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| sent on September 19, 2013 (9:39) | This comment has been automatically translated (show/hide original)
Very nice, beautiful composition ... already I miss the spring! I see you've chosen a PDC reduced to isolate the flowers ... MBEH .. actually in this case perhaps the composition is cleaner! Hello:-P ;-) Molto gradevole, bella composizione ...già mi manca la primavera! Vedo che hai scelto una PDC ridotta per isolare i fiori...mbeh ..effettivamente in questo caso forse la composizione è più pulita!! Ciao  |
| sent on September 19, 2013 (10:14) | This comment has been automatically translated (show/hide original)
Beautiful compo with excellent first floor .. congratulations .. :-P
Hello, Carmel. Bella compo con ottimo primo piano..complimenti..
Ciao, Carmelo. |
| sent on September 19, 2013 (10:17) | This comment has been automatically translated (show/hide original)
beautiful prospect of recovery.
angel bella la prospettiva di ripresa.
angelo |
| sent on September 19, 2013 (13:19) | This comment has been automatically translated (show/hide original)
Joseph, Carmel, Angel, thanks for the welcome comments.
With the MAF manual Samyang I found some difficulty in this shot because I could not even look in the camera display, after a few attempts I was able one.
About the manual Samyang 14mm MAF, I read about many people who have difficulty in taking photographs of landscape to find the right focus, I personally verified that f / 8 if I focus from 2 to 3 feet or less looking the numbers on the dial, I focus a little more than a meter to infinity, the difficulties begin with subjects closer than a meter for landscapes but I honestly do not feel the lack of AF. Giuseppe, Carmelo, Angelo, grazie per i graditi commenti.
Con la MAF manuale del Samyang ho trovato qualche difficoltà in questo scatto anche perchè non riuscivo a guardare nel display della fotocamera, dopo qualche tentativo me ne è riuscita una.
A proposito della MAF manuale del Samyang 14mm, ho letto di molta gente che ha difficoltà nelle foto di paesaggio a trovare la giusta messa a fuoco, personalmente ho verificato che a f/8 se metto a fuoco tra 2 e 3 metri, o anche meno guardando i numeri sulla ghiera, ho a fuoco da poco più di un metro all'infinito, le difficoltà iniziano con soggetti più vicini di un metro ma per panorami onestamente non sento la mancanza dell'AF. |
| sent on September 19, 2013 (13:20) | This comment has been automatically translated (show/hide original)
Already appreciated elsewhere. I find it wonderful, really a beautiful composition and light! Già apprezzata altrove. La trovo meravigliosa, davvero una bellissima composizione e luce! |
| sent on September 19, 2013 (15:29) | This comment has been automatically translated (show/hide original)
Good choice to enhance the flowers, very appreciable result. Hello Buona la scelta di valorizzare i fiori, molto apprezzabile il risultato. Ciao |
| sent on September 19, 2013 (18:51) | This comment has been automatically translated (show/hide original)
Nice shoot! Compliments.
Lulu Bella ripresa! Complimenti.
Lulù |
| sent on September 19, 2013 (18:58) | This comment has been automatically translated (show/hide original)
good, but it would be very good with everything in focus.
Hello
max buona, ma sarebbe buonissima con tutto a fuoco.
Ciao
max |
| sent on September 19, 2013 (20:25) | This comment has been automatically translated (show/hide original)
Beautiful first floor, and excellent sfocatura.Complimenti.
Hello. Bello il primo piano, e ottima la sfocatura.Complimenti.
Ciao. |
| sent on September 19, 2013 (20:49) | This comment has been automatically translated (show/hide original)
really nice, great accomplishment Beppe, I love it. veramente bella, grande realizzazione Beppe, mi piace tantissimo. |
| sent on September 20, 2013 (8:59) | This comment has been automatically translated (show/hide original)
Thanks again to everyone for the appreciation.
Hi, I tried to make one with everything in focus but I could not, I was freehand and I could not find the hyperfocal to get everything in focus, probably because even at that distance from the flowers is simply not possible.
With a tripod I might have tried a double exposure but freehand I gave up.
hello Grazie ancora a tutti per gli apprezzamenti.
Max, ho provato a farne una con tutto a fuoco ma non ci sono riuscito, ero a mano libera e non riuscivo a trovare l'iperfocale per avere tutto a fuoco, probabilmente anche perchè a quella distanza dai fiori non è semplicemente possibile.
Con un treppiede forse avrei provato una doppia esposizione ma a mano libera ci ho rinunciato.
ciao |
| sent on September 20, 2013 (10:32) | This comment has been automatically translated (show/hide original)
I love it,
anemones light shooting and guide the eye towards the mountains on the bottom.
Congratulations :-) Mi piace molto,
gli anemoni illuminano lo scatto e guidano l'occhio verso i monti sullo fondo.
Complimenti |
| sent on September 20, 2013 (11:52) | This comment has been automatically translated (show/hide original)
Beautiful compo and beautiful defocused! Bravo! ;-) Bellissima compo e bello sfocato !!Bravo !! |
user13641 | sent on September 20, 2013 (15:21) | This comment has been automatically translated (show/hide original)
In the landscapes sacred texts would "everything in focus", this photo is proof that there are no absolute rules and fuzzy makes a nice shot. Bravo.
Hello, Angel. Nei paesaggi i sacri testi vorrebbero "tutto a fuoco", questa foto è la dimostrazione che non esistono regole assolute e lo sfocato rende bellissimo questo scatto. Bravo.
Ciao, Angelo. |
| sent on September 21, 2013 (9:15) | This comment has been automatically translated (show/hide original)
Thanks again for your comments.
One focus that enables us to understand what's in the background in my opinion is a little closer 'to what we see in reality in a similar situation.
Let's look at our hand placed about 20 cm from your eyes, the background would not be in perfect focus but confused enough to not distract the view from the subject, however, leaving us know if in it there are the mountains, a window, or people, in the picture you try to play this vision with a focus more understandable than what's in the background of the image.
In fact the objects in the background appear split due to the stereoscopic vision, I would like to see the same result in a photograph to see the effect it does. Grazie ancora per i vostri commenti.
Uno sfuocato che lascia comprendere cosa c'è nello sfondo secondo me si avvicina un po' a quello che vediamo nella realtà in una situazione simile.
Proviamo a guardare la nostra mano posta a 20 cm circa dai nostri occhi, lo sfondo non sarebbe perfettamente a fuoco ma confuso quanto basta per non distrarre la vista dal soggetto lasciandoci però capire se in esso ci sono dei monti, una finestra oppure delle persone, in fotografia si cerca di riprodurre questa visione con uno sfuocato ancora comprensibile di quello che c'è nello sfondo dell'immagine.
Nella realtà gli oggetti sullo sfondo appaiono sdoppiati per via della visione stereoscopica, mi piacerebbe vedere lo stesso risultato in una fotografia per vedere l'effetto che fa. |
| sent on October 06, 2013 (11:45) | This comment has been automatically translated (show/hide original)
I am pleased that the 6D was likely as well as the Samyang. This photo I like very much for the warm colors of flowering and for the pleasant blur mountain. Also notable is the detail on the flowers closely together. It seems to me that 14 is distinguished both for sharpness bokeh. Hello Raffaele. :-) Vedo con piacere che la 6D é arrivata così come il Samyang. Questa foto mi piace molto per i caldi colori della fioritura e per il piacevolissimo sfuocato montano. Notevole anche il dettaglio sui fiori molto ravvicinati. Mi sembra che il 14 sia egregio sia per nitidezza che bokeh. Ciao Raffaele. |
| sent on October 06, 2013 (17:18) | This comment has been automatically translated (show/hide original)
Thanks Raphael.
hello
Grazie Raffaele.
ciao
|
| sent on October 11, 2013 (0:05) | This comment has been automatically translated (show/hide original)
Just a nice shot. I really like your composition with this diagonal and behind the focus.
Hello, Dino Proprio un bello scatto. Mi piace molto la tua composizione con questa diagonale e dietro lo sfuocato.
Ciao, Dino |
| sent on October 14, 2013 (9:14) | This comment has been automatically translated (show/hide original)
Dino, thanks for the ride.
hello Dino, grazie del passaggio.
ciao |
| sent on October 14, 2013 (10:16) | This comment has been automatically translated (show/hide original)
Beautiful compo.
Vittorio Bella compo.
Vittorio |
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