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| sent on April 02, 2014 (23:39) | This comment has been automatically translated (show/hide original)
the legendary .. how much I bought ... hello ;-) la mitica.. quante ne ho comprate...ciao |
| sent on April 03, 2014 (19:40) | This comment has been automatically translated (show/hide original)
huh ... good memories, when the photo was "over" after clik!
eh ... bei ricordi, quando la foto era "finita" dopo il clik!!!
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| sent on April 03, 2014 (21:46) | This comment has been automatically translated (show/hide original)
“ "finished" after clik „ ....
maybe ..... after c 'was the time of printing and ruin there in terms of cost and quality ... " "finita" dopo il clik" ....
magari.....dopo c' era il tempo della stampa e lì la rovina in termini di costi e qualità... |
| sent on April 04, 2014 (9:37) | This comment has been automatically translated (show/hide original)
is OK but nothing to reprocess PP ...
although already at the time not possessing great outfit (even now!) smontavo the frames of give and with black electrical tape I cut out ... si OK ma niente rielaborazione da PP ...
anche se già ai tempi non possedendo grande attrezzatura (neanche adesso!) smontavo i telaietti delle dia e con il nastro isolante nero ritagliavo ... |
| sent on April 04, 2014 (10:06) | This comment has been automatically translated (show/hide original)
prints were the most sought-after Ciba .... but given the extreme hardships in the handle did not last much.
it was the fault of the laboratories that were printed on the verge of questionable quality then there was no choice or pimi or so.
the fine art was for a select few, and perhaps in Italy 1 0 2 laboratories were able, in the 80s, a 50x40 fine art bn cost 600 thousand pounds against the 20/30 of the top classic.
the concept of PP was very different and obviously in response to the technical requirements of the chemical and incomparable to the current one.
“ smontavo the frames of give and with black electrical tape I cut out ... „
ie appicicavi in ??duct tape on the film?
le stampe più ambite erano le Ciba....ma data l'estrema difficiltà nel gestirle non hanno durato moltissimo.
la colpa era dei laboratori che stampavano al limite della qualità discutibile quindi non si aveva scelta o così o pimì.
il fine art era per pochi eletti e forse in Italia c'erano 1 0 2 laboratori capaci, negli anni 80, un 50x40 fine art bn costava 600 mila lire contro i 20/30 del top classico.
il concetto di pp era ben diverso e ovviamente in risposta alle esigenze tecniche del chimico e imparagonabile a quella attuale.
" smontavo i telaietti delle dia e con il nastro isolante nero ritagliavo ... "
cioè appicicavi in nastro isolante sulla pellicola?
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| sent on April 04, 2014 (10:44) | This comment has been automatically translated (show/hide original)
yep things to APPICCICAVO guys ... :-( eh sì cose da ragazzi ... APPICCICAVO |
| sent on April 04, 2014 (10:46) | This comment has been automatically translated (show/hide original)
assassinoooooooooo:-D:-D assassinoooooooooo |
| sent on April 04, 2014 (18:42) | This comment has been automatically translated (show/hide original)
Is yes, you made the audition and then send you the ritagliavi with a lot of patience, I did it when I was photographing the constellations, nn with Velvia, with 400 asa! I'm glad to have awakened memories. I have some wonderful eats again, and then when the scquoti ... that sound typical. È sì, ti facevi mandare il provino e poi te le ritagliavi con tanta pazienza, lo facevo quando fotografavo le costellazioni, nn con la Velvia, con il 400 asa! Sono contento d'aver risvegliato bei ricordi. Ho delle ciba ancora meravigliose, e poi quando le scquoti... quel suono tipico. |
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