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| sent on March 06, 2014 (20:36) | This comment has been automatically translated (show/hide original)
Hello Victor,
and yes, it actually has a background color too-like uniform.
Thank observation and examination.
Hello,
Virginio Ciao Vittorio,
e si, effettivamente lo sfondo ha un colore troppo simil-uniforme.
Grazie dell'osservazione e della visita.
Ciao,
Virginio |
user35593 | sent on April 08, 2014 (17:45) | This comment has been automatically translated (show/hide original)
Scavir Bravissimo!
Beautiful photo!
What a charm!
Hello.
marco. Bravissimo Scavir!
Bellissima foto!
Che fascino!
Ciao.
marco. |
| sent on April 08, 2014 (17:56) | This comment has been automatically translated (show/hide original)
Hello Mark.
Thank you,
But remember, I keep an eye on you ;-) ;-) Ciao Marco.
Grazie,
Ma ricordati che, Ti Tengo d'occhio |
user35593 | sent on April 08, 2014 (20:11) | This comment has been automatically translated (show/hide original)
You are always welcome!
A greeting.
Mark. Sei sempre il benvenuto!
Un saluto.
Marco. |
| sent on March 30, 2015 (8:52) | This comment has been automatically translated (show/hide original)
Your series is the portrait I appreciate most, including shades of the bottom, so discreet leaves the focus on the face and eyes, pity about the shake-especially in the eyes.
I'll give you some advice, when you take a picture indoors in continuous light, often using time below those of safety and the blur is a risk always alive. When apply an unsharp mask to retrieve the problem never to do so to the whole frame, in this case the vaccations of sharpness between the parties moves more and less remains unchanged and give too much sharpness also at the bottom of very blurred affect the quality of the bokeh .
Apply a selection only on the areas of greatest visual attention, in this case the face and eyes, and act only them.
Virginio Hello:-) Della tua serie è il ritratto che apprezzo maggiormente, inclusa la tonalità del fondo, così discreta lascia l'attenzione sul viso e lo sguardo, peccato per il micromosso soprattutto negli occhi.
Ti do un consiglio, quando si scatta un ritratto in interni in luce continua, spesso si usano tempi al di sotto di quelli di sicurezza ed il mosso è un rischio sempre vivo. Quando applichi una maschera di contrasto per recuperare il problema non farlo mai a tutto il fotogramma, in tal caso la diferenza di nitidezza tra le parti più mosse e quelle meno rimane inalterata e dare troppa nitidezza anche al fondo sfocato inficia di molto la qualità del bokeh.
Applica una selezione solo sulle zone di maggior attenzione visiva,in questo caso viso ed occhi, e agisci solo li.
Ciao Virginio  |
| sent on March 30, 2015 (12:59) | This comment has been automatically translated (show/hide original)
Uuuuuuuuu Hello George,
Thank Heart of observation, I had not noticed. ;-)
They are one of my very first picture I took long ago.
Thanks again, advice
Hello,
Virginio Uuuuuuuuu Ciao Giorgio,
Grazie di Cuore dell'osservazione, Non ci avevo fatto caso.
Sono una delle mie Primissime foto che ho fatto tempo fa.
Grazie ancora, dei consigli
Ciao,
Virginio |
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