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Hasselblad 500 C/M : Specifications and Opinions

foto non disponibile

The Hasselblad 500 C/M is a reflex camera that uses film (non-digital) manufactured from 1970 to 1994 (discontinued). It does not have a continuos shooting mode.

20 users have given it an average vote of 9.9 out of 10

Esposure
Shutter speeds
Exp. modes	M
Metering modes
Features
Stabilization	No
Continuos shooting	FPS
Pre-Burst	No
Live View	No
MLU/SS	No
Video mode
WiFi	No
GPS	No
Camera body and built
Viewfinder	Optical, coverage %, x
Flash	No
Battery
Weather sealing	No
Weight	g
Dimensions	x x mm
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Reviews

What do you think about this camera?

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The following opinions have been automatically translated with Google Translate.

Emibelo

sent on May 17, 2025

Pros: the perfect mechanics, the possibility of having magazines from 24 exposures, to have perfect and bright Maf slides, and the pentaprism with 45 degree viewfinder.

Cons: at the time the price but it was worth it

Opinion: I had two 500 c/m one with 50 mm Planar and one with 100 mm Planar I used for weddings both with pentaprism, magazines of 12 and 24 always loaded with hasselblad made about 400 weddings. They were heavy certainly, one around the neck the other in hand with the Flash metz with battery on the shoulder, an ordeal to bear but they were satisfactions. when on Wednesday or Thursday the laboratories delivered the negatives to us it was fantastic to see the work done with these cameras, also because I had arrived at these after a few years with the Rollei bioptic, then moved on to the Mamiya 6x4.5 and finally to the top of the top the Hasselblad

Odysseus

sent on October 05, 2023

Pros: All the good things that have been written by those who have preceded me.

Cons: Nothing... (forgivable noise, considering the 'not discreet' professional vocation).

Opinion: In hindsight, I wish I had owned one less Leica R and one more Hasselblad C/M, instead of having borrowed it on various occasions. For my taste, the ergonomics of the 'cube' are fabulous for the set portrait. Regardless of the noise, which however must be evaluated according to the congenial contexts of the device, my 'artistic vocation' would have benefited...

Kroki

sent on September 18, 2022

Pros: It's always her... wherever you look at it expresses beauty and solidity

Cons: not having taken it back before

Opinion: I had it from 1987 to 1988... sold x economic reasons I have always promised to buy it back ... well... the time has come... found by RCE beautiful, overhauled... with 50 and 150 black t*... just loading the first roller was an emotion ... only the scent of the emulsion makes you go back to youth

Delio.bartolucci.boyle

sent on December 26, 2019

Pros: Modularity. Mechanical. Construction. Aesthetic. Sound. Versatility. Weight.

Cons: At one time maybe the price. now not even that.

Opinion: My mother gave me this car when I started having a wedding as a boy. They told us it was the best car and I took it maybe with a bit of lightness. It actually took me years before I stopped being intimidated by the medium. Everyone with photography has his own relationship that you want to do. Years later, while I was in full acquisition syndrome and a little gnawing that I couldn't take a medium a little embanked https://www.juzaphoto.com/topic2.php?l=it&show=last&t=2612962#19260433 at one point I said to myself, "Hey, but I have a hassy in the closet. who cares to take the last cry of a modern medium?" was a joy. the first rollers thrown, I think it's inevitable. but getting familiar with the approach that it requires for me is simply the PERFECT machine. Apart from that it's a poem just to see it and touch it, to use it, to feel it, to take amazing photos. everyone uses it for landscapes and study I make a very street use of it, as a battle. its modularity is proverbial. mechanically stainless, infallible. the lenses that are now very little for me are still extraordinary. I mount them on sigma fp and at 24mp they crop a bit but they have an extraordinary solvency. to the touch are sassi. along with the 80 I also took the mythical 150 and 50 first version hope one day to take even the 40fc. are extraordinary lenses. Precise. the soft, precise, never nervous blurry. a machine full of genius that is slowly discovered. I can't help it anymore. I continue to use the nikon when I need a lot of shots but there is no comparison, the negative of a 6X6 and this machine in particular is another thing. 35mm can't get there. beautiful to use, to see, perfect results. for me the absolute number 1. I give her 10 because I can't think of anything but perfection when I think about it. Ansel Adams used it. For me, those who approach film photography must definitely evaluate this medium. it's a machine that makes you think before you take a picture, sure, but it's much less cumbersome than it may seem in the first 5 rollers, in fact, it's a machine that asks for respect and understands it but then assists you, to prevent you from doing big or small damage. even in the event of a collision. Victor at the first presentation in New York asked bystanders to drop it to show its resistance. Volvo style. If Nasa used it for fake landing manfrina it's because it was and is the most reliable camera produced by the human mind. It's a shame that they have abandoned the wonderful digital benches, it would be nice if a company could make the actual 6x6 sensor coming to a super format and especially without cropping the lenses. which is a crime especially when it comes to the wideangles, the first with that sharp corner to corner, without the slightest shadow of vignette even at TA (reason why we did not go to the moon, where instead in the photos there is an obvious fall off of side light typical of artificially lit scenes. the debunkers say that it is the fault of the Zeiss lenses for the V System. but those who use them know that it is a blasphemy to try. And the canvases, with those slow and precise fires, that wonderful system to immediately understand the depth of field by taking a look at the area and shifting the times without changing the diaphragm, if in the first roller they seem to you accessories maybe not even so welcome then you begin to understand its meaning. you have to remove the lens with the charged machine otherwise it won't come back. it sounds like a joke but it is so. If you have a doubt about this machine, take it off. and if the photos don't come good to you, it means you didn't have something interesting enough in front of you. because she doesn't lie. he's not wrong. If the aliens were to land and we had to explain the photograph to them, they should be shown the Hasselblad.

GualtieroMuti

sent on August 25, 2019

Pros: Everything from construction to the final image

Cons: Create dependency

Opinion: It is not a tip and snaps (trivial observation), it really forces you to think, but the use becomes a rite almost a religion. Then it's hard to miss photos, not because it's easy to do the opposite: it's so hard, it forces you so much to think that you can't not care about the image (also because an unprinted shot, just roller and development - in the lab not in the house - costs about 1.5 euros , equal to 9 euros per roller). It's cumbersome and heavy, you probably don't go to street (let's discuss it, class is not fast, it takes a slowed street), but the results.

There are 1 more reviews. Show all »

Photos taken with Hasselblad 500 C/M

Photo taken at Lhasa (Tibet) in 1988 in an obviously

by Marco50
85 comments, 7589 views

Rome 1995

by Mauriziop
52 comments, 6201 views

San Pietro 1993

by Mauriziop
41 comments, 5291 views

Photo 1986

by Mauriziop
21 comments, 4096 views

Film photo dia 1985

by Mauriziop
46 comments, 5395 views

HI RES 8.7 MP

Peasantry

by Mauriziop
51 comments, 5142 views

Photo film dia 1990

by Mauriziop
37 comments, 3535 views

Antiche Contadine Photos 1986

by Mauriziop
25 comments, 2640 views

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Ancient Peasant

by Mauriziop
20 comments, 6366 views

San Pietro 1993

by Mauriziop
32 comments, 3986 views

Chestnuts Roman

by Mauriziop
31 comments, 5045 views

Film photo dia 1985

by Mauriziop
31 comments, 3752 views

St. Peter

by Mauriziop
27 comments, 3050 views

Untitled Photo

by Mauriziop
29 comments, 2523 views

Snowfall in 1985

by Mauriziop
34 comments, 4063 views

My Mother 1930 1986

by Mauriziop
24 comments, 3471 views

HI RES 3.9 MP

Bag pepper

by Silvio Maccario
32 comments, 7161 views

HI RES 7.9 MP

Photo 1993

by Mauriziop
48 comments, 3254 views

HI RES 5.3 MP

Tan Luna

by Mauriziop
28 comments, 3322 views

Film photo dia 1985

by Mauriziop
29 comments, 4066 views

HI RES 11.7 MP

We do that today?

by Mauriziop
18 comments, 2038 views

Film photo dia 1985

by Mauriziop
26 comments, 2347 views

Forest IL

by Mauriziop
16 comments, 1760 views

Cathedral

by Mauriziop
7 comments, 2285 views

HI RES 6.2 MP

Tan Di Luna

by Mauriziop
19 comments, 1948 views

Verbania Lake Maggiore

by Mauriziop
29 comments, 3113 views

HI RES 8.4 MP

Let's stay at home.....

by Mauriziop
22 comments, 1492 views

HI RES 4.9 MP

Golgotha

by Mauriziop
41 comments, 3627 views

Rome 1985

by Mauriziop
38 comments, 2385 views

Antica Contadina photo film 1985

by Mauriziop
21 comments, 1910 views

HI RES 6.5 MP

Ancient Peasant

by Mauriziop
8 comments, 7518 views

HI RES 5.0 MP

Pietà by Pietro Panella

by Mauriziop
16 comments, 386 views

HI RES 15.8 MP

The Rock of Monaco from Tte de Chien (550 m)

by Silvio Maccario
15 comments, 2670 views

HI RES 7.3 MP

Ancient Peasant

by Mauriziop
9 comments, 4016 views

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Antiche Contadine photo film 1985

by Mauriziop
20 comments, 1574 views

Old Work

by Mauriziop
13 comments, 2120 views

Ancient Peasant

by Mauriziop
14 comments, 3402 views

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Reviews » Cameras » Cameras Hasselblad » Hasselblad 500 C/M

Hasselblad 500 C/M : Specifications and Opinions

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Offerte Usato RCE

Reviews

What do you think about this camera?

Photos taken with Hasselblad 500 C/M