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Tamron SP 17-50mm f/2.8 XR Di II LD : Specifications and Opinions


Tamron SP 17-50mm f/2.8 XR Di II LD

The Tamron SP 17-50mm f/2.8 XR Di II LD is a standard lens for APS-C, manufactured from 2008 to 2021 (discontinued). The focus is done by Lens AF motor (non-ultrasonic), it does not have image stabilization. The average price, when it has been added to the JuzaPhoto database, is 339 €;
162 users have given it an average vote of 8.8 out of 10.


If you have used this item, you can add your vote:  

MOUNT

This lens is available with the following mounts:

Canon EF: this lens is compatible with reflex APS-C Canon EF.

Nikon F: this lens is compatible with reflex APS-C Nikon.

Sony A-mount: this lens is compatible with reflex APS-C Sony A-mount.

Pentax: this lens is compatible with reflex APS-C Pentax.



SpecificationsReviewsCompareBuySample Photos





 Specifications
 Focal lenght   17-50 mm
 Angle of view   80.5 - 32.1°  (equivalent to a 26-75mm in Fullframe 24x36mm format)
 Format   APS-C
 Max. aperture   f/2.8
 Aperture blades   7
 Lenses/Groups   16 elements in 13 groups
 Min. focus distance   0.27 meters
 Reproduction ratio   0.22x

 Features
 Zoom type   Ring, external
 Stabilization   No
 Focus   Lens AF motor (non-ultrasonic)
 Internal Focus   Yes

 Built and notes
 Tripod ring   No
 Extenders   No
 Filters   67 mm
 Lens hood   Yes, supplied
 Weather sealing   No
 Weight   430 g
 Dimensions   74 x 82 mm

 Buy

Tamron SP 17-50mm f/2.8 XR Di II LD, buy on Ebay Ebay

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Reviews



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avatarsupporter
sent on May 30, 2015

Pros: Unbelievable value for money, Sharpness and contrast, f32 minimum aperture, relatively small 67mm filters, quite close focus

Cons: Jerky zoom action, plasticky, general handling, AF, lightness (possibly)

Opinion: I wasn't going to write a review as there are already so many written. Firstly, I don't much like this lens, in use, but I DO like very much its image quality and I was almost forced into buying it, needing a very cheap fast standard zoom for low-light music and performance photography for my D7000. It needed to be not obviously soft at edges at f2.8 (Sigma 17-50mm f2.8 is) and be able to perform well wide open at all focal lengths. From f4 to f11, the sharpness is the equal to any zoom I've used (inc pro Nikkors) and is very satisfying for landscapes in low light. I also use a Nikkor 16-85mm VR for landscapes which also has great image quality in a well built unit that's nice to use and with VR also. But it's obviously not great in low light and when zoomed out. However, after nearly two years with the Tamron and some beautiful sharp images that rank among my best, I keep looking at reviews of other lenses. . My big hands yearn for a lens more substantial than the 400g Tamron and the sticky zoom irritates me often. Having to disconnect AF on both lens AND camera to override the AF is a pain too. The benchmark Nikkor 17-55mm was designed over a decade ago and its weight and build is just too much for practicality and while used prices have dropped hugely now, it is still too expensive for me and there are some real rogue ex-pro battered examples out there. The Sigma, as I said is an attractive proposition, weight, size, OS and price but whilst apparently being optically excellent from f4, on, it's still variable at wide open. The better built newer, with VC, Tamron seems to have suffered an overall loss in absolute quality - Tamron still offer the older lens under review in their current line-up, so even they acknowledge that the quality is better here than the newer one. I'm now considering the used only Tokina 16-50mm f2.8. Substantial and well made but not quite up to the over-the-top Nikkor and at a reasonable price for a good one. Tests I've seen show a reduced edge resolution at f2.8, which is to be expected but unlike those Sigma's, not a soft edge. And mid aperture it looks to be on par with anything else. So, my review is really for the whole fast standard zoom genre and how small the actual choice is, when it would seem to offer many. Score, for this Tamron, Price and image quality;10, handling; 6, overall 8

Google Translate  The following opinions have been automatically translated with Google Translate.


avatarjunior
sent on September 05, 2024

Pros: Almost everything

Cons: Thick dust enters, flare at night, coma (if used to photograph stars), lens hood attachment tends to loosen

Opinion: First lens I owned. Great travel companion. Very good daytime photos and portraits, which may not even need post-production. Excellent color rendering. Sharp. For landscape, street and portraiture it is very good. I have also used it to photograph stars but I recommend using it at f4 to limit distortion. What can I say... If you are a beginner and are looking for a cheap and good goal, this is for you

avatarjunior
sent on August 14, 2024

Pros: Price, f2.8, sharpness after f4, size.

Cons: Autofocus, sharpness at f2.8, construction, noise.

Opinion: Decent goal, but honestly it didn't drive me crazy. For the price at which it is found used, about € 120, it is also fine but not more. Nothing to say about sharpness for being a zoom. The real sore point in my opinion is the af which is slow, noisy and not very precise. In low light, it is not easy to focus. As a replacement for the 18-55 it is fine, but I continue to prefer the cheap but very valid fixed canon 50 f1.8 and 24 f2.8 which in my opinion perform better and are also easier to transport.

avatarjunior
sent on February 02, 2021

Pros: F/2.8 at all focal points, excellent in the backlight to the subject, precise AF, Excellent in portraits, good for all diaphragms, internal focus, compact.

Cons: Ghost in some landscape backlights, light chromatic aberrations on the yellow-red (easily eliminated in PP), is not full time and the manual fire must be selected only by the lens because the control from the Reflex does not release the engine, NOT tropicalized (lacks the rubber seal on the nozzle). Limited to 50mm.

Opinion: Taken because I wanted a light optics for all those occasions when the light is poor, good sharpness in standard conditions of use, superior to the other lenses in poor light conditions, really great for portraits, a little less for those landscape shots where you take with a ruthless backlight, light yellow-red chromatic aberrations easily corrected in PP, good even in closeups as long as you close the diaphragm. Precise AF (no front/back focus) and all in all fast. Soft (at least my specimen) at F 16, very good at F 8 / F9, surprisingly still good at F 32 (50mm.), right weight and compact size, excellent shots even without a lampshed whose use remains for me limited to occasions when it is necessary to protect the front lens from possible small shocks. Good texture, feeling of robustness, perfect tires, anti-stretch block on the barrel (for me it is not needed, the mechanism is well frictioned and there are no unwanted stretches, however there is and it is an added value). Stabilization is lacking but I do not miss it, made the colors really pleasant and - in my opinion - slightly warm. The "only fifty millimeters" limit you can hear, if Tamron were to do it 17-80 it would be a fantastic thing.

avatarjunior
sent on November 02, 2020

Pros: Fantastic in backlights; sharp; internal focus; compact (for an f2.8)

Cons: Is missing; construction not impeccable; limited to 50mm; Af noisy.

Opinion: I had for several years this optics (sold only when I changed system). It was the most used lens in my kit. To be a fixed 2.8 zoom is quite compact. The quality of the image has always satisfied me, especially in the backlights where it has always been very resistant to flares and very contrasted. The construction was not flawless (the filter carrier loosened and I had to redo it; the rubber part of the zoom was not fixed perfectly), but in substance it never gave me any problems. Sure, is missing, but I've never regretted its lack too much since the VERSION with IS is bigger (and, from reviews I've read, even less sharp).




Photos taken with Tamron SP 17-50mm f/2.8 XR Di II LD

Foto
Val d'Orcia, sunset
by Elena Bass
196 comments, 55904 views  [editors pick]
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by Carlo Bassi
414 comments, 39371 views
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262 comments, 33784 views
Foto
Sunrise and its reflection
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308 comments, 27576 views
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Comacchio
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188 comments, 28154 views
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Sunset over the Namib
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89 comments, 24685 views  [editors pick]


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Among the clouds - International FMX Freestyle Team
by Carlo Bassi
141 comments, 20713 views  [editors pick]
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That "one ray of sunlight II
by Diego.armando.parafango
148 comments, 15051 views
Foto
Magic Val d'Orcia
by Carlo Bassi
184 comments, 16980 views  
HI RES 3.7 MP

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The parallel dimension?
by Elena Bass
78 comments, 15159 views  [editors pick]
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by Carlo Bassi
138 comments, 12531 views
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by Carlo Bassi
151 comments, 18747 views
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Sheaves of straw
by Carlo Bassi
86 comments, 18515 views
Foto
Tibetan Bridge in the fog
by Fiorenzofanton
324 comments, 15394 views  
HI RES 12.1 MP

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Monte Pelmo
by Elena Bass
85 comments, 17197 views
Foto
Untitled Photo
by Fenicio79
50 comments, 14313 views  [editors pick]
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Comacchio
by Carlo Bassi
110 comments, 15508 views
Foto
Between sky and water
by Carlo Bassi
140 comments, 12189 views
Foto
You're kidding me. I hope!?!
by Alessandro Traverso
166 comments, 6866 views  
HI RES 12.1 MP

Foto
Tre Cime di Lavaredo
by Elena Bass
52 comments, 10782 views
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The summer that never comes ...
by Carlo Bassi
90 comments, 10564 views
Foto
Velature Lake of BRIGNOLA
by Lorenzo Crovetto
156 comments, 12259 views
Foto
The cloth merchant
by Carlo Bassi
139 comments, 10335 views
Foto
A spectacle of nature
by Carlo Bassi
130 comments, 11657 views
Foto
Under the sky of Paris
by Carlo Bassi
137 comments, 11734 views
Foto
First light of Comacchio
by Carlo Bassi
110 comments, 10612 views
Foto
Istanbul, the (very odinated) cloth merchant
by Carlo Bassi
116 comments, 4801 views
Foto
The streaks of light the 'bus
by Zuniga Lorenzo Norberto
58 comments, 9179 views
Foto
Turbo
by Arconudo
77 comments, 5602 views
Foto
High Water
by Elena Bass
51 comments, 8391 views
Foto
Freestyle
by Carlo Bassi
108 comments, 3769 views
Foto
Poplar grove in Autumn
by EnricoEos
75 comments, 7051 views  
HI RES 17.9 MP

Foto
Light (dawn in Val d'Orcia)
by Carlo Bassi
121 comments, 7855 views  
HI RES 6.8 MP



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Foto
Dream of an early summer night,
by Alessandro Traverso
118 comments, 3301 views  
HI RES 24.1 MP

Foto
Fireflies and magic.
by Alessandro Traverso
93 comments, 2927 views  
HI RES 24.1 MP

Foto
The first light
by Carlo Bassi
166 comments, 7274 views  
HI RES 5.5 MP

Foto
Stand out against time
by Sbtutu
113 comments, 4226 views  
HI RES 19.6 MP


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