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| sent on August 12, 2013 (1:36) | This comment has been automatically translated (show/hide original)
compliments viper, shooting truly magnificent.
composition and balance lights managed really well ..
a greeting complimenti viper, scatto davvero magnifico.
composizione e bilanciamento luci gestiti davvero bene..
un saluto |
| sent on August 12, 2013 (12:31) | This comment has been automatically translated (show/hide original)
Thank you so much james! Grazie mille james! |
user6267 | sent on August 13, 2013 (7:17) | This comment has been automatically translated (show/hide original)
Wonderful light ... Three-dimensional guaranteed!
Congratulations:-P Splendida luce... Tridimensionalità garantita!!!
Complimenti |
| sent on August 13, 2013 (10:41) | This comment has been automatically translated (show/hide original)
Great shot, all well-run ... Ottimo scatto, tutto ben gestito... |
| sent on August 13, 2013 (14:12) | This comment has been automatically translated (show/hide original)
Thanks Felux and Fausto, you are too kind! Grazie felux e Fausto, siete troppo gentili! |
user20032 | sent on August 14, 2013 (16:35) | This comment has been automatically translated (show/hide original)
Beautiful, really a great photo. ;-) Splendida, davvero una gran foto.  |
| sent on August 17, 2013 (20:19) | This comment has been automatically translated (show/hide original)
Viper beautiful light!
I have a curiosity about TS, but on this type of shots makes much difference whether you can or just tiltshiftare of views with details subject to distortions?
bellissima luce Viper!!
avrei una curiosita sui TS: ma su questo tipo di scatti fa tanto la differenza il fatto di poter tiltshiftare oppure solo su panorami con dettagli soggetti a distorsioni?
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| sent on August 18, 2013 (9:59) | This comment has been automatically translated (show/hide original)
Thanks Ale and Misfits!
@ Misfits
The TS in the sights always makes a difference for several reasons:
1) tiltando the lens can have everything in focus from 0mt virtually to infinity already at room temperature, and when I say focus means your focus, not as the hyperfocal that works but up to a certain point.
2) for the reasons above, you can work at the optimum aperture of the lens (in the case of 17 is between 5.6 and 8, here I used 16 because I wanted the star effect of the sun) not caring of the PDC
3) having a smaller image circle much larger than a normal lens, the edges, unless shifti bad, you have no vignetting and also filters (with a special hack homebrew) do not give you any problems.
4) even if I do not like very much, you can play with the fire plan as ti think creating effects such as miniatures and the like with a normal lens can not achieve.
5) in the picture of landscape as in that of architecture, you can keep straight all those things that tend to storcersi with a wide-angle type trees, houses, cottage etc.etc.
This is more or less everything that comes to mind!
In fact, being able to afford it, if you do landscape and architecture, there is no valid reason for not taking them. I had taken the first of June, the 24tse that has left me stunned (a quality stratospheric), then I found an opportunity for indecent 17tse (equal quality of 24) that I could not grasp at that point, given the proximity of focal for fear of never use one of them, although I had taken recently, I decided to give away 24 to take the'1 .4 That, conceptually, is a lens completely different and complementary in one kit. All this blowjob to tell you that, since you're a tightrope walker of 24mm, in my opinion with a lens like the 24-tse'd be always at the amusement park, and you would have a quality of image center / edges simply sublime, unreachable by any normal lens (also the zeiss, I did the tests side by side with a 21, and although the latter is a great lens, I think the tse has something extra) ... Grazie Ale e Misfits!
@misfits
Il ts nei panorami fa sempre la differenza per vari motivi:
1) tiltando la lente puoi avere tutto a fuoco praticamente da 0mt a infinito già a TA, e quando dico a fuoco vuol dire proprio a fuoco, non come con l'iperfocale che funziona ma fino ad un certo punto.
2)per i motivi di cui sopra puoi lavorare ai diaframmi ottimali della lente (nel caso del 17 è tra 5.6 e 8, qui ho usato 16 perché volevo l'effetto stella del sole) fregandotene della PDC
3) avendo un cerchio di copertura molto più grande di una lente normale, ai bordi, a meno che non shifti di brutto, non hai nessuna vignettatura e anche i filtri (con apposito accrocco autocostruito) non ti danno nessun problema.
4) anche se a me non piacciono molto, puoi giocare con il piano di fuoco come ti pare creando effetti tipo miniature e simili che con una lente normale non riesci ad ottenere.
5) nella foto di paesaggio come in quella di architettura, riesci a tenere dritte tutte quelle cose che con un grandangolo tendono a storcersi tipo alberi, case, baite ecc.ecc.
Questo è più o meno tutto quello che mi viene in mente!
In effetti, potendo permetterseli, se si fa paesaggio ed architettura, non c'è un motivo valido per non prenderli. Io avevo preso i primi di giugno il 24tse che mi ha lasciato sbalordito (una qualità stratosferica), poi ho trovato un occasione indecente per il 17tse (pari qualita del 24) che non potevo non cogliere e a quel punto, vista la vicinanza di focali, per timore di non usare mai una delle due,nonostante lo avessi preso da poco, ho deciso di dar via il 24 per prendere l'1.4 che, concettualmente, è una lente completamente diversa e più complementare in un corredo. Tutta questa pippa per dirti che, visto che sei un funambolo dei 24mm, secondo me con una lente come il 24 tse staresti sempre al luna park, e avresti una qualità di immagine centro/bordi semplicemente sublime, non raggiungibile da qualsiasi lente normale(anche lo zeiss, ho fatto le prove fianco a fianco con un 21, e nonostante quest'ultima sia una grandissima lente, secondo me il tse ha qualcosa in più)... |
| sent on August 18, 2013 (11:54) | This comment has been automatically translated (show/hide original)
Viper thanks you've been more than clear, the 24mm I use it only for the capacity bright. I was planning to replace the 17-40 maybe because I use it only in hyperfocal to 17mm for sports such as skateboarding.
Out of curiosity, what is? grazie Viper sei stato piu che chiaro, il 24mm lo uso esclusivamente per le capacita luminose. Avevo in mente di sostituire magari il 17-40 visto che lo uso solo in iperfocale a 17mm anche per sport come lo skateboarding.
Per curiosità quanto viene? |
| sent on August 18, 2013 (12:20) | This comment has been automatically translated (show/hide original)
That this is the only sore point is about 2100 € new ... wow! Ecco questa è l'unica nota dolente: sono circa 2100€ nuovo... |
| sent on August 18, 2013 (13:00) | This comment has been automatically translated (show/hide original)
sti cazziwow! sti cazzi |
| sent on August 18, 2013 (13:30) | This comment has been automatically translated (show/hide original)
Yeah ... In fact they are just so many, for one when I found it in less soooooo I did not think twice about it, otherwise today would have had the 24 tse (which costs even less, € 1,700 or so) and I would have been happy just the same! ;-) Eh già... In effetti sono proprio tanti, per quello quando l'ho trovato a mooooolto meno non ci ho pensato su due volte, altrimenti oggi avrei avuto il 24 tse (che costa anche meno, 1700€ circa) e sarei stato felicissimo lo stesso! |
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