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  1. Galleries
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  4. » Warsaw from the walls of the Barbican

 
Warsaw from the walls of the Barbican...

varsavia

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Warsaw from the walls of the Barbican sent on March 11, 2014 (16:29) by Simosorre. 3 comments, 459 views.

at 22mm, 1/125 f/8.0, ISO 250, hand held.




View High Resolution 17.9 MP  

3 persons like it: Albieri Sergio, Atzeni Bruno, Dantes


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avatarsenior
sent on March 26, 2014 (17:17)


This comment is too long to be automatically translated, so it will be shown in its original language (Italian)  

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Questa la trovo decisamente più riuscita ma anche gli è leggermente percepibile il fenomeno delle linee cadenti anche se in maniera molto meno marcate.

I find this much more successful, but also is slightly perceptible phenomenon of falling lines although in a much less marked.

avatarjunior
sent on March 27, 2014 (15:40)


This comment is too long to be automatically translated, so it will be shown in its original language (Italian)  

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Ricevuto, ma a questo punto come la pensi tu non conviene usare il grandangolo per fotografare in città? E se si come fare ad ammorbidire le linee cadenti? saluti

Received, but at this point as you think you do not want to use the wide-angle lens for shooting in the city? And if you like to do to soften the falling lines? greetings

avatarsenior
sent on March 27, 2014 (19:54)


This comment is too long to be automatically translated, so it will be shown in its original language (Italian)  

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le linee cadenti le ottieni quando inclini verso l'alto o verso il basso l'obiettivo. Quindi se lo tieni "in bolla" ti vengono le verticali perpendicolari al terreno. Se non ti riesce di inqudrare per interno un edificio, o ti sposti e cerchi di ottenere una vista migliore, o fotografi inclinando la macchina e contando poi sulla regolazione in post-produzione.

the falling lines you get them when tilting up or down the target. So if you keep it "on the bubble" you are the vertical perpendicular to the ground. If you fail to inqudrare for a building interior, or you move and try to get a better view, or photographers tilting the machine and then counting on the regulation in post-production.


RCE Foto

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