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| sent on May 09, 2015 (16:39) | This comment has been automatically translated (show/hide original)
clicks interesting why you used the time so fast? uno scatto interessante come mai hai usato i tempi cosi veloci? |
| sent on May 09, 2015 (22:43) | This comment has been automatically translated (show/hide original)
I set it that way because I wanted to use the flash in a very bright day, to remove the subject and get a background very underexposed, almost Studio with tarpaulin dark. I accentuated the contrast in dark room because I liked the effect of the subject almost fluttante in a dark nothing. I 'an effect that I came by chance in a previous and tried this time. Ho regolato in quel modo perchè ho voluto usare il flash in un giorno molto luminoso, per staccare il soggetto e ottenere uno sfondo molto sottoesposto, quasi da studio con telone scuro. Ho accentuato il contrasto in camera oscura perchè mi piaceva l'effetto del soggetto quasi fluttante in un nulla buio. E' un effetto che mi è venuto casualmente in una foto precedente e ho cercato questa volta. |
| sent on September 13, 2015 (14:46) | This comment has been automatically translated (show/hide original)
Beautiful. The flash does not look used. I envy almost.
Pier Luca Bella. Il flash non sembra utilizzato. Ti invidio quasi.
Pier Luca |
| sent on September 13, 2015 (21:55) | This comment has been automatically translated (show/hide original)
Quiet, if I made it, there is something for everyone.
Among other things, the flash was the modest spot on-camera. Anyway, it is a kind of effect I want to further deepen. Only mange, you have to do everything manually. (Also the MAF, as the 150 with 2X ... :-().
If I remember correctly, the recipe is:
- Bag full of tripod, all manual (the 2x is because I could not arrivargli closer)
- Off the flash
- If you also have the additional lights use them, maybe sideways to give a little 'light and shade, soft shadows and the sense of depth
- Find a just trying later underexposure to prevent the background is readable
- Recover in the right darkroomlight on the subject, by means of contrast and sharpness Tranquillo, se l'ho fatta io, ce n'è per tutti.
Tra l'altro, il flash era il modesto spot on-camera. Cmq, è un tipo di effetto che voglio ulteriormente approfondire. Unica rogna, si deve fare tutto in manuale. (anche la MAF, visto il 150 con 2X... ).
Se non ricordo male, la ricetta è:
- bagaglio completo su treppiede, tutto manuale (il 2x è perchè non riuscivo ad arrivargli più vicino)
- fuori il flash
- se hai anche delle luci supplementari usarle, magari lateralmente per dare un po' di chiaroscuro, ombre morbide e di senso di profondità
- trovare con prove successive una giusta sottoesposizione per evitare che lo sfondo sia leggibile
- recuperare in darkroom la giusta luce sul soggetto, agendo su contrasto e nitidezza |
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