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Zeiss Milvus 50mm f/1.4 Pros: contrast, sharpness, definition, color rendering, focusing ring. Cons: nobody Opinion: much higher quality, Yes the focus is manual but with the focus of the Nikon focus is hardly wrong. the lens weighs but you immediately notice the quality of the materials. Sharp and contrasted images, really fantastic. Zeiss contrast associated with a high-definition lens. Lens to be owned for both amateurs and professionals. sent on 19 Gennaio 2018 |
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Zeiss Jena Tessar 50mm f/2.8 Pros: The price, the blur, the yield in the blue, and the bright colors in the macro photos Cons: definition, given the price virtually nothing. Opinion: It does not of course have the definition of modern lenses, but it is a lens that is fine and cheap, it is worth everything that costs and probably a little more, with nikon in macro shooting is fine, blur and good i colors are alive and lit, even with the ring with the correction for endless focus with a slight retouch you get discrete picture sent on 29 Novembre 2017 |
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Voigtlander SL II Nokton 58mm f/1.4 Pros: weight, blur, distortion, price, brightness, great construction. Cons: manual focus Opinion: The price is very attractive, but unfortunately there is a lack of autofocus, cmq in a nikon car can easily be shot without using the loudspeaker. Focus confirmation dot, however, remains a manual lens. The chromatic yield is definitely good. sent on 22 Novembre 2017 |
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Meyer Gorlitz Figmentum 35mm f/2.0 Pros: Weight, blurry, not bright but real colors. Cons: Manual and does not even have the CPU, the price. Opinion: As soon as you test it seems almost a vintage lens adapted to the new digital machines, the definition does not compete with the new Nikon lenses treated with Nano Cristal, however it has its personality in colors and blur. It can be considered a collectible lens. Unfortunately, the auto focus is missing but in a 35 mm and with the confirmation through the dot of Nikon there are no problems in having blurry photos. sent on 22 Novembre 2017 |
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