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| sent on December 29, 2013 (13:47) | This comment has been automatically translated (show/hide original)
Very nice, I like the long exposure congratulations! Maximum ;-) Molto bella , mi piace la lunga esposizione complimenti! Massimo |
| sent on December 29, 2013 (13:50) | This comment has been automatically translated (show/hide original)
gorgeous! congratulations! hello Paul stupenda! complimenti! ciao Paolo |
| sent on December 29, 2013 (13:53) | This comment has been automatically translated (show/hide original)
thanks maximum
grazie massimo
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| sent on December 29, 2013 (13:53) | This comment has been automatically translated (show/hide original)
thanks paul grazie paolo |
| sent on December 29, 2013 (14:01) | This comment has been automatically translated (show/hide original)
Beautiful light.
Mark. Bella luce.
Marco. |
| sent on December 29, 2013 (14:45)
Very beautiful... |
| sent on December 29, 2013 (14:45) | This comment has been automatically translated (show/hide original)
very nice and well done even if long exposures applied to the water begin to be a generally a little 'inflated and your galleries is evident your skills even without making use of ... ;-) Greetings, Victor molto bella e bene eseguita anche se le lunghe esposizioni applicate all'acqua iniziano a essere un genere un po' inflazionato e dalle tue gallerie è evidente la tua bravura anche senza farne ricorso... , Un Saluto, Vittorio |
| sent on December 30, 2013 (0:19) | This comment has been automatically translated (show/hide original)
Very beautiful, long times give dynamism and image as well as striking serenity to the viewer ;-) Molto bella, i tempi lunghi donano dinamismo e l'immagine oltre che suggestiva da serenità all'osservatore |
| sent on December 30, 2013 (17:39) | This comment has been automatically translated (show/hide original)
The photo is beautiful and almost perfect from the technical point of view. I really like the soft colors and cold and composition. It seems obvious that a long exposure of the water is not new, but what does it mean? Whether or not you should use an artifice that must be considered to address the lack of skill? If anything, I want you to note that especially in the high-resolution version can be observed many hot pixels, for the elimination of which there are several techniques. Anyway congratulations, really good.
Hello, Mario. La foto è bellissima e quasi perfetta dal punto di vista tecnico. Mi piacciono molto i colori delicati e freddi e la composizione. Mi sembra ovvio che una lunga esposizione dell'acqua non è una novità, ma cosa vuol dire? Che non la si dovrebbe usare o che deve essere considerata un artifizio per ovviare alla mancanza di bravura? Semmai voglio farti osservare che soprattutto nella versione in alta risoluzione si osservano molti hot pixels, per la cui eliminazione esistono diverse tecniche. Comunque complimenti, veramente bravo.
Ciao, Mario. |
| sent on December 30, 2013 (18:09) | This comment has been automatically translated (show/hide original)
Thanks Mario, it is true there are HotPixels. I suggest your method to eliminate them? thanks Grazie Mario, si è vero ci sono degli hotpixels. mi suggerisci il tuo metodo per eliminarli? grazie |
| sent on December 30, 2013 (18:12) | This comment has been automatically translated (show/hide original)
Beautiful marina: Arctic ice seems beaches with a cool light very fit at the moment :-) :-) Bella marina: sembra ghiaccio di artici lidi con una luce fredda molto adatta al momento |
| sent on December 30, 2013 (19:05) | This comment has been automatically translated (show/hide original)
First, use the NR reduction on long times, which pretty much uses the technique of dark frames already on the camera, that takes two images, one with shutter closed, which compares with the previous ones to remove hot pixels that are always in the same position . This technique virtually eliminates the hot pixels (but not the color noise!). Give it a try ... camera on the tripod, 30 second exposure at night with and without dark frames and watch the results.
Alternatively, try to make an exposure of 1 minute, then put the lens cap and make another shot of 1 minute. Amounts the two photos in Photoshop and subtract one made with the stopper by ATRA. You'll see from the picture just disappear and only the dead pixels because in the black frame (the "dark frame" of course) you will only ones.
There are also special software for the eliminationhot pixels but I've never used.
Try to take a look at this topic on Juza:
www.juzaphoto.com/topic2.php?l=it&t=583127
Hello, Mario Innanzitutto usare la riduzione NR sui tempi lunghi, che praticamente usa la tecnica del dark frame già sulla fotocamera, cioè scatta due immagini di cui una con otturatore chiuso che confronta con l'altra precedente per eliminare gli hot pixel che si trovano sempre nella stessa posizione. Questa tecnica elimina quasi completamente gli hot pixels (ma non il rumore cromatico!). Fai una prova ... fotocamera sul treppiede, 30 secondi di esposizione di notte con e senza dark frame e guardi i risultati.
In alternativa prova a fare un'esposizione di 1 minuto, poi metti il tappo all'obiettivo e fai un altro scatto di 1 minuto. Importi le due foto in Photoshop e sottrai quella fatta col tappo dall'atra. Vedrai scomparire dalla foto solo e soltanto i pixel bruciati perchè nel fotogramma nero (il "dark frame" appunto) avrai solo quelli.
Esistono anche appositi software per l'eliminazione degli hot pixels ma non li ho mai usati.
Prova a dare un'occhiata anche a questo topic su Juza:
www.juzaphoto.com/topic2.php?l=it&t=583127
Ciao, Mario |
| sent on December 30, 2013 (19:16) | This comment has been automatically translated (show/hide original)
thanks Mario
I'll try anyway ... it works even on Raw? grazie Mario
proverò...funziona comunque anche sul raw? |
| sent on December 30, 2013 (19:22) | This comment has been automatically translated (show/hide original)
Great shot, congratulations!
@ Mario, but how many do you know?? I did not even understand what you're talking wow!
You are too far ahead!
Again congratulations Doc Scatto bellissimo, complimenti!
@Mario, ma quante ne sai??? Io non ho nemmeno capito di che cosa state parlando 
Siete troppo avanti!
Di nuovo complimenti Doc |
| sent on December 30, 2013 (20:26) | This comment has been automatically translated (show/hide original)
Yes Doc, it also works on Raw.
Cristina we are talking about small bright dots that are present on the dark parts of the picture and due to an intrinsic defect of digital sensors. Hello Si Doc, funziona anche sul raw.
Cristina stiamo parlando dei puntini luminosi che sono presenti sulle parti scure della foto e dovuti ad un difetto intrinseco dei sensori digitali. Ciao |
| sent on December 30, 2013 (21:04) | This comment has been automatically translated (show/hide original)
Thank you Mario. No I have never left on that function precisely because then it takes a time equal to that of the shot. If I do a show then I have to wait 6 minutes as Grazie Mario. Nn ho mai lasciato attivo quella funzione perché appunto ci vuole poi un tempo uguale a quello dello scatto. Se faccio un'esposizione di 6 minuti poi devo aspettare altrettanto |
| sent on December 30, 2013 (23:12) | This comment has been automatically translated (show/hide original)
Beautiful picture, sharpness, light and almost surreal atmosphere at the top, congratulations! :-P
By Fabio Bellissima immagine, nitidezza, luce e atmosfera quasi surreale al top, complimenti! 
By Fabio |
| sent on December 31, 2013 (12:29) | This comment has been automatically translated (show/hide original)
thanks Fabio grazie Fabio |
| sent on January 01, 2014 (18:51) | This comment has been automatically translated (show/hide original)
Gorgeous ... Splendida... |
| sent on January 01, 2014 (19:09) | This comment has been automatically translated (show/hide original)
It 's very very beautiful. Congratulations.
Hello Renato. E' molto molto bella .Complimenti.
Ciao Renato. |
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