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Canon EF 11-24mm f/4 L USM : Specifications and Opinions




Canon EF 11-24mm f/4 L USMCanon EF 11-24mm f/4 L USM

Canon EF 11-24mm f/4 L USM

Canon EF 11-24mm f/4 L USM



The Canon EF 11-24mm f/4 L USM is a wide-angle lens for FF and APS-C, manufactured from 2015. The focus is done by Ultrasonic AF Motor (Ring-USM), it does not have image stabilization. The average price, when it has been added to the JuzaPhoto database, is 2615 €;
37 users have given it an average vote of 9.1 out of 10.


If you have used this item, you can add your vote:  

MOUNT

This lens is available with the following mounts:

Canon EF: this lens is compatible with reflex fullframe and APS-C Canon EF.



SpecificationsReviewsCompareBuySample Photos





 Specifications
 Focal lenght   11-24 mm
 Angle of view   126.1 - 84.1°
 Format   FF, APS-C
 Max. aperture   f/4
 Aperture blades   9
 Lenses/Groups   16 elements in 11 groups
 Min. focus distance   0.28 meters
 Reproduction ratio   0.16x

 Features
 Zoom type   Ring, interal
 Stabilization   No
 Focus   Ultrasonic AF Motor (Ring-USM)
 Internal AF   Yes
 Full Time MF   Yes

 Built and notes
 Tripod ring   No
 Extenders   No
 Filters  
 Lens hood   Built-in
 Weather sealing   Yes
 Weight   1180 g
 Dimensions   108 x 132 mm

 Buy

Canon EF 11-24mm f/4 L USM, buy on Ebay Ebay



Reviews



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Google Translate  The following opinions have been automatically translated with Google Translate.


avatarjunior
sent on February 23, 2019

Pros: sharpness, focal length, flare resistance, use of slab filters, very low distortion, chromatic rendering, construction

Cons: Vignetting with 11/12mm slab filters, not attributable to the lens and easily resolvable in post

Opinion: A lens that returns in satisfaction the economic commitment made to purchase. The chromatic rendering, the sharp detail, the resistance to flare, given the size of the front lens and the absence of particular distortions, are a pleasant surprise. The maximum aperture at F/4, does not make the lens suitable for astrophotography, except this, is the best wide lens on the market. Coupled with the 24/70, I was led to the sale of the 16-35, which suffers more distortion, despite the minimum focal less extensive

avatarsenior
sent on December 20, 2018

Pros: Focal excursion, uniqueness, distortions controlled in a masterly way directly from the optical scheme, body that although not in metal is quite solid and allows temperature changes without problems that a metal construction would lead behind

Cons: Price

Opinion: It's a gorgeous lens, if it didn't cost a crazy figure it would be a recommended purchase. Unfortunately the online reviews are extremely misleading, and among those who can not read a graph MTF, and who defines a lens "professional" (to do what I still have to understand), you have to clarify. If you buy it hoping that your landscape photos suddenly become magical, you're throwing the money. What this lens guarantees you is an immense angle of field, with all the consequences of the case. It has a beautifully insignificant distortion, which at first impact could make you say "wow", pity that then takes over the other aspect: look at the world with a focal length of 11mm. If on the one hand the lines are beautifully straight, on the other you will notice how the subjects in the center seem far away from you, and almost "distorted" while not being. This means that your central subject will decrease in size, and you'll have to get used to that "vision". The yield to F4 is fairly low to medioframe\\edges, you have to close to F8 on dense sensors. You will find online reviews of photos made with 5d Mark III, which already makes you understand the preparation of these individuals, but it goes well. Not fully recommended for astrophotography without astrotracker due to the AC (in solvable daytime photos) and the low uniformity centro\\edges at F4. In conclusion, it is a beautiful lens, certainly innovative, but personally I would not buy it even if it cost €1,500 (bought fortunately used and resolute even more). I have not found in the focal so wide that magic that so decanta, but I found a lens extremely heavy, cumbersome and with problems of flare obvious given the exaggerated size of the front lens. In my opinion you can spend considerably less and buy a Sigma Art 14 1.8 or a 14-24, globally more balanced. The final weapon of this lens is its control over distortions, but in my opinion it does not justify the faults that it carries, and the price to which it is sold.

avatarsenior
sent on September 23, 2018

Pros: 11mm, 12mm, 13mm, 14mm, 15mm sharpness, distortion correction at the mid focal, is unique in its kind

Cons: Weight, footprint, price, flare with point light sources.

Opinion: Before buying it I thought it was too extreme for my needs, I considered it more a demonstration of Canon's ability to achieve unique goals, but not useful for those who do not need it for ultraspecialist purposes. Since, after long thinking, I bought it (used, but still at a high price...) Practically no longer use the Pur excellent 16-35/4 l IS, because the expressive possibilities allowed by the range 11-16mm on full format are exceptionally... vast, and The combination with the 24-70/2.8 L II does not make me regret a bit longer focal length than the 24mm. Certainly compared to 16-35 this 11-24 can not be thought "alone" in a lightweight reportage logic. It is wrong, however, to believe that this objective is a specialist for architecture, Interior in particular: it is certainly useful in those situations, but in June I was taken to the Dolomites in the backpack together with 24-70 and 100-400: Well, despite the weight Of the whole was indisputably remarkable, it was absolutely worth it, because certain perspectives were greatly valued with Ultracorte focal lengths, provided you had the foresight to compose carefully, use the easel and place--every time you It was possible-a strong foreground to anchor the prospective momentum of the whole. The optical and constructive quality of this large wide angle is at the highest level. Personally I am not a fan of filters, not even ND, so I do not feel the lack of a frame dedicated to them. Only note is-sometimes-the onset of a certain flare (ghost more than decrease in contrast) in the backlight, but I think it is inevitable for a lens with these characteristics. A little bit of foresight in the shooting allows most of the time to remedy the problem. Even in the report has proved effective, obviously it is not a point of view for that, but when there are compact groups of focal people so short they allow you to literally "enter" The observer in the scene. Good light

avatarjunior
sent on July 30, 2016

Pros: Crisp, precise, rugged and focal width!

Cons: Price, weight and lens hood is not removable.

Opinion: very interesting and versatile lens with its focal width. rnLe distortions are minimized, and the image quality you get is remarkable. rnDa my point of view suffers from a bit of flare especially in certain lighting conditions. rnUna lens that stimulates creatività.rnCanon has created a unique lens of its kind, a masterpiece.

avataradmin
sent on May 15, 2016

Pros: image quality, angle of view

Cons: weight, size, price

Opinion: The Canon 11-24 L is the most extreme wide-angle zoom (non-fisheye) currently on the market; the angle at 11mm is really spectacular! The image quality is very good, although not to the spectacular levels of the Canon 16-35 f / 4 IS: the center is crystal clear; in corners it is good about 20-25 megapixel sensor, while on 50 megapixel sensors and over we see a bit of decay in the corners, but nothing disastrous. The build quality is at the highest level, and the autofocus is fast and quiet; the huge front lens is a beauty also to be seen :-) weight, size and price are very high, but if you like the extreme wide-angle Canon 11-24 is really the best you can get, in my opinion is a lens absolutely advisable despite being so 'difficult'.




Photos taken with Canon EF 11-24mm f/4 L USM

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HI RES 28.3 MP

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HI RES 47.8 MP

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HI RES 50.3 MP

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59 comments, 3422 views  [editors pick]
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41 comments, 8123 views  [editors pick]  
HI RES 5.9 MP



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HI RES 6.0 MP

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HI RES 19.8 MP

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HI RES 49.8 MP

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HI RES 50.3 MP

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HI RES 5.1 MP

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HI RES 20.3 MP

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HI RES 6.0 MP

Foto
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HI RES 12.4 MP

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HI RES 17.3 MP



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HI RES 17.9 MP

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HI RES 20.8 MP

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HI RES 17.9 MP

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Next Page »




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