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Fujifilm GF 120mm f/4 R LM OIS WR Macro : Specifications and Opinions

The Fujifilm GF 120mm f/4 R LM OIS WR Macro is a macro lens for MF, manufactured from 2017. The focus is done by Stepper Motor, it has image stabilization. The average price, when it has been added to the JuzaPhoto database, is 2800 €;

9 users have given it an average vote of 9.0 out of 10.

MOUNT

This lens is available with the following mounts:

Fujifilm GF: this lens is compatible with mirrorless medium format Fuji.

Specifications
Focal lenght	120 mm
Angle of view	25.8° (equivalent to a 95mm in Fullframe 24x36mm format)
Format	MF
Max. aperture	f/4
Aperture blades	9
Lenses/Groups	14 elements in 9 groups
Min. focus distance	0.45 meters
Reproduction ratio	0.50x
Features
Stabilization	Yes (built in lens)
Focus	Stepper Motor
Internal Focus	Yes
Built and notes
Tripod ring	No
Extenders	No
Filters	72 mm
Lens hood	Yes, supplied
Weather sealing	Yes
Weight	980 g
Dimensions	89 x 153 mm
Buy
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Reviews

What do you think about this lens?

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The following opinions have been automatically translated with Google Translate.

Jonasalsgard

sent on April 23, 2021

Pros: In Still Life it is able to discreetly solve the 102MP of the GFX 100 when used on tripods with OFF stabilizer and deabrated between 8 and 11, possibly using the Focus Bracketing function to extend the sharp zone.

Cons: Very slow and inaccurate autofocus, even with the GFX 100, especially when the light is not particularly intense, for example with flash pilot lamps. It is very frustrating when you see that autofocus is going the wrong way and you can do nothing about it, other than waiting for it to come back at the end of the race, which in portraiture often means losing the fleeting moment, especially with spontaneous and non-professional subjects (models). In these situations the autofocus of the GF110 is much better, especially with static subjects, probably due to the difference of 2 diaphragm stops. This is not a problem in Still Life with tripod device and motionless subject, where I prefer manual focus. The rotation of the focus ring does not directly control the mechanical displacement of the lens elements, but is a digital command, so much so that the targetses do not show a metric scale. You can set the focus in linear or nonlinear mode, rotating clockwise or counterclockwise, but in fact there is too much to turn, it has nothing to do with a classic lens. It is not possible to develop muscle memory that allows you in the manual to act instinctively. You can set many aids for manual focus, but you need to study the matter well and if you devote yourself to multiple genres of photography be ready to change them from time to time. For example, I find it useful in still life that as soon as I rotate the ring in the manual all the viewfinder enlarges the part where I placed the focus square. This setting, of course, is unusable when the device is not on tripod. At F4 vignetting evident in most useful reproduction reports, which however is not a big problem in portraiture or even in Still Life where you will hardly start at full opening.

Opinion: GFX system macro objective, with a maximum playback ratio of 1:2 and not the 1:1 proposed by all other competitors. To get to the 1:1 playback ratio you need to buy the MCEX-45G extension tube of 45mm. To take advantage of the 33x44mm sensor as well as for the tonal and chromatic scale also for sharpness, it is necessary that the device is on tripod, the OFF stabilizer (the stabilizer neutralizes the large vibrations of when shooting freehand, but produces some of its own) and be careful about diffraction, an inevitable physical phenomenon diaphragmizing the lens. Keep in mind: One: in the playback ratio 1:1 the pull of the lens is twice that at infinity, the exposure increases by 4 times (2 stops) and the actual iris as well. The value F5.6 at infinity actually with a ratio of 1:1 is F11. This means that the higher the playback ratio, the more open the lens should be left open, despite an ever-greater depth of field. Two: the image magnification factor. If we want to get an 80x100cm print, with a 20.3x25.4cm format we have to enlarge 4x, with a 10.2x12.7cm 8x, with a 33x44mm 24x, which explains that the smaller the shooting format – even the digital one – plus diffraction or vibrations (shooting freehand) limit the quality of the final image because any circle of confusion given by diffraction or even movement is multiplied greatly. Other great advantages of large format or mobile body appliances (optical benches) are decentralizations for prospective control and tilting to tilt the focus plane according to scheimpflug's rule. In certain situations – landscapes, architecture, still life – it means having everything in focus on relatively open diaphragms. An example is the resumption of the train tracks that go to us endlessly perfectly sharp even at full opening (be careful that the train does not pass, otherwise we go endlessly!). To take advantage of the prospective control and sharpness plan possibilities, I bought the View Camera Adapter G, so I can use GFX devices as sensors mounted on an optical bench. To sum up, the GF 120 is a good lens for still life and if necessary can be used in portraiture, but with the limits due mostly to the slowness of autofocus, therefore with immobile subjects or models. As for still life, when a good extension of the focus area is required, which can be quickly obtained with the tilting of the optical bench, to obtain the highest quality you can proceed with multiple shots through the Focus Bracketing function diaphragm between 8 and 11. If you want to proceed with a single shot, diaphragm to 16 or the limit to 22 the images are still usable, but you can not take full advantage of the potential of 100MP and enlarge a lot due to diffraction. Focus Bracketing allows you to get great images, very good for occasional use. However, it is very time-consuming and resource-consuming, shortening the lives of shutters and flashes, as well as requiring huge storage spaces. It is not usable in case the customer is in the studio and wants to see the result immediately, in which case it is better to proceed with a mobile body device with digital sensor, so a shot and you can immediately see the final result. I mentioned the large format and mobile body appliances because in Still Life, the scope of the GF 120, the advantages of this type of luminaire, associated not only with flat films but also with digital sensors, is undeniable.

Terrestre Extra

sent on January 07, 2018

Pros: Ultra clear, wr great, blurry beautiful.

Cons: Nothing.

Opinion: Found used at a great price, this lens has shown an extraordinary quality, used in raw files not shown distortions abberazzioni vines of sorts, is heavyweight but well balanced, and handy lends itself to any photographic genre, being 95 mm on gfx50s are made quietly also the portraits, croppando you get 200 ... Rating 10

Photos taken with Fujifilm GF 120mm f/4 R LM OIS WR Macro

A pleasant walk #2

by Cris59
35 comments, 2584 views

Enchantment

by Terrestre Extra
84 comments, 5115 views

HI RES 10.5 MP

Pink

by Terrestre Extra
37 comments, 3238 views

HI RES 17.1 MP

Once upon a time.

by Terrestre Extra
25 comments, 2210 views

HI RES 12.5 MP

St. Paul Sunset

by Robert3417
13 comments, 2725 views

HI RES 30.9 MP

From ancient times

by Cris59
10 comments, 281 views

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I look at you

by Terrestre Extra
42 comments, 1285 views

HI RES 6.9 MP

Rest

by Terrestre Extra
17 comments, 2507 views

HI RES 28.8 MP

Untitled Photo

by Terrestre Extra
40 comments, 1514 views

HI RES 51.1 MP

Yellow Reflection

by Terrestre Extra
16 comments, 982 views

HI RES 29.7 MP

The harbour destroyed by the sea-storm

by Lella1952
18 comments, 1437 views

HI RES 2.9 MP

The Spider and the iris

by Terrestre Extra
14 comments, 1648 views

HI RES 27.0 MP

Upside Down World 3

by Terrestre Extra
21 comments, 2016 views

HI RES 7.0 MP

Pink 2

by Terrestre Extra
18 comments, 1788 views

HI RES 47.1 MP

Grazing light

by Terrestre Extra
13 comments, 1629 views

HI RES 9.0 MP

Spring 7

by Terrestre Extra
16 comments, 1681 views

HI RES 24.9 MP

2...

by Terrestre Extra
18 comments, 834 views

HI RES 37.2 MP

Thought intent

by Terrestre Extra
0 comments, 1358 views

Without title

by Terrestre Extra
8 comments, 1547 views

HI RES 11.0 MP

Yellow and blue

by Terrestre Extra
10 comments, 1196 views

HI RES 23.2 MP

A rich banquet

by Cris59
6 comments, 436 views

Details....

by Terrestre Extra
8 comments, 714 views

HI RES 17.3 MP

Primavera 6

by Terrestre Extra
8 comments, 1071 views

HI RES 15.4 MP

Portraits at Fujifilm X-Vision Tour CATANIA

by Frank5d
6 comments, 2256 views

HI RES 6.3 MP

Corner of paradise

by Cybear
4 comments, 1506 views

Upside Down World

by Terrestre Extra
16 comments, 1358 views

HI RES 5.7 MP

Dragonfly 3

by Terrestre Extra
14 comments, 1578 views

HI RES 19.0 MP

Ready to escape

by Terrestre Extra
19 comments, 1321 views

HI RES 12.4 MP

Primvera

by Terrestre Extra
6 comments, 1061 views

HI RES 18.2 MP

Spring 4

by Terrestre Extra
12 comments, 1121 views

HI RES 6.3 MP

Abstract

by Antonio Benetti
4 comments, 1247 views

HI RES 4.9 MP

Port Caleri

by Antonio Benetti
2 comments, 1109 views

HI RES 3.7 MP

Spring 2

by Terrestre Extra
12 comments, 1065 views

HI RES 25.0 MP

Red and green

by Terrestre Extra
4 comments, 1454 views

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Untitled Photo

by Terrestre Extra
15 comments, 764 views

HI RES 51.1 MP

I'm coming.

by Terrestre Extra
20 comments, 657 views

HI RES 18.6 MP

1.....

by Terrestre Extra
9 comments, 828 views

HI RES 16.1 MP

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Reviews » Lenses » Lenses Fujifilm » Fujifilm GF 120mm f/4 R LM OIS WR Macro

Fujifilm GF 120mm f/4 R LM OIS WR Macro : Specifications and Opinions

Buy

Offerte Usato RCE

Reviews

What do you think about this lens?

Photos taken with Fujifilm GF 120mm f/4 R LM OIS WR Macro