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23 Agosto 2014 - Stazione di Crocetta (punto di intersezione della linea a "Y" (di cui alla descrizione della Galleria). Al centro della foto (a destra dell'ingresso "sala di attesa") sono visibili i comandi (meccanici) dei semafori di ingresso e degli scambi.
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sent on August 24, 2014 (21:04) | This comment has been automatically translated (show/hide original)
Good symmetry, shame about the two street lights cut right and left. Fantastic this place, too bad for me is definitely far !!! If you come back, perhaps with different lighting conditions, you can bring out something interesting. Buona la simmetria, peccato per i due lampioni tagliati a dx e sx. Fantastico questo posto, peccato che per me è decisamente distante!!! Se puoi torna, magari con condizione di luce differenti, si può tirar fuori qualche cosa di interessante.
sent on August 24, 2014 (23:10) | This comment has been automatically translated (show/hide original)
Thanks Lui_gi for the transition and especially for your feedback. I did manage to jump through hoops in the PP 10-22 and the cut of the streetlights was obliged to have a symmetry "satisfactory" if known on the SX tracks are still "falling" but I could not do better. The next time I tool with other optical and tripod. Greetings. Joseb Grazie Lui_gi per il passaggio e soprattutto per il suggerimento. Ho fatto salti mortali per gestire in PP il 10-22 ed il taglio dei lampioni è stato obbligato per avere una simmetria "soddisfacente": se noti sul lato SX i binari sono ancora "cadenti" ma non ho saputo fare di meglio. La prossima volta mi attrezzo con altra ottica e treppiede. Saluti. Joseb
sent on August 24, 2014 (23:29) | This comment has been automatically translated (show/hide original)
Eh! Yes it is! with wide-angle lenses if you look for a certain formal rigor of composition becomes important point shooting, the camera perfectly aligned with the ground and the subject etc etc.. The stand can help, as well as the live-view Eh! Si! con i grandangolari se si cerca un certo rigore formale compositivo diventa importante il punto di ripresa, la fotocamera perfettamente allineata al terreno e al soggetto ecc ecc. Il cavalletto può aiutare, come pure il live-view
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