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![]() | Sony FE 24-50mm f/2.8 G Pros: All Cons: for the moment nothing Opinion: I've always hated all-rounder lenses, but when I saw the presentation of the Sony 24-50 G, it was love at first sight. I immediately fell in love with the colors it returns: it was perfect for me, light, quality and able to cover the most used focal lengths. A few days ago I decided to buy it, because I had to do a photo shoot at MMA competitions. Having only fixed lenses, I thought the 24-50G would be perfect for the situation, and it didn't disappoint. In one day I took about 2400 photos. Between the two rings, to prevent the mesh of the MMA cage from appearing in the photo, I had to position the lens at 50mm, resting the lens near the openings of the mesh cage. Thanks to the easy handling and low weight, combined with my A7C, I was also able to take shots from the top of the cage. The meetings lasted a few minutes, so I had to please everyone, including the various coaches present in the room with other athletes, whom I photographed, even in group photos. It was a photo marathon of about 7 hours and, having serious back problems, if I had had a heavier lens I would have struggled. This lens is a spectacle: at f/2.8 you get a great bokeh. It's true that there's also the 20-70G, but it's f/4 and it's a bit bulkier and more expensive. One stop difference goes a long way indoors. In conclusion, it is the best lens I have ever had, considering quality, price and lightness. If you love quality and treat your RAW in Lightroom, know that, according to my tests, there is a little more noise than Sony's Imaging Edge, which not only reduces noise, but also offers more contrasty files. For a few photos, I recommend using Imaging Edge sent on November 14, 2024 |
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