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| sent on August 19, 2013 (16:58) | This comment has been automatically translated (show/hide original)
Good B & N, and the point of recovery. The cut of the bell tower it did not own, I would try other compositions. Iso 5000? A free hand could reduce them. (Imho). hello and good light, laurel Buoni il B&N, e il punto di ripresa. Il taglio del campanile non ci voleva proprio, avrei tentato altre composizioni. 5000 iso ? A mano libera potevi ridurli . (imho) . ciao e buona luce, lauro |
| sent on August 19, 2013 (17:06) | This comment has been automatically translated (show/hide original)
I know the cut of the bell tower is not just fine but if I got up too there was the roof. What would you have advised to use as iso?
Unfortunately with the iso I still have many problems.
Thank you very much
Hello, Laura Lo so il taglio del campanile non sta proprio bene ma se mi alzavo troppo c'era il tetto. Cosa mi avresti consigliato di usare come iso?
Purtroppo con gli iso ho ancora tanti problemi.
Grazie mille
Ciao, Laura |
| sent on August 19, 2013 (17:16) | This comment has been automatically translated (show/hide original)
I was not with you, but you were probably somewhere in the terrace (between the beads vertical) could help by lowering the pickup point ... was enough to support the camera or on the balcony. If you were freehand, or freehand with support and stabilized wide-angle lens could fall as low as 1/60 sec. without problems of your move. You could also close the iris to increase the sharpness. The ISO 5000 have not been heavy in spite of the camera that you used but could be reduced. Since the photographic situation of the scene was unchanging (not dynamic) you could do some shooting with some variation of the following parameter settings ... that's all .. :-) I also comes to mind that if you could now include the tip of the tower but bringing out the roof, it could make a frame ... here is another interpretation ;-). hello and good life, laurel Non ero con te ma probabilmente avevi qualche punto del terrazzino (tra le perline verticali) che poteva aiutarti abbassando il punto di ripresa ... oppure bastava appoggiare la reflex sul poggiolo. Se eri a mano libera o a mano libera con appoggio e ottica grandangolare stabilizzata potevi scendere anche a 1/60 sec. senza problemi di un tuo mosso. Potevi anche chiudere il diaframma per aumentare la nitidezza. I 5000 iso non sono stati pesanti nonostante la reflex che hai usato ma comunque potevano essere ridotti. Visto che la situazione fotografica della scena era immutevole (non dinamica) potevi fare qualche successivo scatto con qualche variazione delle impostazioni dei parametri ... tutto qui .. Mi viene anche in mente che se riuscivi ad includere anche la punta del campanile ma facendo risaltare il tetto , quest'ultimo poteva fare da cornice... ecco un'altra interpretazione . ciao e buona vita, lauro |
| sent on August 19, 2013 (18:56) | This comment has been automatically translated (show/hide original)
Thank you very much for the very useful tips that sfrutterò sure the next time :-)
See you soon, Laura Grazie mille per i consigli molto utili che sfrutterò sicuramente la prossima volta
A presto, Laura |
| sent on August 20, 2013 (11:00) | This comment has been automatically translated (show/hide original)
very nice, shame about the bell cut ......
hello:-P molto bella, peccato per il campanile tagliato......
ciao |
| sent on August 20, 2013 (12:07) | This comment has been automatically translated (show/hide original)
Thank you so much for the comment :-)
Hello, Laura Grazie mille per il commento
Ciao, Laura |
| sent on August 27, 2013 (14:00) | This comment has been automatically translated (show/hide original)
Ah Premadio ... I know the area. For years I went to church ...
Quoto Lauro about the cut of the bell tower and the solution to include everything.
I say one more: lowering the resume point, you would have included more roof.
You could delete it by adding vignetting in post.
Together with the b / w the grain given by the high iso would come out a nice shot of the period.
hello
PS: I miss sciatt ... Ah Premadio... conosco la zona. Per anni sono andato a Chiesa...
Quoto Lauro circa il taglio del campanile e la soluzione per includerlo tutto.
Ne dico una in più: abbassando il punto di ripresa, avresti incluso più tetto.
Avresti potuto eliminarlo aggiungendo della vignettatura in post.
Unitamente al b/n e la grana data dagli alti iso sarebbe uscito un bello scatto d'epoca.
ciao
PS: mi mancano gli sciatt ... |
| sent on August 28, 2013 (0:36) | This comment has been automatically translated (show/hide original)
It 'was just Premadio, thank you very much for the advice Lorenzo. I am currently trying more and more shots with this subject, but changing the point of recovery and lowering the ISO, even if I have to settle only advice that I come here because I do not have many contacts with professional and amateur photographers have the opportunity to take classes from which I could learn something because here in the area there is little or nothing.
Eh sciatt are one of the strongest dishes of Valtellina.
Hello, you soon Laura E' si è proprio Premadio, grazie mille per i consigli Lorenzo. Attualmente sto provando altri scatti sempre con questo soggetto ma, cambiando punto di ripresa e abbassando gli iso, anche se mi devo accontentare solo dei consigli che mi arrivano qua perchè non ho molti contatti con fotografi professionisti e non ho la possibilità di fare corsi dai quali potrei imparare qualcosa perchè qua in zona c'è poco o niente.
Eh gli sciatt sono uno dei piatti forte della Valtellina.
Ciao, a presto Laura |
| sent on August 28, 2013 (8:28) | This comment has been automatically translated (show/hide original)
“ even if I have to settle only advice that I come here „
And well you should. However, since I imagine the opportunities are not you out there, I suggest you try various combinations.
Try this:
- Machine Av
- Iso fixed at 100
- Begins with an opening around 5.6 and close at each step.
Then repeat the same thing at iso 200, 400. The machine will do the rest.
When you have mastered the matching parameters between aperture / iso you'll see that the texture and the pdc will be your servants.
hello
Lorenzo " anche se mi devo accontentare solo dei consigli che mi arrivano qua"
E fai bene. Comunque, dato che immagino le occasioni non ti mancano, ti consiglio di provare varie combinazioni.
Prova così:
- macchina in Av
- iso fissi a 100
- inizia da un'apertura attorno ai 5,6 e chiudi ad ogni step.
Poi ripeti la stessa cosa a iso 200, 400. La macchina farà il resto.
Quando avrai assimilato i parametri di corrispondenza tra apertura/iso vedrai che la grana e la pdc saranno tue serve.
ciao
Lorenzo |
| sent on September 02, 2013 (18:10) | This comment has been automatically translated (show/hide original)
Thank you very much Lorenzo try :-)
You are a great help.
See you soon Laura Grazie mille Lorenzo proverò
Sei di grandissimo aiuto.
A presto Laura |
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