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| sent on January 07, 2025 (21:07) | This comment has been automatically translated (show/hide original)
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| sent on January 13, 2025 (17:26) | This comment has been automatically translated (show/hide original)
Very beautiful, I really like the overlapping lights with the subject's eyes Molto bella, mi piace moltissimo la sovrapposizione luci con gli occhi del soggetto |
| sent on January 13, 2025 (20:13) | This comment has been automatically translated (show/hide original)
Thank you! I've been looking for something similar for a while, because I'm practicing double exposures but still not getting the results I imagine. This one came out well for me, but I'm far from having consistent results. ti ringrazio! era da un po' che cercavo qualcosa di simile, perché mi sto esercitando sulle doppie esposizioni ma ancora non ottengo i risultati che mi immagino. Questa mi è venuta bene, ma sono lontano da avere risultati costanti. |
| sent on January 13, 2025 (21:21) | This comment has been automatically translated (show/hide original)
Splendid, beautiful tones, profile and illuminated eye.
Congratulations also for the story I read on your site.
Hi,W Splendida, belli i toni, il profilo e l'occhio illuminato.
Complimenti anche per il racconto che ho letto sul tuo sito.
Ciao,
W |
| sent on January 13, 2025 (21:49) | This comment has been automatically translated (show/hide original)
Continue this research on double exposure; you can see that you have something inside that moves you and they are not just exercises for their own sake.
good Continuala questa ricerca sulla doppia esposizione; si vede che hai qualcosa dentro che ti muove e non sono solo esercizi fini a se stessi.
Bravo |
| sent on January 13, 2025 (22:56) | This comment has been automatically translated (show/hide original)
Hi Luigi and Walter, thank you very much. I don't know, many double exposures leave me perplexed, but some that I have seen - like the one mentioned in the article - intrigue me. If by chance you know authors who have tried their hand at this, I am very curious to know them, because I have not found much by exploring the internet.
In general, I practice a lot to have a little more arrows to my bow when I have to tell a story (usually about bikes...): in the same way I practiced (and still practice) with the flash on the second curtain, which is very kitsch but sometimes has its reason :D Ciao Luigi e Walter, grazie davvero. Non so, molte doppie esposizioni mi lasciano perplesso, ma alcune che ho visto - come quella menzionata nell'articolo - mi intrigano. Se per caso conoscete autori che si sono cimentati con questo, sono molto curioso di conoscerli, perché non ho trovato molto esplorando internet.
In generale, mi esercito molto per avere un po' più di frecce al mio arco quando poi devo raccontare una storia (di solito di bici...): allo stesso modo mi sono esercitato (e mi esercito ancora) con il flash sulla seconda tendina, che è molto kitsch ma ogni tanto ha il suo perché :D |
| sent on January 14, 2025 (6:12) | This comment has been translated
Nice! |
| sent on February 23, 2025 (19:55) | This comment has been automatically translated (show/hide original)
hello Walter. Thank you very much, interesting article and also the photos! Of course, with double exposures it is almost always a lottery, it is really difficult to predict what will come out. Or maybe it's just a matter of training, and I'll insist :D ciao Walter. grazie mille, articolo interessante e anche le foto! certo con le doppie esposizioni è quasi sempre un terno al lotto, è davvero difficile prevedere cosa viene fuori. O forse è solo questione di allenamento, e insisterò :D |
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