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| sent on July 22, 2014 (1:45) | This comment has been automatically translated (show/hide original)
A beautiful conversion is the first thing that made me to dwell on the photo! ... A photograph quite complex composition as a whole where we perceive a series of compromises ...
Chief among them is the slope, but turn to correct it would still remove the margin on the left and the room for maneuver is very meager ... then there's the part on the right where the two boys who encounter group are presented as elements of disorder .. see the impallatura ....
The essence of the photo is all in that hand gestures .. the reasoning and listening! ... A combination that affects just the 4-shouldered, with a square format four who could become the last 3 without the right of assembly the two boys ... it might work the same! ... but honestly I'd like less ..
Without sin ..the two intruders, which I can not metabolize, my limit, a lady came out pictures ... cm ² repeat for me is so interesting! ... hello ... Una bella conversione è la prima cosa che mi ha fatto soffermare sulla foto!...una fotografia abbastanza complessa nel suo insieme compositivo dove si percepisce una serie di compromessi...
Primo fra tutti è la pendenza, ma ruotarla per correggerla significherebbe togliere ancora margine sulla sx e gli spazi di manovra sono veramente esigui...poi c'è la parte sulla dx dove i due ragazzi che vanno incontro al gruppetto si pongono come elementi di disturbo..vedi l'impallatura....
L'essenza della foto sta tutta in quella mano che gesticola..il ragionamento e l'ascolto!...un binomio che interessa appunto i 4 di spalle, quattro che con un formato quadrato potrebbero diventare 3 escludendo l'ultimo di dx assieme ai due ragazzi...potrebbe funzionare lo stesso!...ma sinceramente mi piacerebbe meno..
Peccato..senza i due intrusi, che io non riesco a metabolizzare, limite mio, veniva fuori una signora foto...cmq ripeto per me è interessante anche cosi!...ciao... |
| sent on July 22, 2014 (4:38) | This comment has been automatically translated (show/hide original)
Thank you, and 'was a single shot, I was part of the group but I was a few steps back. I also like and I know the characters behind. What gestures and 'the' not 'emodinamista, who always speaks!
Thank you, greetings.
Gianfranco Ti ringrazio, e' stato uno scatto singolo, facevo parte del gruppo ma ero qualche passo indietro. Anche a me piace e conosco i personaggi di spalle. Quello che gesticola e' il "non" emodinamista, che parla sempre!!
Ti ringrazio, saluti.
Gianfranco |
| sent on February 04, 2016 (20:32) | This comment has been automatically translated (show/hide original)
I find it beautiful, the composition is great (really a shame the two people on the right), while the slope not disturba.Molto me beautiful the b / n. Congratulations for the shot !!
Hello Alessio ;-) La trovo bellissima,la composizione è ottima(veramente un peccato le due persone a dx), mentre la pendenza non mi disturba.Molto bello il b/n. Complimenti per lo scatto!!
Ciao Alessio  |
| sent on February 05, 2016 (6:29) | This comment has been automatically translated (show/hide original)
Thanks again pass! Gianfranco Grazie di nuovo del passaggio! Gianfranco |
| sent on April 01, 2016 (21:13) | This comment has been automatically translated (show/hide original)
ITA !!!!! bravo !!!!
greetings Bruno ottimo scatto!!!!!bravo!!!!
saluti Bruno |
| sent on April 01, 2016 (22:38) | This comment has been automatically translated (show/hide original)
A nice photo street. Great black and white.
Hello
Anna Maria Una bella foto street. Ottimo il bianco e nero.
ciao
Annamaria |
| sent on April 01, 2016 (22:56) | This comment has been automatically translated (show/hide original)
...my colleagues... ...i miei colleghi... |
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