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| sent on September 16, 2025 (10:18) | This comment has been automatically translated (show/hide original)
Good job. I see some noise in the "neutral" areas, maybe with a sw like DxO you could improve your excellent image even more Bel lavoro. Vedo un po' di rumore nelle zone "neutre", forse con un sw come DxO potresti migliorare ancora la tua ottima immagine |
| sent on September 16, 2025 (10:29) | This comment has been automatically translated (show/hide original)
Your photos are always textbook! :-)
Congratulations Antonio
Greetings
Federico Le tue foto sono sempre da manuale!
Complimenti Antonio
Un saluto
Federico |
| sent on September 16, 2025 (10:51) | This comment has been automatically translated (show/hide original)
An excellent recovery Una ripresa eccellente |
| sent on September 16, 2025 (11:07) | This comment has been automatically translated (show/hide original)
Fantastic interior shooting with excellent color rendering; congratulations
Elisabetta Fantastica ripresa di interni con ottima resa cromatica; complimenti
Elisabetta |
| sent on September 16, 2025 (11:12) | This comment has been automatically translated (show/hide original)
Thank you Yellow.
In the "neutral" areas rather than noise, I would see a blur given by 85 at f/4.
In post production, I have been using Lightroom for many years. I'm so used to using it
so much that I don't consider other software.
Sincerely, Antonio Grazie Giallo.
Nelle zone "neutre" più che rumore, io vedrei una sfocatura data dall'85 a f/4.
In post produzione, io adopero Lightroom da tanti anni. Sono talmente abituato ad usarlo
tanto da non prendere in considerazione altri software.
Cordiali saluti, Antonio |
| sent on September 16, 2025 (11:34) | This comment has been automatically translated (show/hide original)
Federico, as usual you are always very kind. Thank you.
A cordial greeting, Antonio Federico, come al solito sei sempre molto gentile. Grazie.
Un cordiale saluto, Antonio |
| sent on September 16, 2025 (11:38) | This comment has been automatically translated (show/hide original)
Thank you Elisabetta.
Even some churches in Rome defend themselves very well in terms of mosaics.
There is not only Ravenna... :-D !!
A good day, Antonio Grazie Elisabetta.
Anche alcune chiese di Roma si difendono molto bene in fatto di mosaici.
Non esiste solo Ravenna... !!
Una buona giornata, Antonio |
| sent on September 16, 2025 (11:43) | This comment has been automatically translated (show/hide original)
Gianni Fazer thank you for visiting.
For the "excellent" shot I have to thank my 85/1.4 45 years old, but always
tireless and tireless... ;-) !!
Kind regards, Antonio Gianni Fazer grazie per la visita.
Per l'"eccellente" ripresa devo ringraziare il mio 85/1.4 vecchio di 45 anni, ma sempre
gionvincello e instancabile... !!
Saluti cordiali, Antonio |
| sent on September 16, 2025 (11:57) | This comment has been automatically translated (show/hide original)
Hi Antonvito. By neutral area I meant the gray frame, devoid of significant details, which constitutes the perimeter of the nearest arch, to understand the one surmounted by the mosaic depicting the Lamb.
Instead, as far as the lens is concerned, I see that the peripheral area on the left (e.g. capital) is sufficiently detailed even in the out-of-focus, while the corresponding one on the right is much poorer: in my opinion it would be worth checking the alignment of the lenses of the optics. Ciao Antonvito. Per zona neutra intendevo la cornice grigia, priva di dettagli significativi, che costituisce il perimetro dell'arcata più vicina, per capirci quella sormontata dal mosaico raffigurante l'Agnello, quindi ovviamente non fuori fuoco.
Invece, per quanto concerne l'obiettivo, vedo che la zona periferica di sinistra (ad es. capitello) è sufficientemente dettagliata anche nel fuori fuoco, mentre quella corrispondente di destra è assai più scadente: a mio parere varrebbe la pena di far controllare l'allineamento delle lenti dell'ottica. |
| sent on September 16, 2025 (12:42) | This comment has been automatically translated (show/hide original)
Hello Yellow63.
I looked carefully at the image and in my mind I returned to see the scene.
The gray frame is at least 20/25 meters from Christ, the central figure of the shot, on which I
focused. So I don't know if with f/4 I can also have the area sharply before the 20/25mt of the
set focus. Unfortunately I no longer have the depth-of-field tables of this lens
due to its age.
About the difference in detail between right and left, it is a detail that I also noticed.
At first, I attributed the phenomenon to a misalignment of the camera. However, I do not exclude
that it may be the alignment of the lenses. If they don't ask me too much,
I'll take a trip to CSA (the Nikon service in Rome). It's a goal I care a lot about.
Thanks for the comment, Antonio Ciao Giallo63.
Ho riguardato con attenzione l'immagine e con la mente sono ritornato a vedere la scena.
La cornice grigia dista almeno 20/25 mt dal Cristo, figura centrale dello scatto, su cui ho messo
a fuoco. Non so quindi se con f/4 riesco ad avere nitido anche la zona prima dei 20/25mt del
fuoco impostato. Purtroppo non ho più le tabelle delle profondità di campo di questo obiettivo
data la sua età.
Circa la differenza di dettaglio fra destra/sinistra é un particolare che ho notato anche io.
In prima analisi, ho imputato il fenomeno a un disi-allineamento della fotocamera. Non escludo
però che possa trattarsi dell'allineamento delle lenti. Se non mi chiedono troppo, un giro da
CSA (il service Nikon a Roma) lo faccio. E' un obiettivo a cui tengo parecchio.
Grazie per il commento, Antonio |
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