unusable when the device is not on tripod. At F4 vignetting evident in most useful reproduction reports, which however is not a big problem in portraiture or even in Still Life where you will hardly start at full opening.

Opinion: GFX system macro objective, with a maximum playback ratio of 1:2 and not the 1:1 proposed by all other competitors. To get to the 1:1 playback ratio you need to buy the MCEX-45G extension tube of 45mm. To take advantage of the 33x44mm sensor as well as for the tonal and chromatic scale also for sharpness, it is necessary that the device is on tripod, the OFF stabilizer (the stabilizer neutralizes the large vibrations of when shooting freehand, but produces some of its own) and be careful about diffraction, an inevitable physical phenomenon diaphragmizing the lens. Keep in mind: One: in the playback ratio 1:1 the pull of the lens is twice that at infinity, the exposure increases by 4 times (2 stops) and the actual iris as well. The value F5.6 at infinity actually with a ratio of 1:1 is F11. This means that the higher the playback ratio, the more open the lens should be left open, despite an ever-greater depth of field. Two: the image magnification factor. If we want to get an 80x100cm print, with a 20.3x25.4cm format we have to enlarge 4x, with a 10.2x12.7cm 8x, with a 33x44mm 24x, which explains that the smaller the shooting format – even the digital one – plus diffraction or vibrations (shooting freehand) limit the quality of the final image because any circle of confusion given by diffraction or even movement is multiplied greatly. Other great advantages of large format or mobile body appliances (optical benches) are decentralizations for prospective control and tilting to tilt the focus plane according to scheimpflug's rule. In certain situations – landscapes, architecture, still life – it means having everything in focus on relatively open diaphragms. An example is the resumption of the train tracks that go to us endlessly perfectly sharp even at full opening (be careful that the train does not pass, otherwise we go endlessly!). To take advantage of the prospective control and sharpness plan possibilities, I bought the View Camera Adapter G, so I can use GFX devices as sensors mounted on an optical bench. To sum up, the GF 120 is a good lens for still life and if necessary can be used in portraiture, but with the limits due mostly to the slowness of autofocus, therefore with immobile subjects or models. As for still life, when a good extension of the focus area is required, which can be quickly obtained with the tilting of the optical bench, to obtain the highest quality you can proceed with multiple shots through the Focus Bracketing function diaphragm between 8 and 11. If you want to proceed with a single shot, diaphragm to 16 or the limit to 22 the images are still usable, but you can not take full advantage of the potential of 100MP and enlarge a lot due to diffraction. Focus Bracketing allows you to get great images, very good for occasional use. However, it is very time-consuming and resource-consuming, shortening the lives of shutters and flashes, as well as requiring huge storage spaces. It is not usable in case the customer is in the studio and wants to see the result immediately, in which case it is better to proceed with a mobile body device with digital sensor, so a shot and you can immediately see the final result. I mentioned the large format and mobile body appliances because in Still Life, the scope of the GF 120, the advantages of this type of luminaire, associated not only with flat films but also with digital sensors, is undeniable.

avatarsenior
sent on January 07, 2018

Pros: Ultra clear, wr great, blurry beautiful.

Cons: Nothing.

Opinion: Found used at a great price, this lens has shown an extraordinary quality, used in raw files not shown distortions abberazzioni vines of sorts, is heavyweight but well balanced, and handy lends itself to any photographic genre, being 95 mm on gfx50s are made quietly also the portraits, croppando you get 200 ... Rating 10

Photos taken with Fujifilm GF 120mm f/4 R LM OIS WR Macro

Foto
A pleasant walk #2
by Cris59
32 comments, 1780 views
Foto
Enchantment
by Terrestre Extra
82 comments, 4333 views  
HI RES 10.5 MP

Foto
Pink
by Terrestre Extra
36 comments, 2553 views  
HI RES 17.1 MP

Foto
Once upon a time.
by Terrestre Extra
25 comments, 1805 views  
HI RES 12.5 MP

Foto
St. Paul Sunset
by Robert3417
13 comments, 2474 views  
HI RES 30.9 MP

Foto
Rest
by Terrestre Extra
16 comments, 2230 views  
HI RES 28.8 MP

Foto
I look at you
by Terrestre Extra
42 comments, 861 views  
HI RES 6.9 MP



RCE

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Foto
Untitled Photo
by Terrestre Extra
40 comments, 1178 views  
HI RES 51.1 MP

Foto
Yellow Reflection
by Terrestre Extra
16 comments, 747 views  
HI RES 29.7 MP

Foto
The harbour destroyed by the sea-storm
by Lella1952
18 comments, 1177 views  
HI RES 2.9 MP

Foto
The Spider and the iris
by Terrestre Extra
14 comments, 1370 views  
HI RES 27.0 MP

Foto
Upside Down World 3
by Terrestre Extra
21 comments, 1621 views  
HI RES 7.0 MP

Foto
Pink 2
by Terrestre Extra
18 comments, 1512 views  
HI RES 47.1 MP

Foto
Grazing light
by Terrestre Extra
13 comments, 1356 views  
HI RES 9.0 MP

Foto
Spring 7
by Terrestre Extra
16 comments, 1444 views  
HI RES 24.9 MP

Foto
2...
by Terrestre Extra
18 comments, 620 views  
HI RES 37.2 MP

Foto
Thought intent
by Terrestre Extra
0 comments, 1138 views
Foto
Without title
by Terrestre Extra
8 comments, 1315 views  
HI RES 11.0 MP

Foto
Yellow and blue
by Terrestre Extra
10 comments, 1005 views  
HI RES 23.2 MP

Foto
Details....
by Terrestre Extra
8 comments, 523 views  
HI RES 17.3 MP

Foto
Primavera 6
by Terrestre Extra
8 comments, 820 views  
HI RES 15.4 MP

Foto
Corner of paradise
by Cybear
4 comments, 1260 views
Foto
Ready to escape
by Terrestre Extra
19 comments, 1087 views  
HI RES 12.4 MP

Foto
Primvera
by Terrestre Extra
6 comments, 809 views  
HI RES 18.2 MP

Foto
Spring 4
by Terrestre Extra
12 comments, 928 views  
HI RES 6.3 MP

Foto
Abstract
by Antonio Benetti
2 comments, 979 views  
HI RES 4.9 MP

Foto
Portraits at Fujifilm X-Vision Tour CATANIA
by Frank5d
6 comments, 1854 views  
HI RES 6.3 MP

Foto
Upside Down World
by Terrestre Extra
16 comments, 1133 views  
HI RES 5.7 MP

Foto
Dragonfly 3
by Terrestre Extra
14 comments, 1260 views  
HI RES 19.0 MP

Foto
Spring 2
by Terrestre Extra
12 comments, 881 views  
HI RES 25.0 MP

Foto
Port Caleri
by Antonio Benetti
2 comments, 841 views  
HI RES 3.7 MP



RCE

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Foto
Red and green
by Terrestre Extra
4 comments, 1213 views
Foto
Untitled Photo
by Terrestre Extra
15 comments, 538 views  
HI RES 51.1 MP

Foto
Simple and healthy
by Cris59
2 comments, 477 views
Foto
I'm coming.
by Terrestre Extra
20 comments, 436 views  
HI RES 18.6 MP

Foto
1.....
by Terrestre Extra
9 comments, 644 views  
HI RES 16.1 MP

Foto
A photo me too
by Terrestre Extra
7 comments, 893 views  
HI RES 11.8 MP


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