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| sent on August 21, 2013 (10:42) | This comment has been automatically translated (show/hide original)
No, unfortunately no macro lens: P
I used 31mm extension tube with the EF 75-300mm f/4-5.6 III manual, time: 1/160, F 7.1, ISO 200 :) No, nessun obiettivo macro purtroppo :P
Ho usato tubo di prolunga 31mm con l'obiettivo EF 75-300mm f/4-5.6 III in manuale, tempi:1/160, F 7.1, iso 200 :) |
| sent on August 26, 2013 (17:26) | This comment has been automatically translated (show/hide original)
shooting data are always useful to give advice more targeted, such as tripod or freehand? That you used focal going from 75 to 300?
Let's go step by step.
With tripod you could close more buying pdc is not caring of the time, although freehand've got a decent maf.
If the focal length used was less than or equal to 150 ok, but if higher sensitivity better come up with to get a faster time close to the value of focal length used.
Having said that we can observe the exposure, where the maid is a little 'underexposed because of the light reflected from the leaf, then a positive compensation until you get to a better visibility of the muzzle without overexposing the leaf. Otherwise having a flash would have been enough to fill a tap.
Even when the parallelism is possible is important to get all the subject in focus.
If I was boring I apologize.
i dati di scatto sono sempre utili per dare consigli più mirati, ad esempio cavalletto o mano libera? Che focale hai utilizzato andando da 75 a 300?
Andiamo per gradi.
Con cavalletto avresti potuto chiudere maggiormente acquistando pdc è fregandotene del tempo, anche se a mano libera hai ottenuto una discreta maf.
Se la focale usata era inferiore o pari a 150 ok, mentre se superiore meglio salire con la sensibilità per ottenere un tempo più veloce vicino al valore di focale utilizzata.
Detto questo possiamo osservare l'esposizione, dove la damigella risulta un po' sottoesposta per via della luminosità riflessa dalla foglia, quindi un compensazione positiva fino ad arrivare ad una migliore visibilità del muso senza sovraesporre la foglia. Altrimenti avendo un flash sarebbe stato sufficiente un colpetto di riempimento.
Anche il parallelismo quando è possibile risulta importante per ottenere il soggetto tutto a fuoco.
Se sono stato noioso ti chiedo scusa.
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