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Gabriele2410 www.juzaphoto.com/p/Gabriele2410 ![]() |
![]() | Tamron 28-200mm f/3.8-5.6 XR Pros: All-rounder-sturdy and compact lens-much more "practical" than the famous (unimmeritedly) 24-105 Cons: It is not "sharp" at Open diaphragms Opinion: Used on the full format solves almost all the problems of photography during an excursion and/or during an event, that is when changing the optics means bringing extra weight and/or risking not to photograph moments important---using the old Practice (Years 50/60) value shutter speed = 4 times the focal length (28mm 1/125 "-200mm 1/800"), setting the diaphragm to F: 10/11 and letting you choose the sensitivity to the machine you will always get satisfactory results even if not suitable for prints in A0 size or double A0--------------------------------PS-I am qualified as JR.... I have some I attach and photographer since 1958 (development-Press BN-color-cibachrome) I used Hasselblad-Rollei-Sinar-Linhof and various SLR cameras 24x36 sent on August 22, 2017 |
![]() | Canon EF 75-300mm f/4-5.6 III Pros: Lightness - good focal length Cons: Slow autofocus - not a handyman - to use with fast times and so with so much light :) Opinion: On the small format (APSc - used on 400D-600D-50D) the picture quality leaves much to be desired --- on full size (6D) reserves a pleasant yield even if not "sharp" as you would like: single focal lengths are Much lower as quality to the corresponding manual fixed targets (my old Zuiko 100, 135, 200 and 300 and Hoya 300) but this also happens at the very expensive 300 2,8L sent on August 22, 2017 |
![]() | Canon 6D Pros: too many :) Cons: lack of rotatable display in live-view - lack of a built-in flash Opinion: With this machine you get used to photograph without light and therefore you tend to leave home the flash, but sometimes it might be useful to a small exceptional dynamic aiutino.rnGamma, perfect colors for portrait, figure set and I started esterni.rnIo photographed in 1958 when having a light meter it was a dream ... I have always arranged to maximize the sensilbilità-time-diaphragm trio, even with the first SLR TTL remained the problem of the choice of the film, it was often necessary to have two machines with films of different sensitivity or a Hasselblad (or Mamiya) with 2 or 3 spines: rnDa when I retired I started doing the still photographer (you must use the light that is chosen by those who make the video shoot) with 6D problems no longer exist, you set the optimal time, you choose the optimum aperture value and lets make the choice of sensitivity to automatic ... a dream !!! rn sent on December 13, 2016 |
May Beauty Be Everywhere Around Me