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| sent on October 11, 2024 (8:33) | This comment has been translated
Incredible! |
| sent on October 11, 2024 (11:53) | This comment has been automatically translated (show/hide original)
Interesting as a composition and beautiful sky and trees. I would lower the brightness / saturation in the lawn to better match the context.
Have a nice day Paolo, hello!
Elizabeth :-) Interessante come composizione e belli il cielo e gli alberi. Abbasserei la luminosità /saturazione nel prato per meglio uniformarlo al contesto.
Buona giornata Paolo, ciao!
Elisabetta |
| sent on October 11, 2024 (13:51) | This comment has been automatically translated (show/hide original)
Excellent execution and management of the free hand, splendid colors oly, congratulations Ottima esecuzione e gestione del mano libera,splendidi i colori oly, complimenti |
| sent on October 11, 2024 (14:47) | This comment has been automatically translated (show/hide original)
Thank you
Giallo,
Elisabetta (I had tried to lower the light and saturation on the lawn, but the photo became too dark),
Boland. Grazie
Giallo,
Elisabetta (avevo provato ad abbassare luce e saturazione sul prato, ma la foto mi diventava troppo buia),
Boland. |
| sent on October 11, 2024 (15:15) | This comment has been automatically translated (show/hide original)
Great job, congratulations Claudio!
Hi, Sergio ;-) :-P Ottimo lavoro, complimenti Claudio!
Ciao, Sergio  |
| sent on October 11, 2024 (15:17) | This comment has been automatically translated (show/hide original)
Thanks Sergio. Grazie Sergio. |
| sent on October 11, 2024 (15:28) | This comment has been automatically translated (show/hide original)
Thank you Giancarlo, you are freehand and with this car it is ordinary, it is I who am generally afraid to push myself to these times, but he faces them calmly. It's not even that mind-blowing, considering I shot at 12mm. Given the format, they are equivalent to 24 FF and therefore the stabilizer had to compensate by about 6 stops. The combined action of body and this lens is given to compensate for "up to 8 stops" (which has always seemed a bit of an exaggeration to me), well 5-6 and even 6 and a half holds them up well. Grazie Giancarlo, si è a mano libera e con questa macchina è cosa ordinaria, sono io che in genere ho paura a spingermi a questi tempi, ma li affronta tranquillamente. Non è nemmeno così strabiliante, considerando che ho scattato a 12 mm. Dato il formato, equivalgono a 24 FF e quindi lo stabilizzatore ha dovuto compensare di circa 6 stop. L'azione combinata di corpo e questa lente è data per compensare "fino a 8.5 stop" (che mi è sempre sembrata un po' un'esagerazione), beh 5-6 e anche 6 e mezzo li regge benone. |
| sent on October 11, 2024 (15:47) | This comment has been automatically translated (show/hide original)
Very beautiful and suggestive, congratulations Claudio!
Greetings Agata ;-) ;-) Molto bella e suggestiva, complimenti Claudio!
Un saluto Agata |
| sent on October 11, 2024 (15:48) | This comment has been automatically translated (show/hide original)
Thanks Agata! Grazie Agata! |
| sent on October 11, 2024 (16:56) | This comment has been automatically translated (show/hide original)
TOP TOP |
| sent on October 11, 2024 (17:03) | This comment has been automatically translated (show/hide original)
Thanks W! Grazie W! |
| sent on October 11, 2024 (17:23) | This comment has been automatically translated (show/hide original)
Excellent shot! Congratulations
PS: I share Elisabetta Leobardi's advice Eccellente scatto! Complimenti
PS: condivido il consiglio di Elisabetta Leobardi |
| sent on October 11, 2024 (17:25) | This comment has been automatically translated (show/hide original)
Thank you Enrico!
As I said to Elisabetta, I tried to do it. But the lawn is a bit like the "point of light" of the photo, if I touch it it becomes too "dull". Grazie Enrico!
Come dicevo a Elisabetta, ho provato a farlo. Ma il prato è un po' il "punto luce" della foto, se lo tocco diventa troppo "smorta". |
| sent on October 11, 2024 (18:10) | This comment has been automatically translated (show/hide original)
magnetic light for a decidedly well-executed effect composition despite the real technical difficulty.
... excellent experiments luce magnetica per una composizione d'effetto decisamente ben eseguita nonostante la reale difficoltà tecnica.
... ottime sperimentazioni |
| sent on October 11, 2024 (18:13) | This comment has been automatically translated (show/hide original)
Thank you very much Simone, actually no difficulty, just that brief moment of "tension" when the shutter speed seems infinite to you, and you feel the inevitable slight oscillations while trying to stay as still as possible freehand (but Santo Stabilizer solves everything for you). Grazie mille Simone, in realtà nessuna difficoltà, solo quel breve momento di "tensione" quando il tempo di scatto ti sembra infinito, e avverti le inevitabili lievi oscillazioni pur cercando di stare il più fermo possibile a mano libera (ma Santo Stabilizzatore risolve tutto per te). |
| sent on October 11, 2024 (18:16) | This comment has been automatically translated (show/hide original)
well you say little :-) beh dici poco |
| sent on October 11, 2024 (18:27) | This comment has been automatically translated (show/hide original)
Excellent shot ever, incredible considering the difficulties of controlling a light coming from a street lamp. :-or
Really congratulations
Hello
Emanuele Eccellente scatto in assoluto, incredibile ove si considerino le difficoltà di controllo di una luce a provenienza da un lampione..
Davvero complimenti
Ciao
Emanuele |
| sent on October 11, 2024 (18:32) | This comment has been automatically translated (show/hide original)
Thank you very much! In reality, the possibilities of very long exposure (for the free hand) given by the stabilizer, the fact that the lens is "sharp" at f2.8 and the efficiency of rendering even from very high isos, make everything simple. The little light present is amplified a lot, and the AI noise reduction incredibly optimizes the signal-to-noise ratio (it never ceases to surprise me, yet I was among the first to use DxO's when it first came out with these techniques - here, however, it is that of Adobe Camera Raw). Grazie mille! In realtà le possibilità di lunghissima esposizione (per la mano libera) date dallo stabilizzatore, il fatto che la lente sia "sharp" a f2.8 e l'efficienza di resa anche da iso altissimi, rendono tutto semplice. La poca luce presente viene amplificata molto, e la riduzione di rumore AI ottimizza in modo incredibile il rapporto segnale-rumore (non finisce mai di sorprendermi, eppure fui fra i primi a usare quella di DxO quando per primo se ne uscì con queste tecniche - qui però è quella di Adobe Camera Raw). |
| sent on October 11, 2024 (19:03) | This comment has been automatically translated (show/hide original)
Magnificent night scene. A seemingly impossible freehand shot, miracles of the stabilizer and modern techniques in
pp.Sincere congratulations.
Roberto Magnifica scena notturna. Uno scatto a mano libera apparentemente impossibile, miracoli dello stabilizzatore e delle moderne tecniche in pp.
Sinceri complimenti.
Roberto |
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