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| sent on December 10, 2013 (9:13) | This comment has been automatically translated (show/hide original)
Nice meeting Bell'incontro |
| sent on December 10, 2013 (10:57) | This comment has been automatically translated (show/hide original)
Thanks John :-) Grazie Giovanni :-) |
| sent on December 10, 2013 (17:23) | This comment has been automatically translated (show/hide original)
Nice, shame about the cutting of the wings. Bella, peccato per il taglio delle ali. |
| sent on December 10, 2013 (17:38) | This comment has been automatically translated (show/hide original)
Thanks Luigi, you say? I have also questioned at length about why cut a part of the subject is often seen as a handicap composition. In my opinion it would be in two cases: if we want to make the classic photo booth for manual approval or if we cut a part of the body that, in the economy of the photo, it is important to tell something. In this image, the wing would only repeat in full and in an almost symmetrical what instead is completely framed, however, the wings are also widely and moves out of focus. To me the picture is not sorry for the relationship that is created between the jay and the stub that, almost ironically, is instead framed in full and with the level of detail that seems higher than the same jay. Overall, I find the bearable wing cut right to the dynamism of the scene'sviluppa with jay ready to get out of the frame ... despite having a wing and a half. :-) Grazie Luigi, Dici? Anche io mi sono interrogato a lungo sul perchè tagliare una parte del soggetto sia visto spesso come un handicap compositivo. A mio avviso lo sarebbe in due casi: se volessimo realizzare le classiche fototessere da manuale di riconoscimento o se tagliassimo una parte del corpo che, nell'economia della foto, è importante per raccontare qualcosa. In questa immagine l'ala non farebbe altro che ripetere per intero e in modo quasi simmetrico quella che invece è completamente inquadrata, peraltro le ali sono anche mosse e ampiamente fuori fuoco. A me l'immagine non dispiace soprattutto per il rapporto che si crea tra la ghiandaia ed il tronchetto che, quasi per assurdo, è invece inquadrato per intero e con livello di dettaglio che pare superiore alla ghiandaia stessa. Nell'insieme, l'ala tagliata la trovo sopportabile proprio per il dinamismo che la scena sviluppa con la ghiandaia pronta ad uscire dal frame... nonostante disponga di un'ala e mezza. |
| sent on December 10, 2013 (18:31) | This comment has been automatically translated (show/hide original)
beautiful light and good timing .... no wing wing ... ;-)
hello Daniel bella luce e ottimo tempismo....ala si ala no... ciao Daniele |
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