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The following opinions have been automatically translated with Microsoft Translator.
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Nikon Z 50mm f/1.2 S Pros: Unique sharpness, colors, autofocus Cons: Price and weight Opinion: I have had the opportunity to use the Nikkor Z 50mm f/1.2 S in different situations, and the feeling, from the first shots, is that of having something profoundly different from the classic "fifty" in my hands. Here Nikon has not sought compromise: it has built a lens that openly aims for absolute excellence. From a construction point of view, the lens conveys solidity and precision. It's important, heavy, almost "dense" in perception, but never unbalanced on a high-end Z body. Every control is smooth, well-calibrated, and the addition of the OLED display and customizable controls makes for a modern and concrete operating experience in the field. The optical performance is, simply, extraordinary. At full aperture, f/1.2, I expected a certain softness typical of many super bright lenses, but the sharpness in the center is already very high, with a microcontrast that returns an impressive amount of detail. Closing even just at f1.8 you enter almost "clinical" territory, with a uniformity on the frame that I have rarely seen on a 50 mm. What is really striking, however, is the rendering of the image as a whole. The colors are full but natural, without ever being forced. Tonal transitions, especially on skin tones, are soft and believable. It is that quality that is difficult to quantify but immediately recognizable: the images have depth, three-dimensionality, presence. Bokeh deserves a separate discussion. It is not only soft: it is progressive, enveloping, almost "material". The transition between focus and out of focus is gradual, without abrupt cuts, and contributes decisively to isolating the subject while maintaining a visual coherence of the background. It is an elegant blur, never artificial. The autofocus performs flawlessly even at f/1.2, where the depth of field is extremely shallow. It is precise, quiet, reliable characteristics that are fundamental not only for photography, but also for video. Of course, it is not a lens for everyone. Size and weight are important, and the price unambiguously places it in the professional range. But it would be unfair to evaluate it with the parameters of a "standard" 50 mm: this is a product designed for those looking for the best, without compromise. Ultimately, the Nikkor Z 50mm f/1.2 S isn't just an excellent lens: it's a lens that changes the way you photograph. It invites you to work wide open, to use light creatively, to look for images with character. And it is precisely in this that he finds his true strength. sent on 05 Maggio 2026 |
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Nikon Z 85mm f/1.8 S Pros: Sharpness,blurry Cons: price (but the price is paid) Opinion: After so much thinking I decided and took this lens that I consider magnificent, I allow myself unique and very but very TOP, sharpness, colors, and at maximum opening a crazy blurry (perhaps better than 85 others on the market of other brands) is a lens that I use for portrait both in the studio and outside, makes its best in the studio from F9 to F 13 in my opinion , and excellent in maximum aperture of F1.8 diaphragm for portraits where you want a real blurry behind the subject, I can only say that it is really an excellent lens and one of the best ever used and bought. sent on 29 Gennaio 2021 |
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Nikon Z6 Pros: files, sharpness, ergonomics, high iso. Cons: battery life Opinion: I took nikon z6 after a long trail of nikon reflex,d700,d800e,d750, and d850 in fact the z6 I keep it in pair with my d850, fantastic machine, really great files x quality, sharpness, dynamic range, and held to very high iso, I use it to take fashion photos and architecture predominantly, and does not disappoint at all, excellent even combined with studio flashes, does his work and I was definitely amazed, I was schettico of mirrorles, now no indeed I am promirrorles and maybe even between two or three rings I could use only mirrorles, REALLY TOP machine. sent on 20 Maggio 2020 |
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