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| sent on November 30, 2011 (20:58) | This comment has been automatically translated (show/hide original)
Resume point really unusual, beautiful colors. hello. Punto di ripresa davvero insolito, bei colori. ciao. |
| sent on December 01, 2011 (6:37) | This comment has been automatically translated (show/hide original)
The idea was not bad but the first floor had to be much less confusing .... so 'shooting gives a great feeling of disorder ...! L'idea non era male ma il primo piano doveva essere molto meno confusionario .... cosi' lo scatto restituisce una grande sensazione di disordine ...!!! |
| sent on December 01, 2011 (10:35) | This comment has been automatically translated (show/hide original)
From the title I understand the meaning of the photo, but I am also of the opinion that there is a little 'too much confusion. Dal titolo capisco il senso della foto, ma sono anch'io dell'idea che ci sia un po' troppa confusione. |
| sent on December 01, 2011 (14:11) | This comment has been automatically translated (show/hide original)
Less confusion means that I had to do a photo somewhere else? because there was one! Or I had to find a different shot? In that place there were practically only leaves and leaves and all the beautiful colors, and impossible not to take leaves! Keeping this setting (ie, recovery from the bottom wall covered in ivy) which suggestion I would give to have a close-up different? Thanks for the tips! Clear Meno confusione significa che dovevo fare una foto da un'altra parte? perchè lì quello c'era! Oppure dovevo ricercare un'inquadratura diversa? In quel posto c'erano praticamente solo foglie e foglie e tutte di colori bellissimi, quindi impossibile non riprendere foglie! Mantenendo questa impostazione (cioè ripresa dal basso del muretto ricoperto d'edera)quale suggerimento mi dareste per avere un primo piano diverso? Grazie per i suggerimenti! Chiara |
| sent on December 01, 2011 (14:46) | This comment has been automatically translated (show/hide original)
For example play on a maf selective, with focus on the foreground and the background blurred, not easy with the 8-16, to compose the shot with a logic of subject and background, or find nearby a particular color combination to be distributed in the composition according to the rule of thirds or fantasy. Maybe looking or waiting for a light different from the flat and even in this photo, which helps to create a depth that is missing here, we do not perceive the distance between the different floors. I do not come to mind more ... Ad esempio giocare su una maf selettiva, con il fuoco sul primo piano e lo sfondo sfocato, non facile con l'8-16, in modo da comporre la foto con una logica di soggetto-sfondo, oppure cercare lì vicino un particolare abbinamento cromatico da distribuire nella composizione seguendo la regola dei terzi o la fantasia. Magari cercando o aspettando una luce diversa da quella piatta e uniforme di questa foto, che aiuti a creare una profondità che qui manca, non si percepisce la distanza fra i differenti piani. Non me ne vengono in mente altri... |
| sent on December 01, 2011 (21:08) | This comment has been automatically translated (show/hide original)
Beppeverge Thanks for the advice! Next time I'll try to put them into practice. I never thought of the idea to keep the background blur, usually I always try to have everything in focus. But here in retrospect we would have been, the background was already very present with the colors and the blur would give depth. I'll try! Clear Grazie Beppeverge per i consigli! Alla prossima occasione cercherò di metterli in pratica. Non avrei mai pensato all'idea di tenere lo sfondo sfocato, in genere cerco sempre di avere tutto a fuoco. Però qui a ripensarci ci sarebbe stato, lo sfondo era già molto presente con i colori e la sfocatura avrebbe dato profondità. Ci proverò! Chiara |
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