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| sent on July 10, 2024 (9:36) | This comment has been automatically translated (show/hide original)
YOUR sun is always more beautiful! Sempre più bello il TUO sole! |
| sent on July 10, 2024 (9:44) | This comment has been automatically translated (show/hide original)
Thank you so much Black!  Grazie mille Black! |
| sent on July 10, 2024 (10:07) | This comment has been translated
Impressive! |
| sent on July 10, 2024 (10:17) | This comment has been automatically translated (show/hide original)
Hi Axl, thank you so much! Ciao Axl, grazie mille! |
| sent on July 10, 2024 (11:57) | This comment has been translated
Beautiful! |
| sent on July 10, 2024 (12:26) | This comment has been automatically translated (show/hide original)
Hi Fab, thank you so much! Ciao Fab, grazie mille! |
| sent on July 19, 2024 (9:25) | This comment has been automatically translated (show/hide original)
Very nice Daniele.
I notice that you shot with a Fuji, how did you find yourself in color management and how did you manage the shot? Molto bella Daniele.
Noto che hai effettuato la ripresa con una Fuji, come ti sei trovato nella gestione del colore e come hai gestito la ripresa? |
| sent on July 30, 2024 (11:17) | This comment has been automatically translated (show/hide original)
Hi Gianluca, thank you very much for your appreciation! As for the color, the shooting is monocratic, false colors are added in post... It is a very particular type of filming, in fact videos are made and then with special software only the best frames are selected, i.e. those that are less affected by atmospheric turbulence... Ciao Gianluca grazie mille per l'apprezzamento! Per quanto riguarda il colore, la ripresa è monocratica, i falsi colori sono aggiunti in post... Si tratta di un tipo di riprese molto particolari, in effetti vengono fatti dei video e poi con software apposito si selezionano solo i fotogrammi migliori ovvero quelli che risentono meno della turbolenza atmosferica... |
| sent on July 30, 2024 (11:46) | This comment has been automatically translated (show/hide original)
Thanks for the answer Daniele, the technique is clear to me, I also do several shots in h-alpha and beyond. I was referring to the fact that Fuji I imagine has a color sensor and I know from experience that in solar imaging the R channel saturates less than nothing and often leave a matrix as an artifact. Do you have the option to shoot in 2x Binning? Grazie della risposta Daniele, la tecnica mi è chiara, anche io faccio diverse riprese in h-alpha e non solo. Mi riferivo al fatto che la Fuji immagino abbia un sensore a colori e so per esperienza che nelle riprese solari il canale R satura in meno di niente e spesso lasciano una matrice come artefatto. Hai la possibilità di riprendere in Binning 2x? |
| sent on July 31, 2024 (6:48) | This comment has been automatically translated (show/hide original)
Hi Gianluca, now I understand your question, excuse me. So, in the meantime it must be said that I don't take raw photos but jpegs or even better videos. This is because after many tests I have seen that it is better to have more frames to add than a few raw frames. Then, what I do is set the type of digital film to black and white, plus Fuji has additional options including black and white with red filter. I choose this one because it is the one that gives me the most signal. It won't be like having a dedicated mono camera (which sooner or later I'll get) but neither will it be like having a dedicated mono camera where they say that color cameras are unusable for narrowband shooting because you quarter of the pixels are blind. (And in the case of Fuji it would be even worse because it has a weird matrix with many more green pixels than reds and blues) Never had any artifact problems with the Fuji matrix. Hello, Daniele Ciao Gianluca, adesso capisco la tua domanda scusami. Dunque, intanto bisogna dire che non faccio foto raw ma jpeg o ancora meglio video. Questo perché dopo molti test ho visto che è meglio avere più fotogrammi da sommare che pochi fotogrammi raw. Poi, quello che faccio è impostare il tipo di pellicola digitale in bianco e nero, inoltre la Fuji ha opzioni aggiuntive tra cui bianco e nero con filtro rosso. Scelgo questo perché è quello che mi dà più segnale. Non sarà come avere una camera mono dedicata (che prima o poi mi prenderò) ma neanche come scrivono sui siti dedicati dove si dice che le camere a colori sono inutilizzabili per riprese in banda stretta perché tre quarti dei pixel sono ciechi. (E nel caso della Fuji sarebbe ancora peggio perché ha una matrice strana con molti più pixel verdi dei rossi e blu) Mai avuto problemi di artefatti con la matrice della Fuji. Ciao, Daniele |
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