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| sent on September 29, 2013 (23:08) | This comment has been automatically translated (show/hide original)
The colors pleasing the point of recovery. If you had margin would have expanded the shot so as not to cut any passer in the background, raised the ISO to 320-400 and closed at least at least f.6, 3. (Imho). hello and good light, laurel Piacevoli le cromie il punto di ripresa. Se avevi margine avrei allargato l'inquadratura in modo da non tagliare un qualsiasi passante sullo sfondo , alzato gli iso a 320-400 e chiuso almeno almeno a f.6,3. (imho). ciao e buona luce, lauro |
| sent on September 29, 2013 (23:23) | This comment has been automatically translated (show/hide original)
Thank you very much for comment.
The passer-by who looks at the police sprang out of a sudden, it was not planned, I admit that I was more careful not to be seen by police who continued to look around, the foot cut is a clear flaw! To close a little 'more and stay off with the shot will surely try to keep in mind, the woman would come into focus and the foot is not cut ...
Thank you again! Grazie mille del commento.
La passante che guarda i poliziotti è sbucata all'improvviso, non era prevista, ammetto che stavo più attento a non farmi vedere dai poliziotti che continuavano a guardarsi attorno, il piede tagliato è una pecca evidente! Quella di chiudere un po' e stare piu largo con l'inquadratura cercherò sicuramente di tenerla a mente,sarebbe venuta la donna a fuoco e il piede non tagliato...
Grazie ancora! |
| sent on September 29, 2013 (23:57) | This comment has been automatically translated (show/hide original)
If you want to develop the technique of stolen photos should raise the ISO, close to a default value for almost all occasions and do not try the shot surgery.
In close-ups better off to focus and immerse yourself in the scene. (Imho).
hello, laurel Se vuoi sviluppare la tecnica delle foto rubate conviene alzare gli iso , chiudere di default ad un valore per quasi tutte le occasioni e non cercare l'inquadratura chirurgica.
In riprese ravvicinate meglio scendere di focale ed immergersi nella scena. (imho).
ciao, lauro |
| sent on January 07, 2016 (17:36) | This comment has been automatically translated (show/hide original)
This is a good picture because it is different because it has a point of view. Nurture this road.
Only flaws foot and cut the fire completely wrong. It was the look of her subject. The focus is how she looks at the cops. They were still well recognizable even blurred thanks to uniform. Questa è una buona foto perché è diversa perché ha un punto di vista. Coltiva questa strada.
Uniche pecche il piede tagliato e il fuoco completamente sbagliato. Era lo sguardo di lei il soggetto. Il fulcro è come lei guarda i poliziotti. Loro sarebbero stati comunque ben riconoscibili anche sfocati grazie alle uniforme. |
| sent on January 07, 2016 (18:57) | This comment has been automatically translated (show/hide original)
thanks analysis!
Sometimes covering old photos that I like the most recent ones, before I shot at feeling, and maybe there was more inside myself in a picture, now there is only technique ....
grazie dell'analisi!
A volte riguardando vecchie foto mi piacciono piú che quelle recenti, prima scattavo a sentimento, e forse c'era dentro piú me stesso in una foto, ora c'é solo tecnica....
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| sent on January 09, 2016 (17:56) | This comment has been automatically translated (show/hide original)
Quoto comments and recommendations that you have already given Lauro and Luke. Also I think this photo is interesting nonetheless.
Hello and the next, Nick. Quoto i commenti e i consigli che ti hanno già dato Lauro e Luca. Anche secondo me comunque questa foto è interessante.
Ciao e alla prossima, Nick. |
| sent on January 09, 2016 (23:09) | This comment has been automatically translated (show/hide original)
Thanks Nick !! Grazie Nick!! |
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