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| sent on September 15, 2013 (0:43) | This comment has been automatically translated (show/hide original)
I like the idea that I would have chosen, however, un'amgolazione esasperasse the prospect always with the use of 14. l'idea mi piace avrei scelto però un'amgolazione che esasperasse la prospettiva sempre con l'uso del 14. |
| sent on September 15, 2013 (0:47) | This comment has been automatically translated (show/hide original)
that is? let me get this ... guy? cioè? fammi capire...tipo? |
| sent on September 15, 2013 (0:50) | This comment has been automatically translated (show/hide original)
taking example from above or below the extreme angle of the room or with the camera resting on the ground, 45 ° inclined, etc.
then it's up to you to try as it is not the usual recovery at head height. esempio riprendendo dal basso o dall'alto dall'angolo estremo dalla stanza o con la reflex appoggiata a terra inclinata di 45° ecc
poi sta a te provare basta che non sia la solita ripresa ad altezza uomo. |
| sent on September 15, 2013 (0:54) | This comment has been automatically translated (show/hide original)
you are right but with the 14 environments exacerbate the shots are quite small risks, in my opinion, to deform those too ... in this case the mill hai ragione ma col 14, in ambienti abbastanza piccoli se esasperi le inquadrature rischi, a mio avviso, di deformare troppo i soggetti...in questo caso il mulino |
| sent on September 15, 2013 (0:58) | This comment has been automatically translated (show/hide original)
and that one of the pregii wide. :-P
sometimes beautiful photos you are doing "wrong on purpose." quello e uno dei pregii dei wide. 
a volte le foto belle si fanno "sbagliando di proposito". |
| sent on September 15, 2013 (1:04) | This comment has been automatically translated (show/hide original)
see the problem is just that ... I do not love distort what already gives me emotion "natural" ... I do not see the point of going to deform a beautiful thing as, in this case, this old mill.
Let's say it's easier than "mistakes NOT on purpose," a horizon line :-) vedi il problema è proprio quello...non amo molto falsare ciò che già mi da emozione "al naturale"...non vedo l'utilità di andare a deformare una cosa bella come, in questo caso, questo mulino antico .
Diciamo che è più facile che "sbagli NON di proposito" una linea di orizzonte  |
| sent on September 15, 2013 (10:25) | This comment has been automatically translated (show/hide original)
ok ;-) ok |
| sent on September 15, 2013 (10:46) | This comment has been automatically translated (show/hide original)
Nice place ...... I would see there is also a model ...... You know, I like the portraits.
Bel posto......io ci vedrei anche una modella...... Sai, mi piacciono i ritratti.
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| sent on September 15, 2013 (11:09) | This comment has been automatically translated (show/hide original)
Starting from the fact that I really like. A personal taste ... in b / w would be at the top.
Vittorio :-) Partendo dal fatto che mi piace molto. A gusto personale...in b/n sarebbe stata al top.
Vittorio |
| sent on September 15, 2013 (21:17) | This comment has been automatically translated (show/hide original)
mikess great idea:-D bell'idea mikess  |
| sent on September 15, 2013 (21:18) | This comment has been automatically translated (show/hide original)
Thanks Victor, I tried it but personally I like most in color.
Grazie Vittorio,l'ho provata ma personalmente mi piace più a colori.
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| sent on September 16, 2013 (9:41) | This comment has been automatically translated (show/hide original)
So that's okay. ;-)
ciao.Vittorio Allora va bene così.
ciao.Vittorio |
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