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Fujifilm GFX 100 : Specifications and Opinions




Fujifilm GFX 100Fujifilm GFX 100, front

Fujifilm GFX 100, back

Fujifilm GFX 100, top



The Fujifilm GFX 100 is a mirrorless camera with Medio Formato sensor and 102 megapixels manufactured from 2019 to 2023 (discontinued). The average price, when it has been added to the JuzaPhoto database, is 10000 €; The average price was 10000 €;
19 users have given it an average vote of 9.1 out of 10


If you have used this item, you can add your vote:  


SpecificationsReviewsCompareBuyPhotos


Sensor
FormatMedium format, 44 x 33 mm (image ratio 4:3, crop factor 0.8x in comparison with FF)
Resolution102 megapixel (pixel pitch 3.78 μm)
ISO sensitivities50 - 102400
File formatsJPEG, RAW

Esposure
Shutter speeds30" - 1/16000
Exp. compensation+/- 5 stops at 1/3 steps
Exp. modesM, S, A, P
Metering modesMulti-Area, Semi-Spot, Spot

Features
Mount Fujifilm GF (click here to view all compatible lenses)
StabilizationYes
Autofocus (AF areas)425
Continuos shooting (with autofocus)5 FPS x 13 RAW, 41 JPEG
Continuos shooting (without autofocus)5 FPS x 13 RAW, 41 JPEG
Pre-BurstNo
Live ViewYes
Video modeC4K (4096x2160p) @ 30 FPS
WiFiYes
GPSNo
USBUSB-C (3.2)
USB ChargingYes

Computing Features
ND Long ExposureNo
Pixel ShiftPartial, it requires computer software to merge the photos (400 megapixel)
Focus StackingPartial, it requires computer software to merge the photos
Startrail/Composite modeNo
AstrotracerNo

Camera body and built
TouchscreenYes
LCD3.2", 1024 x 680 pixels, partially articulating
ViewfinderElectronic, coverage 100%, 0.86x
Viewfinder resolution1600 x 1200 px
FlashNo
StorageSD, SDHC, SDXC (UHS-II)
Storage, Slot 2SD, SDHC, SDXC (UHS-II)
ShutterMechanical and electronic
BatteryFujifilm NP-T125, 14.00 Wh
Weather sealingYes
Weight1320 g
Dimensions156 x 144 x 75 mm

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Fujifilm GFX 100, buy on Ebay Ebay


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Reviews

What do you think?


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Google Translate  The following opinions have been automatically translated with Google Translate.


avatarjunior
sent on 17 Settembre 2024

Pros: Huge files but great photos.

Cons: Nothing.

Opinion: I state that I have various cameras and each one is used for its own purpose but if I want the photo as I understand it I have to use the GFX, there are no compromises of any kind, I don't care about the speed, when I use the GFX it's because I have to take shots of immobile subjects and I don't even care about the precision of the AF because with mirrorless you have the possibility to focus using the magnification of the area so I almost always use that mode and I often enjoy using manual lenses so the problem of speed and accuracy of autofocus does not exist for me. You have to own it and use it for the situations for which it was designed to be able to appreciate it. If you have the opportunity to buy it used, take it, you will not regret it, you will certainly be satisfied by the stratospheric quality of the results.

avatarjunior
sent on 10 Aprile 2021

Pros: Potentially it can get very good images. In case the quality given by the devices with Full Frame sensors is not enough, it is a good compromise between cost and quality compared to Hasselblad and PhaseOne devices. Very good for real estate subjects such as still life and landscape. Well also with cooperating and relatively static subjects, as in adult portraiture.

Cons: In the two GFX 100 devices I used the sensor has problems with hot pixels or burned pixels. This problem can be fixed in post-production for now, but the interventions are very time-consuming. It is difficult to predict if and how much the situation will worsen with the use of the sensor. Fujifilm Italia assistance, a month and a half after taking charge of the device, has not yet sent it to the centre in England, where it is expected to be set up. Autofocus is faster than devices with 40x54mm sensors of the true medium format, but much slower and not always reliable compared to those for formats up to full frame. Poor and inaccurate performance as soon as the light intensity drops. Manual focus, which is actually a digital command, works when the device is on tripod and with static subjects, otherwise it is not a valid alternative to autofocus. In short, when autofocus is in trouble you are in trouble! With Hasselblad and PhaseOne, even if you're struggling with autofocus, you can resort to real manual focus, complete with metric scale on the lens, and take home the work as with the traditional mid-format appliances that we've also used to resume events, such as weddings. The synchro time of 1/125 places great limits on the use of outdoor and studio flashes with tungsten pilot lamps and open diaphragms. It requires a large initial investment in a computer that supports its use, with continuous costs related to hard drives (RAW files about 209Mb, TIFF files without loss of quality over 610Mb), especially if you use functions such as Focus bracketing.

Opinion: There is no perfect device at all. The choice depends on many factors, including usage, your cost and imposing on your possible customers. It's counterproductive to have a device that produces 150MP images of spectacular quality, such as PhaseOne, if you can't take your work home because it's too slow, or because it forces you to set prices that your customers can't afford. The GFX 100 is a compromise between quality and cost, with much lower costs than those of Hasselblad or PhaseOne, it is faster than both, but the quality is lower. The problem with the hot pixel or burnt pixel sensor I encountered in two GFX 100 devices makes me think that 100MP is too much for a 33x44mm sensor. Apparently, the new GFX 100S mounts the same sensor as the GFX 100, so it should have the same quality limits and possibly the same flaws. I hope Fujifilm's assistance solves the problem of the hot pixels or burnt pixels of my GFX 100. If I had realized before the problems with the hot pixels of the GFX 100, I would not have purchased practically the entire GFX system. To date, I don't know what I would have bought, because I always look for the maximum image quality. I certainly would not have accepted compromises in the colour rendering of some lightning-fast fixtures; On the other hand, Hasselblad or PhaseOne can only be used with a certain type of clientele, which wants the maximum and is willing to pay accordingly.

avatarsenior
sent on 19 Ottobre 2019

Pros: Notable improvements compared to the GFX50S, very good ergonomics and handling, much more responsive autofocus, battery grip integrated with 2 batteries, excellent dynamic range, churns out excellent ready-to-use Jpg, very quiet shot. A wide range of usable cards, although of course fast and very capacious supports are recommended. I forgot: STABILIZER integrated into the machine body.

Cons: Price, price, price..! .. Huge files, needs very well "equipped" computers, lacks the ability to set medium/small RAW (as on the flagships Canon and Nikon). Synchro X a little low, at least with traditional flashes.

Opinion: I say that I had the camera available for a very limited amount of time, so my judgment can only be very approximate. However, having already had the opportunity to use the GFX 50S, I got to appreciate significant improvements compared to the latter. Starting with the autofocus, here much more reliable, in terms of accuracy and speed. the eye focus tracking, which I had activated during a short session of shooting at a beautiful model, worked very well, erroneous fire only in a very low percentage of photos. Although many people are inclined to think that the increase in resolution is one of the most tangible improvements, I think this parameter is only appreciable in specific situations; the dynamic range available, the speed of the AF, (although lower than that of an F.F:flagship), the handling of the camera, the "responsiveness", are instead appreciable aspects in the field, regardless of the specific use. Moreover, compared to a Nikon D5, or a Canon series 1, you do not feel any concrete difference in weight. The real "problem" of this camera is the purchase price, which, although far more accessible than other ephalated medium-sized solutions, remains absolutely out of reach of many potential buyers; (A substantial amount must also be taken into account for a set of optics in the system. It remains to be seen what the extent of the inevitable depreciation over time will be. Those who buy such a set must necessarily think about the possibility of depreciating the expenditure in a reasonable time, or consider the purchase in "definitive" terms, or at least to be kept for a substantial period of time.

Photos taken with Fujifilm GFX 100

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by Andrea Frassinetti
4 comments, 1244 views
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by Andrea Frassinetti
1 comments, 773 views
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2 comments, 848 views
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by Alfonso21
4 comments, 801 views
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by Andrea Frassinetti
1 comments, 592 views
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Untitled Photo
by _Karmal_
8 comments, 496 views


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1 comments, 696 views
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1 comments, 1241 views
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2 comments, 651 views
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by 19max80
1 comments, 411 views
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4 comments, 1328 views
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by Lucaradici
3 comments, 1589 views
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by Lucaradici
4 comments, 1315 views
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by Lucaradici
0 comments, 1234 views
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by Lucaradici
0 comments, 2977 views
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by Vlk
2 comments, 498 views
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Untitled Photo
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1 comments, 535 views
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1 comments, 690 views
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by Andrea Frassinetti
0 comments, 952 views
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0 comments, 708 views
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by Andrea Frassinetti
1 comments, 774 views
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by Andrea Frassinetti
0 comments, 848 views
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by Andrea Frassinetti
2 comments, 488 views
Foto
Jacuzzi
by Vlk
0 comments, 410 views
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From the Stone of Bismantova
by Andrea Frassinetti
0 comments, 994 views
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by StefanoFreti
0 comments, 991 views
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by Andrea Frassinetti
0 comments, 944 views
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by Lucaradici
0 comments, 1109 views
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Hermitage of Bismantova
by Andrea Frassinetti
2 comments, 1121 views
Foto
Long-tailed Cephalanthera
by Andrea Frassinetti
1 comments, 617 views
Foto
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by Lucaradici
0 comments, 2515 views
Foto
Rolling Shutter with Fujifilm GFX100
by JuzaPhoto Samples
3 comments, 4985 views
Foto
Didyma's melitaea
by Andrea Frassinetti
1 comments, 549 views
Foto
Damasonium cephalanthera
by Andrea Frassinetti
2 comments, 590 views


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Foto
Yoko
by Alfonso21
1 comments, 838 views
Foto
Christina Fiorello
by Lucaradici
0 comments, 1583 views
Foto
Castle of Carpineti and Cimone
by Andrea Frassinetti
2 comments, 951 views




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