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sent on 03 Giugno 2014 (17:38) | This comment has been automatically translated (show/hide original)
Hello Sara Very nice beautiful composition eatmosfera ;-)
Hello Claudio Cozzani:-P Ciao Sara Molto bello bella composizione eatmosfera 
Ciao Claudio Cozzani |
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sent on 03 Giugno 2014 (18:19) | This comment has been automatically translated (show/hide original)
Beautiful and bold colors, you have the shooting data?
Mat Bella e che colori decisi, hai i dati di scatto?
Mat |
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sent on 04 Giugno 2014 (10:41) | This comment has been automatically translated (show/hide original)
Very nice, congratulations!
Hello, Paul Molto bella, complimenti!
Ciao, Paolo |
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sent on 04 Giugno 2014 (13:27) | This comment has been automatically translated (show/hide original)
Thanks Paul, Matt and Claudio Mat them ... I just put the data! Grazie Paolo, Mat e Claudio...Mat li ho appena messi i dati!! |
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sent on 07 Giugno 2014 (20:50) | This comment has been automatically translated (show/hide original)
Hello Sara, a beautiful glimpse. Can I give you a little tip? In bright daylight you have a dominant blue that increases with distance. In some cases, such as in hilly landscapes tone on tone increases the perception of depth of field, but in one click with bright colors and contrast, the loss of contrast associated with the dominant, it is a bit 'off. If you are using Photoshop you put 30 seconds .. In this case it is very simple: Make a color balance raising enough yellows and a little 'red wines. Then brush with history in high hardness, skim all the photos, with the exception of the hill. Of course, to clearly define the detachment, on the skyline using a smaller brush.
And if you do not use Photoshop .. I am consumed fingers vacuum:-D:-D Ciao Sara, un bello scorcio. Posso darti un piccolo consiglio tecnico? In piena luce diurna si ha una dominante azzurra che aumenta con la distanza. In alcuni casi, come nei paesaggi collinari il tono su tono aumenta la percezione della profondità di campo, però in uno scatto dai colori accesi e contrastati, la perdita di contrasto associata alla dominante, risulta un po' spenta. Se usi Photoshop ci metti 30 secondi.. In questo caso è molto semplice: Fai un bilanciamento colore alzando abbastanza i gialli e un po' i rossi. Poi col pennello storia a durezza elevata, ripassi tutta la foto, ad esclusione della collina. Ovviamente per definire bene lo stacco, sul profilo dei tetti utilizzi un pennello più piccolo.
E se non usi Photoshop.. mi son consumato le dita a vuoto  |
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sent on 09 Giugno 2014 (21:33) | This comment has been automatically translated (show/hide original)
Thank you Emily, I started using photoshop recently, are passionate about photography but the technique I definitely refine it, of course I'll put into practice your advice and let you know, THANK YOU:-P Grazie mille Emiliano, photoshop l'ho iniziato ad usare da poco, sono appassionata di fotografia ma la tecnica devo decisamente affinarla, mettero certamente in pratica il tuo consiglio e ti farò sapere, GRAZIE |
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sent on 09 Luglio 2014 (21:27) | This comment has been automatically translated (show/hide original)
I like hello Mi piace ciao |
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sent on 30 Dicembre 2014 (21:06) | This comment has been automatically translated (show/hide original)
Thanks Sergio Grazie Sergio |
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7.4 MEGAPIXEL
